In (Not that You Asked), Steve Almond documents a life spent brawling with the idiot kings of modern culture. He squares off against Sean Hannity on national TV, takes on Oprah Winfrey, nearly gets kidnapped by a reality TV crew, and winds up in Boston, where he quickly enrages the entire population of Red Sox Nation. Amid the carnage, he finds time to celebrate his literary hero, the late Kurt Vonnegut. These are essays the Los Angeles Times has called “rich, fearless [and] cutting.” Praise for (Not that You Asked) “Refreshingly irreverent . . . absurdly funny.” –The Boston Globe “[Almond] scores big in every chapter of this must-have collection. Biting humor, honesty, smarts and heart: Vonnegut himself would have been proud.” –Kirkus Reviews (starred review) “Taunting, revealing, irreverent, and earnest.” –The New York Times “Steve Almond has created a distinctive voice and literary persona. Pleasure-obsessed, self-deprecating, horny, hilarious and always dedicated to parsing the messy terrain of the human heart.” –Forward.com

Andy Rooney's syndicated newspaper columns and cantankerous "60 Minutes" essays have made him one of the best known curmudgeons in America. Rooney writes about almost everything, boasting in the introduction to Not That You Asked . . . : "There's something in this book that will irritate almost everyone." Andy Rooney once again proves why he is one of America’s favorite curmudgeons. Writing at the top of his form, Rooney covers a plethora of subjects, from getting rid of leftovers to the worst job in the world, from travel tips for the travel industry to the best hotel room he ever had. Andy Rooney has an opinion on everything, and in his inimitably irreverent and crotchety style he voices here those things we’ve always wanted to say but never thought we could get away with. You’ll find yourself smiling and frowning and involuntarily bobbing your head in agreement. Praise for Not That You Asked . . . “As television watchers know, Andrew A. Rooney is a very funny fellow. He can be even funnier in print, as Not That You Asked . . . amply demonstrates.”—The Associated Press “The greatest thing about Andy is that he makes everyone uncomfortable—especially me.”—Don Hewitt, Executive Producer, 60 Minutes “The best of Rooney’s collections of columns so far . . . irreverent and warmhearted, thoughtful and provocative.”—The Orlando Sentinel

Collected writings on booze, smoking, society, education, art and various other things on the decline, by the irreverent, provocative and occasionally witty Philadelphia columnist. Excerpts from Mark Randall's Not That You Asked: On smoking: "…it is a shame we are content with this tedious non-debate about which is better, virtue or vice, instead of the really more interesting topic, namely, the relative virtues to be found among the available vices." On identity politics: "…proponents of identity politics are not really offended by racial inferences…they would only prefer that all of the inferences be complimentary." On city living: "Look upon your stolen wreaths as a kind of donation to the poor and you see that what you lose in Hope, you gain in Charity…In fact, since Charity is regarded as the greatest of virtues, you may flatter yourself to be exchanging your Hope at a profit." On religion: "…anti-Papism is one of those activities that's probably best left to Catholics." On the French: "…I have always tried to defend the French against the usual criticisms…but it is difficult work, hampered right at the outset by the fact that most of the usual criticisms are true." On his own problems: "But how do I reconcile a life that fades out with me typing alone in the basement instead of on a terrace in Majorca, on the phone to a producer, occasionally waving down to Francesca who is sunning herself nude on the pier?"

Snappsy the alligator is having a normal day when a pesky narrator steps in to spice up the story. Is Snappsy reading a book ... or is he making CRAFTY plans? Is Snappsy on his way to the grocery store ... or is he PROWLING the forest for defenseless birds and fuzzy bunnies? Is Snappsy innocently shopping for a party ... or is he OBSESSED with snack foods that start with the letter P? What's the truth? Snappsy the Alligator (Did Not Ask to Be in This Book) is an irreverent look at storytelling, friendship, and creative differences, perfect for fans of Mo Willems.

From the creator of the popular website Ask a Manager and New York’s work-advice columnist comes a witty, practical guide to 200 difficult professional conversations—featuring all-new advice! There’s a reason Alison Green has been called “the Dear Abby of the work world.” Ten years as a workplace-advice columnist have taught her that people avoid awkward conversations in the office because they simply don’t know what to say. Thankfully, Green does—and in this incredibly helpful book, she tackles the tough discussions you may need to have during your career. You’ll learn what to say when • coworkers push their work on you—then take credit for it • you accidentally trash-talk someone in an email then hit “reply all” • you’re being micromanaged—or not being managed at all • you catch a colleague in a lie • your boss seems unhappy with your work • your cubemate’s loud speakerphone is making you homicidal • you got drunk at the holiday party Praise for Ask a Manager “A must-read for anyone who works . . . [Alison Green’s] advice boils down to the idea that you should be professional (even when others are not) and that communicating in a straightforward manner with candor and kindness will get you far, no matter where you work.”—Booklist (starred review) “The author’s friendly, warm, no-nonsense writing is a pleasure to read, and her advice can be widely applied to relationships in all areas of readers’ lives. Ideal for anyone new to the job market or new to management, or anyone hoping to improve their work experience.”—Library Journal (starred review) “I am a huge fan of Alison Green’s Ask a Manager column. This book is even better. It teaches us how to deal with many of the most vexing big and little problems in our workplaces—and to do so with grace, confidence, and a sense of humor.”—Robert Sutton, Stanford professor and author of The No Asshole Rule and The Asshole Survival Guide “Ask a Manager is the ultimate playbook for navigating the traditional workforce in a diplomatic but firm way.”—Erin Lowry, author of Broke Millennial: Stop Scraping By and Get Your Financial Life Together

“An intense snapshot of the chain reaction caused by pulling a trigger.” —Booklist (starred review) “Astonishing.” —Kirkus Reviews (starred review) “A tour de force.” —Publishers Weekly (starred review) A Newbery Honor Book A Coretta Scott King Honor Book A Printz Honor Book A Time Best YA Book of All Time (2021) A Los Angeles Times Book Prize Winner for Young Adult Literature Longlisted for the National Book Award for Young People’s Literature Winner of the Walter Dean Myers Award An Edgar Award Winner for Best Young Adult Fiction Parents’ Choice Gold Award Winner An Entertainment Weekly Best YA Book of 2017 A Vulture Best YA Book of 2017 A Buzzfeed Best YA Book of 2017 An ode to Put the Damn Guns Down, this is New York Times bestselling author Jason Reynolds’s electrifying novel that takes place in sixty potent seconds—the time it takes a kid to decide whether or not he’s going to murder the guy who killed his brother. A cannon. A strap. A piece. A biscuit. A burner. A heater. A chopper. A gat. A hammer A tool for RULE Or, you can call it a gun. That’s what fifteen-year-old Will has shoved in the back waistband of his jeans. See, his brother Shawn was just murdered. And Will knows the rules. No crying. No snitching. Revenge. That’s where Will’s now heading, with that gun shoved in the back waistband of his jeans, the gun that was his brother’s gun. He gets on the elevator, seventh floor, stoked. He knows who he’s after. Or does he? As the elevator stops on the sixth floor, on comes Buck. Buck, Will finds out, is who gave Shawn the gun before Will took the gun. Buck tells Will to check that the gun is even loaded. And that’s when Will sees that one bullet is missing. And the only one who could have fired Shawn’s gun was Shawn. Huh. Will didn’t know that Shawn had ever actually USED his gun. Bigger huh. BUCK IS DEAD. But Buck’s in the elevator? Just as Will’s trying to think this through, the door to the next floor opens. A teenage girl gets on, waves away the smoke from Dead Buck’s cigarette. Will doesn’t know her, but she knew him. Knew. When they were eight. And stray bullets had cut through the playground, and Will had tried to cover her, but she was hit anyway, and so what she wants to know, on that fifth floor elevator stop, is, what if Will, Will with the gun shoved in the back waistband of his jeans, MISSES. And so it goes, the whole long way down, as the elevator stops on each floor, and at each stop someone connected to his brother gets on to give Will a piece to a bigger story than the one he thinks he knows. A story that might never know an END…if Will gets off that elevator. Told in short, fierce staccato narrative verse, Long Way Down is a fast and furious, dazzlingly brilliant look at teenage gun violence, as could only be told by Jason Reynolds.

In this “urgently relevant”* collection featuring the landmark essay “The Case for Reparations,” the National Book Award–winning author of Between the World and Me “reflects on race, Barack Obama’s presidency and its jarring aftermath”*—including the election of Donald Trump. New York Times Bestseller • Finalist for the PEN/Jean Stein Book Award, the Los Angeles Times Book Prize, and the Dayton Literary Peace Prize Named One of the Best Books of the Year by The New York Times • USA Today • Time • Los Angeles Times • San Francisco Chronicle • Essence • O: The Oprah Magazine • The Week • Kirkus Reviews *Kirkus Reviews (starred review) “We were eight years in power” was the lament of Reconstruction-era black politicians as the American experiment in multiracial democracy ended with the return of white supremacist rule in the South. In this sweeping collection of new and selected essays, Ta-Nehisi Coates explores the tragic echoes of that history in our own time: the unprecedented election of a black president followed by a vicious backlash that fueled the election of the man Coates argues is America’s “first white president.” But the story of these present-day eight years is not just about presidential politics. This book also examines the new voices, ideas, and movements for justice that emerged over this period—and the effects of the persistent, haunting shadow of our nation’s old and unreconciled history. Coates powerfully examines the events of the Obama era from his intimate and revealing perspective—the point of view of a young writer who begins the journey in an unemployment office in Harlem and ends it in the Oval Office, interviewing a president. We Were Eight Years in Power features Coates’s iconic essays first published in The Atlantic, including “Fear of a Black President,” “The Case for Reparations,” and “The Black Family in the Age of Mass Incarceration,” along with eight fresh essays that revisit each year of the Obama administration through Coates’s own experiences, observations, and intellectual development, capped by a bracingly original assessment of the election that fully illuminated the tragedy of the Obama era. We Were Eight Years in Power is a vital account of modern America, from one of the definitive voices of this historic moment.