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Excerpt from Notes From Nature's Lyre Ankind owes an inestimable debt to God for His terrestrial gifts which sur round us, as well as for His heavenly ones which are to come. In the preparation for the enjoying of the future ones the logical way is to notice and appreciate those which now exist. It is not well for even the most ambitious to overlook in scorn the caterpillar of earthly graces while putting forth his ut most efforts in attempting to grasp the flee ing butterfly Of the future. The one is the gradual development of the other, and that which has grown slowly is generally more perfectly formed than that which has devel oped quickly. But aside from its obligatory character - and man is rarely inclined to meet an obligation - there is a something innate in every one that prompts a study of nature, an irresistible drawing toward the beauty and wonderfulness of creation. And if a man so neglect this incentive as to give the natural beauties of his home but a Cursory glance. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This study describes in detail the development of Coleridge's attitude to nature as it is reflected in his poetry. It analyses the different stages of Coleridge's search for a meaningful relation to nature from an uncritical adoption of the eighteenth century conventions in his early poetry to a projectionist view in his poems of 1802. It offers challenging new readings of some of Coleridge's major poems like 'The Ancient Mariner' and 'Dejection: an Ode', and tries to rehabilitate some minor ones, like 'The Picture'. Attention is also paid to his relation with Wordsworth. It discusses in detail the philosophical background of Coleridge's views and considers the contribution of German thought to his development. As a whole this study affords a new insight into the genesis of romanticism in England.