Reprint of the original, first published in 1861.

Notes on Spain and the Spaniards - In the summer of 1859, with a glance at Sardinia is an unchanged, high-quality reprint of the original edition of 1861. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

Includes reports of the annual meetings.

To understand the long march of events in North Carolina from secession to surrender is to understand the entire Civil War--a personal war waged by Confederates and Unionists, free blacks and the enslaved, farm women and plantation belles, Cherokees and mountaineers, conscripts and volunteers, gentleman officers and poor privates. In the state's complex loyalties, its sprawling and diverse geography, and its dual role as a home front and a battlefield, North Carolina embodies the essence of the whole epic struggle in all its terrible glory. Philip Gerard presents this dramatic convergence of events through the stories of the individuals who endured them--reporting the war as if it were happening in the present rather than with settled hindsight--to capture the dreadful suspense of lives caught up in a conflict whose ending had not yet been written. As Gerard reveals, whatever the grand political causes for war, whatever great battles decided its outcome, and however abstract it might seem to readers a century and a half later, the war was always personal.

The American Civil War brought with it a crisis of nationalism. This text reinterprets southern conceptions of allegiance, identity, and citizenship within the contexts of antebellum American national identity and the transatlantic 'Age of Nationalism.'

In the mid-1800s, Spain experienced economic growth, political stabilization, and military revival, and the country began to sense that it again could be a great global power. In addition to its desire for international glory, Spain also was the only European country that continued to use slaves on plantations in Spanish-controlled Cuba and Puerto Rico. Historically, Spain never had close ties to Washington, D.C., and Spain’s hard feelings increased as it lost Latin America to the United States in independence movements. Clearly, Spain shared many of the same feelings as the Confederate States of America during the American Civil War, and it found itself in a unique position to aid the Confederacy since its territories lay so close to the South. Diplomats on both sides, in fact, declared them “natural allies.” Yet, paradoxically, a close relationship between Spain and the Confederacy was never forged. In Spain and the American Civil War, Wayne H. Bowen presents the first comprehensive look at relations between Spain and the two antagonists of the American Civil War. Using Spanish, United States and Confederate sources, Bowen provides multiple perspectives of critical events during the Civil War, including Confederate attempts to bring Spain and other European nations, particularly France and Great Britain, into the war; reactions to those attempts; and Spain’s revived imperial fortunes in Africa and the Caribbean as it tried to regain its status as a global power. Likewise, he documents Spain’s relationship with Great Britain and France; Spanish thoughts of intervention, either with the help of Great Britain and France or alone; and Spanish receptiveness to the Confederate cause, including the support of Prime Minister Leopoldo O’Donnell. Bowen’s in-depth study reveals how the situations, personalities, and histories of both Spain and the Confederacy kept both parties from establishing a closer relationship, which might have provided critical international diplomatic support for the Confederate States of America and a means through which Spain could exact revenge on the United States of America.

The Spanish Craze is the compelling story of the centuries-long U.S. fascination with the history, literature, art, culture, and architecture of Spain. Richard L. Kagan offers a stunningly revisionist understanding of the origins of hispanidad in America, tracing its origins from the early republic to the New Deal. As Spanish power and influence waned in the Atlantic World by the eighteenth century, her rivals created the "Black Legend," which promoted an image of Spain as a dead and lost civilization rife with innate cruelty and cultural and religious backwardness. The Black Legend and its ambivalences influenced Americans throughout the nineteenth century, reaching a high pitch in the Spanish-American War of 1898. However, the Black Legend retreated soon thereafter, and Spanish culture and heritage became attractive to Americans for its perceived authenticity and antimodernism. Although the Spanish craze infected regions where the Spanish New World presence was most felt--California, the American Southwest, Texas, and Florida--there were also early, quite serious flare-ups of the craze in Chicago, New York, and New England. Kagan revisits early interest in Hispanism among elites such as the Boston book dealer Obadiah Rich, a specialist in the early history of the Americas, and the writers Washington Irving and Henry Wadsworth Longfellow. He also considers later enthusiasts such as Angeleno Charles Lummis and the many writers, artists, and architects of the modern Spanish Colonial Revival in the United States in the late nineteenth and early twentieth centuries. Spain's political and cultural elites understood that the promotion of Spanish culture in the United States and the Western Hemisphere in general would help overcome imperial defeats while uniting Spaniards and those of Spanish descent into a singular raza whose shared characteristics and interests transcended national boundaries. With elegant prose and verve, The Spanish Craze spans centuries and provides a captivating glimpse into distinct facets of Hispanism in monuments, buildings, and private homes; the visual, performing, and cinematic arts; and the literature, travel journals, and letters of its enthusiasts in the United States.