Vampire-born twins Julie and Marc Fischer have always been taught one basic fact: You can’t choose your family. After six months of living in San Francisco, the new challenges and choices each face are an intricate web of complication neither was prepared for. Marc is torn between staying with Conrad and Damian or embracing his destiny—and the feral vampires that everyone believes are lost souls that come with it. Julie is torn between the man she loves, and the life she is supposed to live with her family. Faced with new secrets, new alliances, and old relationships, the Fischer-Quintano vampires long for the good old days—when family was all that mattered. Each story in the Children of Night series is a standalone story and can be enjoyed in any order. Series Order: Book #1: In the Dark Book #2: Old Sins, Long Shadows Book #3: Now Comes the Night Book #4: Ashes of the Day Book #5: Fallen Embers Book #6: To Curse the Darkness

In this, the second book of the epic trilogy begun in The Forging of the Shadows, the once-glorious city of Thrull has become a place of death and despair. Seven years before, Lord Faran Groton, High Priest of the God of Darkness, overthrew Thrull and set loose his army of vampires to plague the city, waiting for the day the sun would rise no more...But the God of Light has his champions as well. A motley trio of survivors searches for the three ancient artifacts which can defeat the darkness. Traveling far beyond their own lands, they will encounter nightmares and disasters before facing their most dangerous enemies -- the Dark-born Nations of the Night!

"A YA fantasy classic in the making." - Christine Lynn Herman, author of The Devouring Gray "Fans of Leigh Bardugo’s “Grisha Trilogy” and Marie Rutkoski’s “Winner’s Trilogy” have been waiting for this Darkling-esque romance..." - School Library Journal (Starred Review) New York Times bestselling author Allison Saft’s Down Comes the Night is a snow-drenched romantic fantasy that keeps you racing through the pages long into the night. He saw the darkness in her magic. She saw the magic in his darkness. Wren Southerland’s reckless use of magic has cost her everything: she's been dismissed from the Queen’s Guard and separated from her best friend—the girl she loves. So when a letter arrives from a reclusive lord, asking Wren to come to his estate, Colwick Hall, to cure his servant from a mysterious illness, she seizes her chance to redeem herself. The mansion is crumbling, icy winds haunt the caved-in halls, and her eccentric host forbids her from leaving her room after dark. Worse, Wren’s patient isn’t a servant at all but Hal Cavendish, the infamous Reaper of Vesria and her kingdom’s sworn enemy. Hal also came to Colwick Hall for redemption, but the secrets in the estate may lead to both of their deaths. With sinister forces at work, Wren and Hal realize they’ll have to join together if they have any hope of saving their kingdoms. But as Wren circles closer to the nefarious truth behind Hal’s illness, they realize they have no escape from the monsters within the mansion. All they have is each other, and a startling desire that could be their downfall. Love makes monsters of us all

This book is the first comprehensive study of Gottfried Benn's poetry to appear in English. It covers the entirety of Benn's verse, from his early Morgue cycle (1912) and Expressionist poems through to the «anthropological» poetry of his middle period to the «postmodern» Phase II work after the Second World War. Against the background of the poet's theoretical writings, this study, drawing upon the classic texts of Benn scholarship, analyzes in detail the major themes of his verse and its distinctive idiom. In particular, this work focuses on Gottfried Benn's extended process of rhetorical self-fashioning, his use of classical iconography, color motifs and chiffres, his often confusing historical semantics, the seemingly self-constituting «absolute» poem, and the colloquial idiom of his late verse. The book also engages with the multiplicity of voices in Benn's work and their varied textual forms, the hermeneutically variable positions of speech that they articulate and the often contradictory notion of selfhood to which they give rise.

Rabbinic Judaism, in its classical writings produced from the first through the seventh century of the Common Era, sets forth a theological system that is orderly and reliable. This work make its contribution in seeing in the principal conceptions of Rabbinic Judaism a logos-a sustained, rigorous, coherent argument. This title is also available in hardback (ISBN 0 391 04143 6)