This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas.

First published in 1972, this set of 9 volumes contains all contemporary British periodical reviews of the first (or other significantly early) editions from 1793 and 1824 of works by William Wordsworth, Samuel Taylor Coleridge, George Gordon Byron, Percy Bysshe Shelley, and John Keats. In addition, a few later reviews are supplied, as well as a substantial number of reviews of other contemporary figures, including William Godwin, Robert Southey, Samuel Rogers, Thomas Campbell, Thomas Moore, Leigh Hunt, William Hazlitt, and Mary Wollstonecraft Shelley. Introductions to each periodical provide brief sketches of each publication as well as names, dates and bibliographical information. Headnotes offer bibliographical data of the reviews and suggested approaches to studying them. The index serves to locate authors and titles reviewed, reviewers, sources of quotations, other people and works mentioned and other proper nouns of interest. This comprehensive set will be of interest to those studying the Romantics and English literature.

From Song to Print is a study of the major cultural transition from oral forms of art and discourse to the commercial culture of print that happened during the Industrial Revolution. Through a discussion of ancient musical forms (classical, biblical, and early-modern poetry of song), this book explores the typographical simulation of music and oral poetry during the nineteenth century. Original and innovative, this work shows how the musical writings of Romantic poets, such as Wordsworth, Coleridge, Byron, and Keats, evoke antique cultures and ancient settings while offering a critique of their own imitative forms and the modern, commercial context in which they appear.