La muestra presenta 39 fotografías de 36 autores, que reflejan el cambio producido en las últimas décadas del siglo XX en la cultura visual y la transformación de la fotografía como herramienta de registro documental en instrumento con valor artístico autónomo, proponiendo nuevas imágenes con diferentes planteamientos documentales, narrativos o conceptuales, con los que plasmar iconografías variadas, como la identidad de los géneros, el paisaje rural o urbano y la arquitectura.

Ecotopia, brings readers the natural world through the eyes and lenses of some of the most interesting and engaging photographers working today. These 30 international artists shatter stereotypes of landscape and nature imagery to examine new concepts of the natural sphere occasioned by twenty-first-century technologies.

Here's a book that for the first time collects and catalogues all Gabriele Basilico's photo books, from 1978 to 2006: over twenty years of career. Every book is presented with its original cover, bibliographic data and a photo taken from the interiors. Page by page, photo by photo, the reader will discover the richness and variety of matters in Basilico's photos: Milanese suburbs in the last Seventies, dancing halls in Emilia, industries, ports and finally Beirut in early Nineties and the new soul of Berlin. This book is a useful way for scholars but also for simple lovers of good photography to make a point about the career of a photographer that has built our perception of contemporary landscape. With an introduction by Italo Rota and a comment by Gabriele Basilico.

A stunning retrospective volume on the internationally renowned abstract painter Sean Scully.

FotoFest 1992, a major festival of international photography, brought Latin American photography into focus for a wide audience. Offering a diverse selection of photographers, countries, artistic movements, and subject matter, the show revealed a photographic tradition rich in history and creativity. Drawing from the more than 1,000 images exhibited by FotoFest, this book documents the work of fifty-two photographers from ten countries. The photographs range from the opening of the Brazilian frontier in the 1880s to a secret archive of documentary images from El Salvador's recent civil war to works of specifically aesthetic intent. Many of the photographs appear here in print for the first time. Watriss's opening essay provides the curatorial overview for the book. Lois Zamora examines the roots of visual image-making in Latin American cultures. Boris Kossoy addresses the history of Latin American photography through the nineteenth century, while Fernando Castro covers the contemporary scene. With its compelling images and English-Spanish text, this book will serve as a benchmark for future studies of photography in Latin America.

The conference theme was dedicated to the study of the function of art in politics. The present edition compiles the 30 research works divided in 3 sub-topics: Poderes, Cuerpos y Espacios (Powers, Bodies and Spaces); Batallas por el Imaginario (Battles for the Imaginary) and Resistencia y Representación (Resistance and Representation).