#1 New York Times bestselling author Christine Feehan tells the story of Abigail Drake, one of seven elementally gifted sisters who are fated to find great love. As the third daughter in a magical bloodline, Abigail Drake was born with a mystical affinity for water, and possessed a particularly strong bond with dolphins. She spent her entire life studying them, learning from them, and swimming among them in the waters off her hometown of Sea Haven... Until the day Abby witnessed a cold-blooded murder on shore, and found herself fleeing for her life—right into the arms of Alexsandr Volstov. He’s an Interpol agent on the trail of stolen Russian antiquities, a relentless man who gets what he goes after—and the man who broke Abby’s heart. But he isn’t going to let the only woman he ever loved be placed in harm’s way—or slip away from his embrace.

This book was written in deep thoughts and desire of one’s true self, in dreams, in memories, in wishes. My true loyalty to God, to nature, to moving oceans centered in the mist of a black universe. Cameo, a carved seashell, pink on white, trimmed with gold. Carved by man to show a beautiful reflection of a woman. Mother, daughter, sister, and young child. I was born aside the ocean. I lived most of my life by the ocean and someday to be lain down in ashes back to the ocean. I hope you all enjoy this book of poems.

In this book the authors make the case for renewable energy and renewable energy policy. Each chapter begins with an inspiring story by someone working in renewable energy or a related field.

Description of the data products that will be produced from the named scientific missions.

Major literary figure and “master of language” (The New York Times) John Edgar Wideman uses his unique generational perspective to explore what he calls the “slaveroad,” a daunting, haunting reality that runs throughout American history. John Edgar Wideman’s “slaveroad” is a palimpsest of physical, social, and psychological terrain, the great expanse to which he writes in this groundbreaking work that unsettles the boundaries of memoir, history, and fiction. The slaveroad begins with the Atlantic Ocean, across which enslaved Africans were carried, but the term comes to encompass the journeys and experiences of Black Americans since then and the many insidious ways that slavery separates, wounds, and persists. In a section of “Slaveroad,” called “Sheppard”, William Henry Sheppard, a descendant of enslaved Virginians, travels back to Africa where he works as a missionary, converting Africans to Christianity alongside his Southern white colleague. Wideman imagines drinking afternoon tea with Lucy Gant Sheppard, William’s wife, who was on her own slaveroad, as she experienced her husband’s adultery with the African women he was trying to convert. In “Penn Station,” Wideman’s brother, after being confined forty-four years in prison, travels from Pittsburgh to New York. As Wideman awaits his brother, he asks, “How will I distinguish my brother from the dead. Dead passengers on the slaveroad.” An impassioned, searching work, Slaveroad is one man’s reckoning with a uniquely American lineage and the ways that the past haunts the present: “It’s here. Now. Where we are. What we are. A story compounded of stories told, retold, untold, not told.”

This unique tie-in to the major motion picture "Oceans"--presented by Disney & "National Geographic"--explores the health of the oceans, and reveals what people can do to improve the health of our seas.