This encyclopedic yet easy-to-use 2-volume set covers 262 individual entries, including a full description of 451 species and another 361 plants compared as similar species, representing 63 plant families. 13 shortcut identification tables for groups that share similar, unusual, or relatively uncommon characteristics. 2 grass identification keys - a key to all characteristics including inflorescences and reproductive parts and a key to vegetative characteristics only. 67 tables comparing important characteristics of difficult-to-distinguish weedy species. Color photos of over 700 weeds including seeds, seedlings, flowers, and mature plants. Appendix of non-native plants rarely or occasionally naturalized in California. Glossary of botanical terms. Bibliography of some of the most pertinent publications. Index to common names, scientific names, and synonyms. Each entry describes the plant category, family name, common name, and synonyms along with a summary of the important aspects of the plant’s life cycle, size, growth form, impact, method of introduction, and toxicity. You'll also find a description of the seedling, mature plant, roots and underground structures, flowers, fruits and seeds, spikelets and florets, spore-bearing structures, and post senescence characteristics for each entry. Also includes a description of the habitat where each is typically found and distribution in California, other states, and worldwide, along with maximum elevation at which the species is found. Rounding out each entry is a description of the methods of reproduction, seed dispersal, germination requirements and conditions, seed survival and longevity, early establishment characteristics and requirements, cultural practices and management options that have proven effective or ineffective in controlling infestations, and a notation of the species' inclusion on federal or state noxious weed lists.

From deserts to ghost towns, from national forests to California bungalows, many of the features of the western American landscape are well known to residents and travelers alike. But in How to Read the American West, William Wyckoff introduces readers anew to these familiar landscapes. A geographer and an accomplished photographer, Wyckoff offers a fresh perspective on the natural and human history of the American West and encourages readers to discover that history has shaped the places where people live, work, and visit. This innovative field guide includes stories, photographs, maps, and diagrams on a hundred landscape features across the American West. Features are grouped according to type, such as natural landscapes, farms and ranches, places of special cultural identity, and cities and suburbs. Unlike the geographic organization of a traditional guidebook, Wyckoff's field guide draws attention to the connections and the differences between and among places. Emphasizing features that recur from one part of the region to another, the guide takes readers on an exploration of the eleven western states with trips into their natural and cultural character. How to Read the American West is an ideal traveling companion on the main roads and byways in the West, providing unexpected insights into the landscapes you see out your car window. It is also a wonderful source for armchair travelers and people who live in the West who want to learn more about the modern West, how it came to be, and how it may change in the years to come. Showcasing the everyday alongside the exceptional, Wyckoff demonstrates how asking new questions about the landscapes of the West can let us see our surroundings more clearly, helping us make informed and thoughtful decisions about their stewardship in the twenty-first century. Watch the trailer: http://www.youtube.com/watch?v=aYSmp5gZ4-I

The Everett D. Graff Collection of Western Americana consists of some 10,000 books, manuscripts, maps, pamphlets, broadsides, broadsheets, and photographs, of which about half are described in the present catalogue. The Graff Collection displays the remarkable breadth of interest, knowledge, and taste of a great bibliophile and student of Western American history. From this rich collection, now in The Newberry Library, Chicago, its former Curator, Colton Storm, has compiled a discriminating and representative Catalogue of the rarer and more unusual materials. Collectors, bibliographers, librarians, historians, and book dealers specializing in Americana will find the Graff Catalogue an interesting and essential tool. Detailed collations and binding descriptions are cited, and many of the more important works have been annotated by Mr. Graff and Mr. Storm. An extensive index of persons and subjects makes the book useful to the scholar as well as to the collector and dealer. The book is not a bibliography but rather a guide to rare or unique source materials now enriching The Newberry Library's outstanding holdings in American history.

Music in the Western: Notes from the Frontier presents essays from both film studies scholars and musicologists on core issues in western film scores: their history, their generic conventions, their operation as part of a narrative system, their functioning within individual filmic texts and their ideological import, especially in terms of the western’s construction of gender, sexuality, race and ethnicity. The Hollywood western is marked as uniquely American by its geographic setting, prototypical male protagonist and core American values. Music in the Western examines these conventions and the scores that have shaped them. But the western also had a resounding international impact, from Europe to Asia, and this volume distinguishes itself by its careful consideration of music in non-Hollywood westerns, such as Ravenous and The Good, the Bad, and the Ugly and in the “easterns” which influenced them, such as Yojimbo. Other films discussed include Wagon Master, High Noon, Calamity Jane, The Big Country, The Unforgiven, Dead Man, Wild Bill, There Will Be Blood and No Country for Old Men. Contributors Ross Care Corey K. Creekmur Yuna de Lannoy K. J. Donnelly Caryl Flinn Claudia Gorbman Kathryn Kalinak Charles Leinberger Matthew McDonald Peter Stanfield Mariana Whitmer Ben Winters The Routledge Music and Screen Media Series offers edited collections of original essays on music in particular genres of cinema, television, video games and new media. These edited essay collections are written for an interdisciplinary audience of students and scholars of music and film and media studies.

A startling look at the unexpected places where violent hate groups recruit young people Hate crimes. Misinformation and conspiracy theories. Foiled white-supremacist plots. The signs of growing far-right extremism are all around us, and communities across America and around the globe are struggling to understand how so many people are being radicalized and why they are increasingly attracted to violent movements. Hate in the Homeland shows how tomorrow's far-right nationalists are being recruited in surprising places, from college campuses and mixed martial arts gyms to clothing stores, online gaming chat rooms, and YouTube cooking channels. Instead of focusing on the how and why of far-right radicalization, Cynthia Miller-Idriss seeks answers in the physical and virtual spaces where hate is cultivated. Where does the far right do its recruiting? When do young people encounter extremist messaging in their everyday lives? Miller-Idriss shows how far-right groups are swelling their ranks and developing their cultural, intellectual, and financial capacities in a variety of mainstream settings. She demonstrates how young people on the margins of our communities are targeted in these settings, and how the path to radicalization is a nuanced process of moving in and out of far-right scenes throughout adolescence and adulthood. Hate in the Homeland is essential for understanding the tactics and underlying ideas of modern far-right extremism. This eye-opening book takes readers into the mainstream places and spaces where today's far right is engaging and ensnaring young people, and reveals innovative strategies we can use to combat extremist radicalization.

Andrew Linklater's The Problem of Harm in World Politics (Cambridge, 2011) created a new agenda for the sociology of states-systems. Violence and Civilization in the Western States-Systems builds on the author's attempts to combine the process-sociological investigation of civilizing processes and the English School analysis of international society in a higher synthesis. Adopting Martin Wight's comparative approach to states-systems and drawing on the sociological work of Norbert Elias, Linklater asks how modern Europeans came to believe themselves to be more 'civilized' than their medieval forebears. He investigates novel combinations of violence and civilization through a broad historical scope from classical antiquity, Latin Christendom and Renaissance Italy to the post-Second World War era. This book will interest all students with an interdisciplinary commitment to investigating long-term patterns of change in world politics.