"A ... novel about a young American woman who finds love and fulfillment in the course of her involvement with a Downton Abbey-style TV show in England"--

A new edition of the Arthur Ellis Award winning crime novel Arthur Beauchamp, the scholarly, self-doubting legend of the B.C. criminal bar, is enjoying his retirement on B.C.Õs Garibaldi Island when he is dragged back to court to defend an old client. Nick ÒThe OwlÓ Faloon, one of the worldÕs top jewel thieves, has been accused of raping and murdering a psychologist. Beauchamp has scarcely registered how unlikely it is that the rascally Faloon could commit a savage murder when his own personal life takes an abrupt turn. His new wife, Margaret Blake, organic farmer and environmental activist, has taken up residence 50 feet above ground in a tree of an old-growth forest that she is determined to save for the eagles and from the loggers. Beauchamp shuttles between Vancouver and the island, doing what he can to defend Faloon, save the forest, and rescue his wife. Part courtroom thriller, part classic whodunit, April Fool sees Deverell writing at the top of his form, with a big dollop of humour.

Beauchamp's Career - Vol. II is an unchanged, high-quality reprint of the original edition of 1876. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

In Thinking without Thinking in the Victorian Novel, Vanessa L. Ryan demonstrates how both the form and the experience of reading novels played an important role in ongoing debates about the nature of consciousness during the Victorian era. Revolutionary developments in science during the mid- and late nineteenth century—including the discoveries and writings of Herbert Spencer, William Carpenter, and George Henry Lewes—had a vital impact on fiction writers of the time. Wilkie Collins, George Eliot, George Meredith, and Henry James read contributions in what we now call cognitive science that asked, "what is the mind?" These Victorian fiction writers took a crucial step, asking how we experience our minds, how that experience relates to our behavior and questions of responsibility, how we can gain control over our mental reflexes, and finally how fiction plays a special role in understanding and training our minds. Victorian fiction writers focus not only on the question of how the mind works but also on how it seems to work and how we ought to make it work. Ryan shows how the novelistic emphasis on dynamic processes and functions—on the activity of the mind, rather than its structure or essence—can also be seen in some of the most exciting and comprehensive scientific revisions of the understanding of "thinking" in the Victorian period. This book studies the way in which the mind in the nineteenth-century view is embedded not just in the body but also in behavior, in social structures, and finally in fiction.

Award–winning novelist William Deverell is back with a new Arthur Beauchamp legal thriller. Lawyer Arthur Beauchamp is facing the most explosive trial of his career: the defence of seven boisterous environmentalists accused of sabotaging an Ontario plant that pumps out a pesticide that has led to the mass death of honeybees. The story zigzags between Toronto, where the trial takes place, and Arthur’s West Coast island home, where he finds himself arrested for fighting his own environmental cause: the threatened destruction of a popular park. The Toronto trial concludes with a tense, hang-by-the-fingernails jury verdict. Realistic and riveting, Stung is a propulsive legal thriller by a beloved author at the height of his powers.

This book argues that George Meredith as a writer of Victorian fiction is most critical for us today because of the ways in which he wrote against convention. The focus is on seven novels (An Essay on Comedy. The Ordeal of Richard Feverel, The Adventures of Harry Richmond, The Egoist, One of Our Conquerors, Lord Ormont and His Aminta, and The Amazing Marriage) which clearly illuminate the experimental and transgressive impulse in Meredith, as seen in his treatment of controversial contemporary themes, in his departures from conventions of genre, and in his innovations with narrative technique, and the representation of consciousness. canonical writers we now associate with the first wave of modernism in the English novel. James, and then Woolf, Forster, Lawrence, Conrad, Ford, and Joyce, to varying degrees, all saw Meredith as an influence to be reckoned with in their own novelistic experimentation - an influence, this book proposes, essential to understanding the modernist translation of nineteenth-century realism into new formal, thematic, and psychological realms. twentieth-century British novel at the University of Oregon.