A ninth-grader's suspension for singing "The Star-Spangled Banner" during homeroom becomes a national news story.

INSTANT NATIONAL BESTSELLER A critically acclaimed, intimate and no-holds-barred memoir by Canada’s top defence lawyer, Nothing But the Truth weaves Marie Henein’s personal story with her strongly held views on society’s most pressing issues. Marie Henein, arguably the most prominent lawyer in the country, has written a memoir that is at once raw, beautiful, and altogether unforgettable. Her story, as an immigrant from a tight-knit Egyptian-Lebanese family, demonstrates the value of strong role models—from her mother and grandmother, to her brilliant uncle Sami who died of AIDS. She learned the value of hard work, being true to herself and others, and unapologetically owning it all. Marie Henein shares here her unvarnished view on the ethical and practical implications of being a criminal lawyer, and how the job is misunderstood and even demonized. Ironically, her most successful cases made her a “lightning rod” in some circles, confirming her belief that much of the public’s understanding of democracy and the justice system is based on popular culture and social media, and decidedly not the rule of law. As she turns fifty and struggles with the corrosive effect becoming invisible has on women, Marie doubles down on being even more highly visible and opinionated as she deconstructs, among other things, the otherness of the immigrant experience (Where are you really from?), the pros and cons of being a household name in this country, opening her own boutique law firm, and the commoditization of women’s previously unpaid labour popularized by the likes of Martha Stewart. Nothing But the Truth is refreshingly unconstrained and surprising—an account by a woman at the top of her game in a male-dominated world.

From the acclaimed New York Times bestselling author of Guilt and The 13th Juror comes an electrifying new thriller--a novel in which San Francisco defense attorney Dismas Hardy faces the case of his career. This time his family is involved--and for Hardy, a devoted husband and father, the stakes have never been higher. Dismas knows his wife, Frannie, is the most reliable of mothers. When she fails to pick up their children from school one afternoon, he's convinced something terrible has happened. It has: Frannie Hardy is in jail. Called before the grand jury in a murder investigation, she refused to reveal a secret entrusted to her by a man whose children attend the same school as hers, a friend who is accused of killing his wife. But now he has disappeared. Hardy knows there's only one way to get Frannie out of jail: clear her friend of murder. That is, if he can be found. As he moves through a labyrinthine world of big business and San Francisco politics, looking for a man he half hopes never to find, a furious and frustrated Hardy is struggling to understand why his impeccably faithful wife is being so loyal to another man. What kind of truth could keep a wife from her husband, a mother from her children--could hold Hardy so powerless before the wrath of the law? With an unparalleled ability to illuminate the complexities of relationships while weaving a story of breathtaking suspense, Lescroart has never been in finer form. And Nothing But the Truth is his finest hour.

The truth, like love, can be elusive, unless you're willing to fight for it. Sparks fly when two top notch attorneys battle each other in the high risk arena of the courtroom, but when a strange turn of events thrusts one of them from the role of advocate to witness, prosecutor Ryan Foster and defense attorney Brett Logan join forces in their search for the truth. Working together they quickly learn their attraction to each other is as strong as their commitment to justice, but courthouse romance is not without complications. Throw in a murder case with bizarre twists and turns, and even the strongest attraction will be put to the test.

An award-winning play about the relationship between brothers. Nothing but the Truth is the story of two brothers, of sibling rivalry, of exile, of memory and reconciliation, and the ambiguities of freedom. The play was John Kani's debut as sole playwright and was first performed in the Market Theatre in Johannesburg. It won the 2003 Fleur du Cap Award for best actor and best new South African play. In the same year Kani was also awarded a special Obie award for his extraordinary contribution to theatre in the USA.