Of Human Bondage (1915) is a novel by W. Somerset Maugham. Inspired by his experiences as an orphan and young student, Maugham composed his masterpiece. Adapted several times for film, Of Human Bondage is a story of tragedy, perseverance, and the eternal search for happiness which drives us as much as it haunts our every move. Orphaned as a boy, Philip Carey is raised in an affectionless household by his aunt and uncle. Although his Aunt Louisa tries to make him feel welcome, William proves an uncaring, vindictive man. Left to fend for himself most days, Philip finds solace in the family’s substantial collection of books, which serve as an escape for the imaginative boy. Sent to study at a prestigious boarding school, Philip struggles to fit in with his peers, who abuse him for his intelligence and club foot. Despite his struggles, he perseveres in his studies and chooses his own path in life, moving to Heidelberg, Germany and denying his uncle’s wish that he attend Oxford. As he struggles to become a professional artist, Philip learns that one’s dreams are often unsubstantiated in the world of the living. Of Human Bondage is a tale of desire, disappointment, and romance by a master stylist with a keen sense of the complications inherent to human nature. With a beautifully designed cover and professionally typeset manuscript, this edition of W. Somerset Maugham’s Of Human Bondage is a classic work of British literature reimagined for modern readers.

Holy War and Human Bondage: Tales of Christian-Muslim Slavery in the Early-Modern Mediterranean tells a story unfamiliar to most modern readers—how this pervasive servitude involved, connected, and divided those on both sides of the Mediterranean. The work explores how men and women, Christians and Muslims, Jews and sub-Saharan Africans experienced their capture and bondage, while comparing what they went through with what black Africans endured in the Americas. Drawing heavily on archival sources not previously available in English, Holy War and Human Bondage teems with personal and highly felt stories of Muslims and Christians who personally fell into captivity and slavery, or who struggled to free relatives and co-religionists in bondage. In these pages, readers will discover how much race slavery and faith slavery once resembled one other and how much they overlapped in the Early-Modern mind. Each produced its share of personal suffering and social devastation—yet the whims of history have made the one virtually synonymous with human bondage while confining the other to almost complete oblivion.

An essay recounting the breakup of the marriage of Somerset Maugham and his wife, Syrie.

Perhaps everything we think, feel, and do is determined, and humans--like stones or clouds--are slaves to the laws of nature. Would that be a terrible state? Philosophers who take the incompatibilist position think so, arguing that a deterministic world would be one without moral responsibility and perhaps without true love, meaningful art, and real rationality. But compatibilists and semicompatibilists argue that determinism need not worry us. As long as our actions stem, in an appropriate way, from us, or respond in some way to reasons, our actions are meaningful and can be judged on their moral (or other) merit. In this highly original work, Nomy Arpaly argues that a deterministic world does not preclude moral responsibility, rationality, and love--in short, meaningful lives--but that there would still be something lamentable about a deterministic world. A person may respond well to reasons, and her actions may faithfully reflect her true self or values, but she may still feel that she is not free. Arpaly argues that compatibilists and semicompatibilists are wrong to dismiss this feeling--for which there are no philosophical consolations--as philosophically irrelevant. On the way to this bittersweet conclusion, Arpaly sets forth surprising theories about acting for reasons, the widely accepted idea that "ought implies can," moral blame, and more.

A masterpiece of modern literature that mirrors Maugham’s own career. Of Human Bondage is the first and most autobiographical of Maugham's novels. It is the story of Philip Carey, an orphan eager for life, love and adventure. After a few months studying in Heidelberg, and a brief spell in Paris as a would-be artist, Philip settles in London to train as a doctor. And that is where he meets Mildred, the loud but irresistible waitress with whom he plunges into a formative, tortured and masochistic affair which very nearly ruins him.

A club-footed orphan struggles for independence, his intellectual development and his attempt to become an artist.

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