"A powerful portrait of the oppressed and the forms of oppression that occur in India."—Theodore Riccardi, Jr., Columbia University

Until now the large body of socially focused Bengali literature has remained little known to Western readers. This collection includes some of the finest examples of Bengali short stories—stories that reflect the turmoil of a changing society traditionally characterized by rigid hierarchical structures of privilege and class differentiation. Written over a span of roughly ninety years from the early 1890s to the late 1970s, the twenty stories in this collection represent the work of five authors. Their characters, drawn from widely varying social groups, often find themselves caught up in tumultuous political and social upheaval.The reader encounters Rabindranath Thakur's extraordinarily spirited and bold heroines; Manik Bandyopadhyay's peasants, laborers, fisherfolk, and outcastes; and Tarashankar Bandyopadhyay's rural underclass of snake-charmers, corpse-handlers, stick-wielders, potters, witches, and Vaishnava minstrels. Mahasweta Devi gives voice to the semi-landless tribals and untouchables effectively denied the rights guaranteed them by the Constitution; Hasan Azizul Huq depicts the plight of the impoverished of Bangladesh.

Uses diaries, memoirs, fiction, trial testimony, personal recollections, and eyewitness accounts to weave a fascinating tale of what ordinary Japanese endured throughout their country's booming economic growth.

This compelling social history uses diaries, memoirs, fiction, trial testimony, personal recollections, and eyewitness accounts to weave a fascinating tale of what ordinary Japanese endured throughout their country’s era of economic growth. Through vivid, often wrenching accounts of peasants, miners, textile workers, rebels, and prostitutes, Mikiso Hane forces us to see Japan’s “modern century” (from the beginnings of contact with the West to World War II) through fresh eyes. In doing so, he mounts a formidable challenge to the success story of Japan’s “economic miracle.” Starting with the Meiji restoration of 1868, Hane vividly illustrates how modernization actually widened the gulf, economically and socially, between rich and poor, between the mo-bo and mo-ga (“modern boy” and “modern girl”) of the cities and their rural counterparts. He interlaces his scholarly narrative with sharply etched individual stories that allow us see Japan from the bottom up. We feel the back-breaking labor of a typical farm family; the anguish of poverty-stricken parents forced to send their daughters to Japan’s new mills, factories, and brothels; the hopelessness in rural areas scourged by famine; the proud defiance of women battling against patriarchy; and the desperation of being on strike in a company town, in revolt in the countryside, or conscripted into the army. This updated edition is enhanced by a substantive new introduction by Samuel H. Yamashita. By allowing the underprivileged to speak for themselves, Hane and Yamashita present us with a unique people’s history of an often-hidden world.

Originally published in 1956, A River Called Titash is among the most highly acclaimed novels in Bengali literature. A unique combination of folk poetry and ethnography, Adwaita Mallabarman's tale of a Malo fishing village at the turn of the century captures the songs, speech, rituals, and rhythms of a once self-sufficient community and culture swept away by natural catastrophe, modernization, and political conflict. Both historical document and work of art, this lyrical novel provides an intimate view of a community of Hindu fishers and Muslim peasants, coexisting peacefully before the violent partition of Bengal between India and East Pakistan (now Bangladesh). Mallabarman's story documents a way of life that has all but disappeared. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1993. Originally published in 1956, A River Called Titash is among the most highly acclaimed novels in Bengali literature. A unique combination of folk poetry and ethnography, Adwaita Mallabarman's tale of a Malo fishing village at the turn of the centur

This volume brings a variety of new approaches and contexts to modern and contemporary women’s writing. Contributors include both new and well-established scholars from Europe, Australia, the USA, and the Caribbean. Their essays draw on, adapt, and challenge anthropological perspectives on rites of passage derived from the work of Arnold van Gennep and Victor Turner. Collectively, the essays suggest that women’s writing and women’s experiences from diverse cultures go beyond any straightforward notion of a threefold structure of separation, transition, and incorporation. Some essays include discussion of traditional rites of passage such as birth, motherhood, marriage, death, and bereavement; others are interested in exploring less traditional, more fluid, and/or problematic rites such as abortion, living with HIV/AIDS, and coming into political consciousness. Contributors seek ways of linking writing on rites of passage to feminist, postcolonial, and psychoanalytic theories which foreground margins, borders, and the outsider. The three opening essays explore the work of the Zimbabwean writer Yvonne Vera, whose groundbreaking work explored taboo subjects such as infanticide and incest. A wide range of other essays focus on writers from Africa, the Americas, Asia, Australia, and Europe, including Jean Rhys, Bharati Mukherjee, Arundhati Roy, Jean Arasanayagam, Victoria Nalani Kneubuhl, and Eva Sallis. Rites of Passage in Postcolonial Women’s Writing will be of interest to scholars working in the fields of postcolonial and modern and contemporary women’s writing, and to students on literature and women’s studies courses who want to study women’s writing from a cross-cultural perspective and from different theoretical positions. Contributors: Lizzy Attree, Lopamudra Basu, Katrin Berndt, Gay Breyley, Helen Cousins, Tanya Dalziell, Alexandra Dumitrescu, Anna Gething, Jessica Gildersleeve, Sharanya Jayawickrama, Kimberley M. Jew, Polina Mackay, Alexandra W. Schultheis, Rachel Slater, Irene Visser.