"If people turn to look at you in the street, you are not well dressed, but either too stiff, too tight, or too fashionable." -- Beau Brummell Long before tabloids and television, Beau Brummell was the first person famous for being famous, the male socialite of his time, the first metrosexual -- 200 years before the word was conceived. His name has become synonymous with wit, profligacy, fine tailoring, and fashion. A style pundit, Brummell was singly responsible for changing forever the way men dress -- inventing, in effect, the suit. Brummell cut a dramatic swath through British society, from his early years as a favorite of the Prince of Wales and an arbiter of taste in the Age of Elegance, to his precipitous fall into poverty, incarceration, and madness. Brummell created the blueprint for celebrity crash and burn, falling dramatically out of favor and spending his last years in a hellish asylum. For nearly two decades, Brummell ruled over the tastes and pursuits of the well heeled and influential, and for almost as long, lived in penury and exile. With vivid prose, critically acclaimed biographer Ian Kelly unlocks the glittering, turbulent world of late-eighteenth/early-nineteenth-century London -- the first truly modern metropolis: venal, fashion-and-celebrity obsessed, self-centered and self-doubting -- through the life of one of its greatest heroes and most tragic victims. Brummell personified London's West End, where a new style of masculinity and modern men's fashion were first defined. Brummell was the leading Casanova and elusive bachelor of his time, appealing to both men and women of his society. The man Lord Byron once claimed was more important than Napoleon, Brummell was the ultimate cosmopolitan man. "Toyboy" to Georgiana, Duchess of Devonshire, and leader of playboys including the eventual king of England, Brummell inspired Pushkin to write Eugene Onegin, and Byron to write Don Juan, and he influenced others from Oscar Wilde to Coco Chanel. Through love letters, historical records, and poems, Kelly reveals the man inside the suit, unlocking the scandalous behavior of London's high society while illuminating Brummell's enigmatic life in the colorful, tumultuous West End. A rare rendering of an era filled with excess, scandal, promiscuity, opulence, and luxury, Beau Brummell is the first comprehensive view of an elegant and ultimately tragic figure whose influence continues to this day.

Walden has written a text on dandyism which he argues is a deeply-rooted and a uniquely English phenomenon. Using the celebrated life-portrait of the dying Beau Brummell by Jules Barbey (included at the end of the book), he shows in this text who are today's supreme dandies and who its fops.

What is a dandy? Carlyle said he was a man whose "existence consists in the wearing of clothes." Isak Dinesen worshipped the freedom of the aesthete as a special Satan. But even these definitions are not enough to contain the dazzling originalities of Lord Chesterfield, Oscar Wilde, George Sand, Max Beerbohm, Baudelaire, Jean Cocteau--all of them dandies. Jules Barbey D'Aurevilly's jewel-like writing on the sensibility of dandyism has never been equaled as the study of life lived as style. His Dandyism, with a new preface by Quentin Crisp, is now back in print in America after an absence of nearly a century. The implication for today's obsession with fashion and personality make this 1845 study of the cult of the self as timely and thoughtful as ever. In the spectacles of contemporary society, the body easily becomes a cultural text. Barbey d'Aurevilly looks behind the mask of English society in the Regency period to show how life can be lived as ironic performance. In his own magnificent performance as a writer one can feel the aroma of manners exuded by the eponymous Beau Brummell who is the star of this miniature portrait of elegant hedonism and spectacular decline. "Brummell was descended from the people of the north, lymphatic and pale, like their mother the sea ...." are the words he uses to describe the Englishman. No wonder his contemporary Lord Byron said he would rather be Brummell than Napoleon. Jules Barbey d'Aurevilly himself lived the life of a dandy in an age that was beginning to define our idea of modernist sensibility. He wrote over fifty volumes of novels, short stories, criticism, and letters, one of the most provocative his study of women, The Diaboliques. He was also the model for Des Esseintes in Huysmans' decadent novel Against Nature. Barbey d'Aurevilly died in 1889, at the age of eighty, in utter poverty but surrounded by his Angora cats.--Adapted from dust jacket.

Philip Mann chronicles the relationship of dandyism and the emerging cultural landscape of modernity via portraits of Regency England's Beau Brummel – the first dandy – and six twentieth-century figures: Austrian architect Adolf Loos, the Duke of Windsor, neo-Edwardian courtier Bunny Roger, writer and raconteur Quentin Crisp, French film producer Jean-Pierre Melville, and New German Cinema enfant terrible and inverted dandy Rainer Werner Fassbinder. He blends memorable anecdotes with acute analysis to explore their style, identity and influence and interweaves their stories with an entertaining history of tailoring and men's fashion. The Dandy at Dusk contextualizes the relationship between dandyism, decadence and modernism, against the background of a century punctuated by global conflict and social upheaval.

Celebrating 250 years of male self-expression, investigating the portraiture and wardrobe of the fashionable British man The style of the dandy is elegant but bold--dedicated to the perfection of taste. This meticulously choreographed look has a vibrant history; the legacy of Beau Brummell, the original dandy of Regency England, can be traced in the clothing of urban dandies today. Dandy Style celebrates 250 years of male self-expression, investigating the portraiture and wardrobe of the fashionable British man. Combining fashion, art, and photography, the historic and the contemporary, the provocative and the respectable, it considers key themes in the development of male style and identity, including elegance, uniformity, and spectacle. Various types of dandy are represented by iconic figures such as Oscar Wilde, Edward VIII as Prince of Wales, and Gilbert & George. They appear alongside the seminal designs of Vivienne Westwood, Ozwald Boateng, and Alexander McQueen; and portraits by Thomas Gainsborough and David Hockney.

Offers ideas tailored to the modern male or metrosexual. This book defines six takes on the 21st-century dandy.