Rose has always played by the rules – now it's time to break them. Life's easier when you stay away from other people. Rose Valentine knows that. But some people are impossible to ignore. Take Theo Lockhart. He's handsome, funny and beyond intriguing. He's a mystery; one that Rose dreams of solving. Then one night the mystery deepens. Theo turns up on Rose's doorstep, desperate to hide out at her house. He's keeping secrets, and Rose has a million questions. Not least – why did he choose to run to her? If Rose lets him in, she'll be going against everything she holds true. It's reckless, risky – and definitely not in the rulebook. But Theo makes Rose long to break the rules. After a whirlwind week of brat-pack movies, midnight snacks and non-stop chat, where do Rose and Theo go from here? Praise for Nowhere Else But Here 'A sweet teen romance with elements of mystery that will entertain readers until the very last page.' – PETRINA BANFIELD, author of Letters from Alice 'A dreamy romance, but also a touching story of two lost people finding each other and themselves.' – CHLOE SEAGER, author of Editing Emma

In her first book, which won the L. L. Winship/PEN New England Award, Jane Brox writes of going back to the farm where she grew up, to help her aging father and the troubled brother who works the land with him. She memorably captures the cadences of farm life and the people who sustain it, at a time when both are waning.

An unforgettable new series from acclaimed author Katie McGarry about taking risks, opening your heart and ending up in a place you never imagined possible Seventeen-year-old Emily likes her life the way it is: doting parents, good friends, good school in a safe neighborhood. Sure, she's curious about her biological father—the one who chose life in a motorcycle club, the Reign of Terror, over being a parent—but that doesn't mean she wants to be a part of his world. But when a reluctant visit turns into an extended summer vacation among relatives she never knew she had, one thing becomes clear: nothing is what it seems. Not the club, not her secret-keeping father and not Oz, a guy with suck-me-in blue eyes who can help her understand them both. Oz wants one thing: to join the Reign of Terror. They're the good guys. They protect people. They're…family. And while Emily—the gorgeous and sheltered daughter of the club's most respected member—is in town, he's gonna prove it to her. So when her father asks him to keep her safe from a rival club with a score to settle, Oz knows it's his shot at his dream. What he doesn't count on is that Emily just might turn that dream upside down. No one wants them to be together. But sometimes the right person is the one you least expect, and the road you fear the most is the one that leads you home. Look for Katie McGarry’s latest poignant and thrilling title in her Thunder Road series, Walk the Edge.

"A contemporary romance novel set in Chicago and Napa Valley"--

Over the past seven years I've lived in more places than I can remember. I lived and worked in Shanghai, New York, Berlin, Bangkok, Munich and a few more places, not including the dozens of places I've stayed at for just a few days or weeks.While writing these lines I'm in a small town in Malaysia.I've basically lived out of a backpack for the past seven years. And the longer I'm doing this, the less stuff I need. Right now I carry less than 10 items around with me in a carry on backpack that weighs less than 10kg. I go wherever I want to go. I currently spend less than $800 a month. Including everything. My most precious possession is a $300 Acer laptop.I've started a clothing company in China, for the Chinese market, which failed miserably. I've launched more than 10 websites, some of them made some money, some of them didn't. I shut down all of them. I've written seven books (this is my eighth). None of them was a bestseller. I write a blog where I published more than 500 articles so far. I've more than 100,000 monthly readers spread across multiple platforms.I'm by no means successful. Or rich. But I have more than enough, by all means. I have access to everything I need. And I can buy and afford everything I need.I'm not a minimalist. Or a digital nomad. Or an entrepreneur. Or a blogger. Or an author.I'm mostly trying to just be myself. I'm trying to be myself in a world where it gets harder and harder every single day to just be yourself.It's not always been easy. As a matter of fact it's probably been hard more often than it's been easy. But every day of struggle and doubt has been worth it. Being yourself and creating your own life instead of just living a life is always worth the struggle.This right here is my story. This is what I've learned about life, myself and the world around me.I'm everywhere and nowhere. And I own nothing and everything...

Anywhere But Here is a moving, often comic portrait of wise child Ann August and her mother, Adele, a larger-than-life American dreamer. As they travel through the landscape of their often conflicting ambitions, Ann and Adele bring to life a novel that is a brilliant exploration of the perennial urge to keep moving, even at the risk of profound disorientation. Simpson's first novel is ultimately a heart-rendering tale of a mother and daughter's invaluable relationship.

Whether her subjects are landscapes, portraits or nudes, Jocelyn Lee's photographs are about beauty and its poignant fragility. The landscapes are not spectacular vistas but quiet places that seem oddly familiar. Sometimes glowing with summer's light and sometimes covered with snow, they endure through all the seasons of the year. Lee has also assembled a gallery of people, each of whom is remarkable although none of them is famous. She endows every person with a vivid yet dignified presence. Her portraits are full of implicit stories, suggested by bodies and faces, and made all the more compelling by the fact that her sitters seem absorbed in their own memories and dreams. With a clear and compassionate eye, Jocelyn Lee encourages us to think about eternal issues such as youth and age, our connections with one another, our relationship with nature, and the place - or places - we call home. She states: "The physical landscape serves as a backdrop on which the human drama unfolds. The photographs allude to the fragility of the human presence in the world. These portraits are a way to look at particular people and the human body as a part of nature, evolving and expressing their identity and place in life's cycles."