Harriet Rose, 26, is an American photographer just winning recognition for her work. A travel fellowship brings her to visit her best friend and former roommate, Anne Gordon, in Switzerland. In an ongoing letter to her boyfriend, Harriet reports on strange developments in Anne's life, most notably her affair with a much older married man, which seems to be leading to a disastrous conclusion. Before she can rescue Anne, events take a series of unexpected turns, and Harriet must reexamine her own life and past, and come to terms with the difficulties and possibilities of human relationships. Already excerpted in The New Yorker, Katharine Weber's witty first novel of attraction and deception, a tale with the sensibility of a Margaret Atwood, pulses with cultural references and word games that echo Nabokov.

Essays that chronicle some of life's biggest dramas: marriage, divorce, and the quest for the perfect fashion accessory. On the surface, Kate Carroll de Gutes' debut collection of essays considers her sexuality, gender presentation, and the end of her marriage. But, as editor Judith Kitchen says, "peel it back, begin to take it apart, semantically and linguistically and personally, and it all comes clear." Kate Carroll de Gutes invites readers to become collaborators in essays about issues we all face: growing up, identity, love, loss, and sometimes, the quest for the perfect fashion accessory. With wit matched by self-compassion and empathy, the essays offer a lesson on the inevitable journey back to the places we all began. "On every page, de Gutes reminds us that we all traverse life's roads with one eye fixed on the receding and mirrored past." - Stephanie Kallos, best-selling author of Broken for You.

Life - if you've ever thought you might be doing it wrong, you're not alone. Objects in the Mirror: Thoughts on a Perfect Life from an Imperfect Person is a collection of essays that explores what it means to be alive. Like Polaroids framing the years of a troubadour and family man afflicted with an excess of self-awareness, these are stories without any clear good guys or bad guys. Instead, in each of these vignettes you will find dysfunctional humans trying to do their best and bouncing off each other in the process.

Starving, starving ... Grace is always starving these days. But Grace is also strong, and determined, and skinny. For the first time ever Grace is as thin as she wants to be - nearly - and there's no way she's giving that up. Except, what if she has to give up other things to be able to keep wearing her new "skinny" breeches? What if it comes down to a choice between all the horses she loves - Sprite, the ferocious jumper, and Iowa, the sweet greenie, and Whinny, the abused but tough mare - and the numbers on the scale, the numbers on food labels, the numbers always running through her head? Grace knows what her stepmother, Annabelle, wants her to decide. She knows what Matt - gorgeous, amazing Matt - wants her to do. She knows what the doctors think. But she also knows nobody else can make this decision for her. And sometimes she's not even sure if she's got the strength to do it. There is danger in living with anorexia, and there is also hope. Objects in Mirror is a truthful exploration of these extremes and of the struggles that lie between them.

When the dramatic Allison Anderson changes the way Grace views her best friend, Grace finds that not only objects in mirrors are distorted. You don't always know everything you think you do. And people aren't always who they appear to be. From the highly regarded author of Moving Mama to Town, this richly textured and rewarding novel brings to life a young woman exploring the boundaries of friendship poised between the past and possibility.

Their new home on Frederick Street in Clay Center, Kansas, was supposed to give writer Jonathan David and his husband, clinical psychologist Dr. Eddie Dorman, an opportunity to enjoy married life. Jonathan has just released his first major bestseller, and he hopes to finally escape his traumatic past and find the quiet existence he has always craved. Eddie has taken a job at the Kansas State University psychology department, and they intend to begin anew. They have barely settled in when the nightmare begins. Noises, disembodied voices, and mysterious apparitions make Jonathan's life hell. Part of the house has decided to bare its teeth, show its jagged edges, and bring back the worst of Jonathan's past. At first, Eddie cannot perceive the spectral events and fears for his husband's sanity. When he's also affected by the haunting, he's unsure of what to do but refuses to be beaten. Together, they seek a way to fight the forces trying to tear them apart. The world is a frightening place, but confronting their fears plunges Jonathan and Eddie into absolute horror.

Throughout history and across social and cultural contexts, most systems of belief—whether religious or secular—have ascribed wisdom to those who see reality as that which transcends the merely material. Yet, as the studies collected here show, the immaterial is not easily separated from the material. Humans are defined, to an extraordinary degree, by their expressions of immaterial ideals through material forms. The essays in Materiality explore varied manifestations of materiality from ancient times to the present. In assessing the fundamental role of materiality in shaping humanity, they signal the need to decenter the social within social anthropology in order to make room for the material. Considering topics as diverse as theology, technology, finance, and art, the contributors—most of whom are anthropologists—examine the many different ways in which materiality has been understood and the consequences of these differences. Their case studies show that the latest forms of financial trading instruments can be compared with the oldest ideals of ancient Egypt, that the promise of software can be compared with an age-old desire for an unmediated relationship to divinity. Whether focusing on the theology of Islamic banking, Australian Aboriginal art, derivatives trading in Japan, or textiles that respond directly to their environment, each essay adds depth and nuance to the project that Materiality advances: a profound acknowledgment and rethinking of one of the basic properties of being human. Contributors. Matthew Engelke, Webb Keane, Susanne Küchler, Bill Maurer, Lynn Meskell, Daniel Miller, Hirokazu Miyazaki, Fred Myers, Christopher Pinney, Michael Rowlands, Nigel Thrift