With Mayor Beau accused of abuse of power and facing federal indictment, a relentless curse after her unborn nephew, and a moody, uncommunicative spirit in her room, reluctant ghost-helper Graciela Harper figures she’s got enough on her plate. The universe, as usual, figures otherwise. On a girls trip to Charleston that’s meant to give Beau some space and cheer up her cousin, Amelia, a second ghost follows Gracie back to Heron Creek. As she digs into the mystery behind the Whistling Doctor of Dueler’s Alley, things at home go from bad to worse. Leo’s not talking to her, Amelia’s depression is putting her health at risk, and Beau…well, maybe he’s not as innocent as Gracie always believed. All that takes a back seat when Gracie’s run off the road on her way back from a research trip, forcing her to face the possibility that her ghost’s secrets might not be about harmless lost love after all. In fact, he’s been the only person aware of certain documents for over two hundred years, and if Gracie helps unearth them she might find herself trapped underground…permanently.

If ghostly counselor and librarian extraordinaire Graciela Harper thought life in Heron Creek would slow down long enough for her to figure out how she feels about one Leo Boone’s declaration of love, well, she’s dead wrong. With the threat from her father’s family far from resolved and a frightening ghost from Charleston’s long gone - but not dead - past determined to terrorize her, Gracie’s personal life gets set on the back burner. Gracie knows that something - or someone - is luring her out into the mountains, to a cabin where she and her mother almost lost their lives decades ago.There, she’ll find answers that will force her to rethink everything she thought she knew.. Secrets that could cost her and the ones she loves everything…including their lives. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; min-height: 14.0px}

For the living, the dead, and the people stuck somewhere in between, Heron Creek has become a battleground. Graciela Harper might be new seeing ghosts, fighting curses, and just living with her old friends again, but there’s no doubt she’s on the front lines—and overwhelmed. Leo and Mel have been arrested. Amelia teeters on the edge of a deep depression that could cost her her child. Beau, her boyfriend who might not quite be her boyfriend anymore, is breaking her heart. None of that will matter if Gracie can’t figure out how to break the hundreds year old curse on the male line of her family. She knows she needs to focus on that, but with the future of one of South Carolina’s oldest and most prestigious families hanging in the balance, she’s tempted to try to save them, too. What Gracie’s about to learn is that she can’t do this alone, and every single person who has entered her life since her return to Heron Creek will need to pitch in for her to succeed. Well, that and the fact that she might not be able to save everyone…not even herself.

This open access book offers innovative and wide-ranging responses to the continuously flourishing literary phenomenon of autofiction. The book shows the insights that are gained in the shift from the genre descriptor to the adjective, and from a broad application of “the autofictional” as a theoretical lens and aesthetic strategy. In three sections on “Approaches,” “Affordances,” and “Forms,” the volume proposes new theoretical approaches for the study of autofiction and the autofictional, offers fresh perspectives on many of the prominent authors in the discussion, draws them into a dialogue with autofictional practice from across the globe, and brings into view texts, forms, and media that have not traditionally been considered for their autofictional dimensions. The book, in sum, expands the parameters of research on autofiction to date to allow new voices and viewpoints to emerge.

Incorporating HC 370

At the end of a cold winter in New York City, Christine Howth, a free- lance journalist, mourns the recent death of her father while mulling over the first year of her divorce. She decides it is time to halt her drift. A first step is to begin a journal, to focus her writing and experiment with styles for a story. A second step is to find a full-time job, as her work is not paying the rent. A friend informs her of a staff job at a magazine; a former flame suggests she interview movie director David Loomis. The normally private Loomis agrees to a series of interviews and observations. But unexpectedly he unloads a personal secret, one that may jeopardize the film. He requests that she inform no one, and while she readily agrees, she discovers deep into the assignment that her editor has other priorities. Loomiss struggle to complete the film, and hers to write about it draw them together. His passion for directing stimulates her own efforts to write. Their shared interests and sensibilities bring new energy to both. The filming takes her to the Adirondacks; her new staff job sends her to Paris; the cabin her father loved calls her up to Maine. Each trip stirs her and helps solidify her new perspective. But pressures arising from Loomiss situation lead to conflict with her editor and separation from him.

Mark Ellingsen dares you to go ahead and sin bravely! In this refreshing and unique book, he challenges the religious legalism pervasive throughout American evangelicalism today and encourages a new understanding of what it means to be both a Christian and a human being. Equipped with the joyful, rebellious vision of Martin Luther, father of the Protestant reformation, and the latest in neuroscientific research, Ellingsen offers a new approach for healthy living - one opposed to the duty-oriented, selfish and stifling conception of faith that has gained such a strong foothold in contemporary American culture. It is an approach that fully embraces the active role that God's grace plays in each person's life and the fun and freedom one gains from it. Beginning with the first theological analysis of Rick Warren's brand of Christianity, this book exposes the burdens and narcissism that purpose-driven and duty-bound living encourages, and includes the purveyors of the Prosperity Gospel, taught by such influential preachers like Joel Osteen, in his critique. Ellingsen writes that brave sinners, aware of God's grace in their lives, instead say "no" to narcissism and "yes" to healthy risk-taking that gets beyond selfish desires to the desire to help one another. When people sin bravely, acknowledging that everything done is done in sin with God's saving grace acting upon them, people can learn to recognize God. This awareness leads to freedom and joy, since the pressure is now removed to do and be good. In addition, total dependence on God entails a self-forgetfulness that leads to happiness. The more boldly someone acknowledges their sin, in failing to take credit for the good they have done, the more focused on God the individual becomes. Correspondingly, this self-forgetful lifestyle is a promising counter-cultural alternative to the cultural narcissism, which so dominate in many segments of contemporary American society. This book demonstrates both how and why brave sinning leads to joy, and in so doing offers readers practical advice on living this way. Ellingsen also cites recent neurobiological findings showing that when people forget themselves in order to focus on bigger projects, the pleasure centers of the brain are stimulated and people become happier and more content. It is this joyous risk-taking that he suggests brings people closer together, closer to God, and closer to a better understanding of themselves. Sin Bravely dares to be that joyful alternative to the purpose driven life.