For the living, the dead, and the people stuck somewhere in between, Heron Creek has become a battleground. Graciela Harper might be new seeing ghosts, fighting curses, and just living with her old friends again, but there’s no doubt she’s on the front lines—and overwhelmed. Leo and Mel have been arrested. Amelia teeters on the edge of a deep depression that could cost her her child. Beau, her boyfriend who might not quite be her boyfriend anymore, is breaking her heart. None of that will matter if Gracie can’t figure out how to break the hundreds year old curse on the male line of her family. She knows she needs to focus on that, but with the future of one of South Carolina’s oldest and most prestigious families hanging in the balance, she’s tempted to try to save them, too. What Gracie’s about to learn is that she can’t do this alone, and every single person who has entered her life since her return to Heron Creek will need to pitch in for her to succeed. Well, that and the fact that she might not be able to save everyone…not even herself.

In this slightly off-beat, deliberately challenging and striking oversized book, one of America's favourite artists offers up to 33 full-size paintings that portray scenes where things are, well, not quite right, but just enough so that most children will be able to spot the clever anomalies and paradoxes. Ages 8+.

Winner of the ALA Asian/Pacific American Award for Nonfiction "Captivating... [a] heartfelt account of how newcomers carve a space for themselves in the melting pot of America." --Publishers Weekly A first-generation immigrant's "intimate, passionate look at race in America" (Viet Thanh Nguyen), an American's journey into the heart of not-whiteness. At the age of 12, Sharmila Sen emigrated from India to the U.S. The year was 1982, and everywhere she turned, she was asked to self-report her race - on INS forms, at the doctor's office, in middle school. Never identifying with a race in the India of her childhood, she rejects her new "not quite" designation - not quite white, not quite black, not quite Asian -- and spends much of her life attempting to blend into American whiteness. But after her teen years trying to assimilate--watching shows like General Hospital and The Jeffersons, dancing to Duran Duran and Prince, and perfecting the art of Jell-O no-bake desserts--she is forced to reckon with the hard questions: What does it mean to be white, why does whiteness retain the magic cloak of invisibility while other colors are made hypervisible, and how much does whiteness figure into Americanness? Part memoir, part manifesto, Not Quite Not White is a searing appraisal of race and a path forward for the next not quite not white generation --a witty and sharply honest story of discovering that not-whiteness can be the very thing that makes us American.

Christians know that God loves them, but can easily feel that he is perpetually disappointed and frustrated, maybe even close to giving up on them. As a result, they focus a lot—and rightly so—on what Jesus has done to appease God’s wrath for sin. But how does Jesus Christ actually feel about his people amid all their sins and failures? This book draws us to Matthew 11, where Jesus describes himself as “gentle and lowly in heart,” longing for his people to find rest in him. The gospel flows from God’s deepest heart for his people, a heart of tender love for the sinful and suffering. These chapters take readers into the depths of Christ’s very heart for sinners, diving deep into Bible passages that speak of who Christ is and encouraging readers with the affections of Christ for his people. His longing heart for sinners comforts and sustains readers in their up-and-down lives.

Three years into the life of this Parliament, Ministers are unable to define what they hope to achieve through of one of the Coalition's flagship policies. It's impossible to assess policy if the Government itself cannot explain precisely what it is hoping to achieve. At a time when gas and electricity bills are on the rise, improving the energy efficiency of our homes could not be more important. The Committee plans to monitor progress of the Green Deal over the coming years. This report sets out seven key areas in which it will focus its scrutiny: public awareness and communications; take-up levels; energy and carbon savings; financial savings and value for money; access to the Green Deal and ECO; customer satisfaction; and supply chain and job creation. It identifies a number of potential challenges, which could lead to low take up of the Green Deal. For example, people in rented accommodation might have difficulty gaining consents from their landlords, households might find the "hassle" of building works too much to want to upgrade their property, or cheaper sources of finance might be available from other sources. If take up levels are low, it will be important to understand why this is, so that the policy can be improved. The report calls on the Government to publish information showing how well the Green Deal is progressing. The Committee also says that DECC should seek opportunities to collaborate with research organisations to maximise its understanding of whether the scheme is working well.