O Beulah Land, the second volume of The Beulah Quintet—Mary Lee Settle's unforgettable generational saga about the roots of American culture, class, and identity and the meaning of freedom—is a land-hungry story. It follows the odyssey of Johnny Church's descendants as they leave England in search of freedom and land. One of those descendants, Jonathan Lacey, settles in the backcountry of Virginia, where he battles both Native Americans and white frontier bandits and builds the beginning of a flourishing estate named Beulah. The novel closes shortly before the commencement of the Revolutionary War, with Lacey elected to the House of Burgesses and his family line firmly established in what is to become the state of West Virginia.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

During the English Civil War a young man joins Cromwell's Parliamentary Army to escape his humorless father only to find betrayal and tragedy in Ireland. Based on a true incident.

(Piano/Vocal/Guitar Artist Songbook). This songbook includes all 15 songs from the 2006 release, Jackson's first ever gospel album. Songs: Blessed Assurance * How Great Thou Art * I'll Fly Away * In the Garden * The Old Rugged Cross * Softly and Tenderly * What a Friend We Have in Jesus * and more.

In the mid-1950s, when Mary Lee Settle published The Love Eaters and The Kiss of Kin, critics hailed her as a sharp and acidic writer. However, when in subsequent novels the focus of her work shifted from contemporary social realism to historical fiction, the same critics who previously had praised her work lost enthusiasm. In Mary Lee Settle’s Beulah Quintet: The Price of Freedom, Brian Rosenberg examines Settle’s work—especially Prisons, O Beulah Land, Know Nothing, The Scapegoat, and The Killing Ground—to show the magnitude and artistic merit in a single, continuous fiction—a fiction of major importance. According to Rosenberg, the Beulah quintet is one of the few grandly ambitious works of historical fiction written by an American woman. In the novels, Settle attempts to apply a European tradition of historical re-creation to American experience and, in so doing, to adapt a largely conservative form to the demands of a revolutionary history and ideology. Although the immediate subject is the history of a region in West Virginia, the deeper subject is nothing less than the history of America: the beliefs, conflicts, and illusions that gave rise to, and continue to distinguish, American culture. Rosenberg also treats the reaction to the Beulah quintet among literary critics. He looks at the neglect and misjudgment the novels have suffered by being labeled historical fiction, a genre often though to consist largely of “romance novels,” and explains why the quintet should be placed among the canonical works of contemporary American literature. Rosenberg includes in his book the transcript of an interview he conducted with Settle in which she reflects on both her intentions as a writer and the reception of her work. Mary Lee Settle’s fiction has for too long been misperceived. Brian Rosenberg’s thorough analysis of the Beulah quintet will allow a larger audience to understand the nature and scope of her achievement.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.