Simon Pokagon, the son of tribal patriarch Leopold Pokagon, was a talented writer, advocate for the Pokagon Potawatomi community, and tireless self-promoter. In 1899, shorty after his death, Pokagon''s novel Ogimawkwe Mitigwaki (Queen of the Woods)-only the second ever published by an American Indian-appeared. It was intended to be a testimonial to the traditions, stability, and continuity of the Potawatomi in a rapidly changing world. Read today, Queen of the Woods is evidence of the author''s desire to mark the cultural, political, and social landscapes with a memorial to the past.

O-gî-mäw-kwě Mit-i-gwä-kî (1899) is a novel by Simon Pokagon. Published posthumously, the novel is a semi-autobiographical story of adventure, romance, and tragedy set in the American Midwest. O-gî-mäw-kwě Mit-i-gwä-kî reflects the themes and concerns that shaped Pokagon’s life as a writer and activist, including the devastating effects of alcohol on Native Americans and the increasing pressures of modernization on indigenous tradition. Both personal and political, O-gî-mäw-kwě Mit-i-gwä-kî is a vastly underappreciated novel by a pioneering Native American author. “On my return home from Twinsburg, Ohio, where I had attended the white man’s school for several years, I had an innate desire to retire into the wild woods, far from the haunts of civilization, and there enjoy myself with bow and arrow, hook and line, as I had done before going to school.” After years of hard work at some of the most prestigious institutions in the Midwest, Simon Pokagon longs to return to the places and people of his youth. On his journey home, he reconnects with his old friend Bertrand, who takes him into the woods to hunt, fish, and build a birch canoe. Back with his tribe, Simon goes looking for his sweetheart Lonidaw, who agrees to marry him. Together, they build a new wigwam and live a hunter gatherer lifestyle, sustaining themselves on a diet of fish and wild rice. While their early days together are idyllic, they face tragedy later in life as their children—now grown—suffer from the effects of alcoholism. With a beautifully designed cover and professionally typeset manuscript, this edition of Simon Pokagon’s O-gî-mäw-kwě Mit-i-gwä-kî is a classic work of Native American literature reimagined for modern readers.

List of place-names, primarily those names after American Indian tribes or individuals, including some historical information about each person or tribe.

For much of U.S. history, the story of native people has been written by historians and anthropologists relying on the often biased accounts of European-American observers. Though we have become well acquainted with war chiefs like Pontiac and Crazy Horse, it has been at the expense of better knowing civic-minded intellectuals like Andrew J. Blackbird, who sought in 1887 to give a voice to his people through his landmark book History of the Ottawa and Chippewa People. Blackbird chronicled the numerous ways in which these Great Lakes people fought to retain their land and culture, first with military resistance and later by claiming the tools of citizenship. This stirring account reflects on the lived experience of the Odawa people and the work of one of their greatest advocates.

International migration is often considered a relatively new development in world history. Yet, while there has been a surge in migration since World War II, the worldwide movement of peoples is a longstanding phenomenon. So, too, are the fundamental issues raised by immigration. How do immigrants fit into and affect the polity and society of the country they enter? What changes can or must the receiving state make to accomodate them? What changes in culture and ethnic indentity do immigrants undergo in their new environment? How do they relate to the mix of peoples already present in their new homeland What determines the policies that govern their reception and treatment? In this volume, expertly edited by a leading American political scientist-lawyer and a leading French historian, twenty-one renowned experts on immigration address these questions and a variety of other issues involving the experiences of immigrants in the city, at the workplace, and in schools and churches. Their essays examine the issues of nationality, citizenship, law, and politics that define the life of an immigrant population. Focusing on the United States and France, this voluem is a social history and a legal and public policy study that comprehensively portrays the dilemmas immigrants present and face. Contributors include Sophie Body-Gendrot, Danielle Boyzon-Frader, Andre-Clement Decoufle, Veronique de Rudder, Lawrence H. Fuchs, Nathan Glazer, Philip Gleason, Stanley Lieberson, Lance Liebman, Daniele Lochak, Michel Oriol, Martin A. Schain, Peter H. Schuck, Roxane Silberman, Werner Sollors, Stephan Thernstrom, Maryse Tripier, Maris A. Vinovskis, and Myron Weiner.

Native American fiction writers have confronted Euro-American narratives about Indians and the colonial world those narratives help create. These Native authors offer stories in which Indians remake this colonial world by resisting conquest and assimilation, sustaining their cultures and communities, and surviving. In Muting White Noise, James H. Cox considers how Native authors have liberated our imaginations from colonial narratives. Cox takes his title from Sherman Alexie, for whom the white noise of a television set represents the white mass-produced culture that mutes American Indian voices. Cox foregrounds the work of Native intellectuals in his readings of the American Indian novel tradition. He thereby develops a critical perspective from which to re-see the role played by the Euro-American novel tradition in justifying and enabling colonialism. By examining novels by Native authors—especially Thomas King, Gerald Vizenor, and Alexie—Cox shows how these writers challenge and revise colonizers’ tales about Indians. He then offers “red readings” of some revered Euro-American novels, including Herman Melville’s Moby-Dick, and shows that until quite recently, even those non-Native storytellers who sympathized with Indians could imagine only their vanishing by story’s end. Muting White Noise breaks new ground in literary criticism. It stands with Native authors in their struggle to reclaim their own narrative space and tell stories that empower and nurture, rather than undermine and erase, American Indians and their communities.

Presents the oral traditions, legends, speeches, myths, histories, literature, and historically significant documents of the twelve independent bands and Indian Nations of Wisconsin. This anthology introduces us to a group of voices, enhanced by many maps, photographs, and chronologies.