In Obeah, Christ and Rastaman, Ivor Morrish sets out to chronicle the religious history of the Jamaican people. Drawing from a rich, complicated history, Morrish lays out the religious tapestry of Jamaica from its native origins, up through the slave trade and the introduction of Christianity, ending in the nineteenth century with the emergence of traditions that would later become associated with Rastafarianism. Morrish discusses Jamaica’s colonial past and culture post-slavery, dispelling myths around African savagery and barbarism that were still persistent around the time of the book’s original publication. He also explores the socio-political roots of Rastafarianism and its rise amongst the disenfranchised. Also included is a brief discussion of the immigrant experience of Jamaicans in England, showing how a deeply spiritual people deal with the secular materialism of their former imperial capital. Obeah, Christ and Rastaman is an intriguing artefact of early Afro-Caribbean Studies from a religious perspective. Morrish treats his subject matter with respect and dignity, facing the subjugation of the Jamaican people head on and considering their possible paths to salvation.

This is a book about an extraordinarily rich and varied culture - a culture in which 'most of the religio-political movements of the world are to be found epitomised in some form'. In tracing the Jamaican people's search for an identity through these movements, this book places the modern cult of Rastafarianism in the broadest of historical contexts. Obeah, Christ and Rastaman reflects the author's careful, scholarly approach, his delight in a fascinating, colourful subject and his deep, humane regard for a people 'who have, over the years, suffered incredible degradation and suppression'.

“Three-Fingered Jack,” the protagonist of this 1800 novel, is based on the escaped slave and Jamaican folk hero Jack Mansong, who was believed to have gained his strength from the Afro-Caribbean religion of obeah, or “obi.” His story, told in an inventive mix of styles, is a rousing and sympathetic account of an individual’s attempt to combat slavery while defending family honour. Historically significant for its portrayal of a slave rebellion and of the practice of obeah, Obi is also a fast-paced and lively novel, blending religion, politics, and romance. This Broadview edition includes a critical introduction and a selection of contemporary documents, including historical and literary treatments of obeah and accounts of an eighteenth-century slave rebellion.

Christianity is turning brown and moving south. The Christianity the West has known is in recession and has all but dwindled out of recognition in the opening years of the twenty-first century. Well over half of the world's Christians now live in the Global South--Africa, Asia, and Latin America. They are, according to Aberdeen missiologist Andrew Walls, the new Representative Christians. What they think about Christianity will matter more and more and what North America thinks about Christianity will matter less and less. This massive shift in geography and theological point of departure will have a major impact on Christian preaching now and into the future. The Future Shape of Christian Proclamation seeks to begin the conversation about how preaching in the Global South will inform the whole of Christian preaching in the coming years.

As Caribbean communities become more international, clinicians and scholars must develop new paradigms for understanding treatment preferences and perceptions of illness. Despite evidence supporting the need for culturally appropriate care and the integration of traditional healing practices into conventional health and mental health care systems, it is unclear how such integration would function since little is known about the therapeutic interventions of Caribbean healing traditions. Caribbean Healing Traditions: Implications for Health and Mental Health fills this gap. Drawing on the knowledge of prominent clinicians, scholars, and researchers of the Caribbean and the diaspora, these healing traditions are explored in the context of health and mental health for the first time, making Caribbean Healing Traditions an invaluable resource for students, researchers, faculty, and practitioners in the fields of nursing, counseling, psychotherapy, psychiatry, social work, youth and community development, and medicine.

The River Flows On offers an impressively broad examination of slave resistance in America, spanning the colonial and antebellum eras in both the North and South and covering all forms of recalcitrance, from major revolts and rebellions to everyday acts of disobedience. Walter C. Rucker analyzes American slave resistance with a keen understanding of its African influences, tracing the emergence of an African American identity and culture. Rucker points to the shared cultural heritage that facilitated collective action among both African- and American-born slaves, such as the ubiquitous belief in conjure and spiritual forces, the importance of martial dance and the drum, and ideas about the afterlife and transmigration. Focusing on the role of African cultural and sociopolitical forces, Rucker gives in-depth attention to the 1712 New York City revolt, the 1739 Stono rebellion in South Carolina, the 1741 New York conspiracy, Gabriel Prosser's 1800 Richmond slave plot, and Denmark Vesey's 1822 Charleston scheme. He concludes with Nat Turner's 1831 revolt in Southampton, Virginia, which bore the marks of both conjure and Christianity, reflecting a new, African American consciousness. With rich evidence drawn from anthropology, archaeology, and religion, The River Flows On is an innovative and convincing study.

Robert Beckford explores the dialogue between two central institutions in African Caribbean life: the church and the dancehall. He highlights how Dub – one of the central features of dancehall culture – can be mobilized as a framework for re-evaluating theology, taking apart doctrine and reconstructing it under the influence of a guiding theme. Engaging with the social and cultural heritage that informs Christian African Caribbean culture, including the influence of slavery, Revival Christianity and working class Jamaican life, Black theology and music ranging from post-war Sound System to American Hip Hop, Jesus Dub is a detailed exploration of how throughout history, music and faith have been transformed in response to racialised oppression. Finally, Beckford demonstrates that dub style appears in the teachings of Jesus, and that Dub is a tool which can provide new ways of envisaging and practising spiritual gifts and financial giving, proposing a more inclusive theology for everyone.