She considers each of these diverse genres in terms of the way it explains the cultural identity of a nation formed from the settlement of immigrant peoples on the lands of dispossessed indigenous peoples.

In Northern Experience and the Myths of Canadian Culture Renée Hulan disputes the notion that the north is a source of distinct collective identity for Canadians. Through a synthesis of critical, historical, and theoretical approaches to northern subjects in literary studies, she challenges the epistemology used to support this idea. By investigating mutually dependent categories of identity in literature that depicts northern peoples and places, Hulan provides a descriptive account of representative genres in which the north figures as a central theme - including autobiography, adventure narrative, ethnography, fiction, poetry, and travel writing. She considers each of these diverse genres in terms of the way it explains the cultural identity of a nation formed from the settlement of immigrant peoples on the lands of dispossessed, indigenous peoples. Reading against the background of contemporary ethnographic, literary, and cultural theory, Hulan maintains that the collective Canadian identity idealized in many works representing the north does not occur naturally but is artificially constructed in terms of characteristics inflected by historically contingent ideas of gender and race, such as self-sufficiency, independence, and endurance, and that these characteristics are evoked to justify the nationhood of the Canadian state.

The present volume contains general essays on: unequal African/Western academic exchange; the state and structure of postcolonial studies; representing male violence in Zimbabwe's wars; parihaka in the poetic imagination of Aotearoa New Zealand; Middle Eastern, Nigerian, Moroccan, and diasporic Indian women's writing; community in post-Independence Maltese poetry in English; key novels of the Portuguese colonies; the TV series The Kumars at No. 42; fictional representations of India; the North in western Canadian writing; and a pedagogy of African-Canadian literature. As well as these, there is a selection of poems from Malta by Daniel Massa, Adrian Grima, Norbert Bugeja, Immanuel Mifsud, and Maria Grech Ganado, and essays providing close readings of works by the following authors and filmmakers: Thea Astley, George Elliott Clarke, Alan Duff, Francis Ebejer, Lorena Gale, Romesh Gunesekera, Sahar Khalīfah, Anthony Minghella, Michael Ondaatje, Caryl Phillips, Edgar Allan Poe, Salman Rushdie, Ghādah al-Sammān, Meera Syal, Lee Tamahori. Contributors: Leila Abouzeid, Hoda Barakat, Amrit Biswas, Thomas Bonnici, Stella Borg Barthet, Ivan Callus, Devon Campbell-Hall, Saviour Catania, George Elliott Clarke, Brian Crow, Pilar Cuder-Domínguez, Bärbel Czennia, Hilary P. Dannenberg, Pauline Dodgson-Katiyo, Bernadette Falzon, Daphne Grace, Adrian Grima, Kifah Hanna, Janne Korkka, T. Vijay Kumar, Chantal Kwast-Greff, Maureen Lynch Pèrcopo, Kevin Stephen Magri, Isabel Moutinho, Melanie A. Murray, Taiwo Oloruntoba-Oju, Gerhard Stilz, Jesús Varela Zapata, Christine Vogt-William.

Before Ontario there was ice. As the last ice age came to an end, land began to emerge from the melting glaciers. With time, plants and animals moved into the new landscape and people followed. For almost 15,000 years, the land that is now Ontario has provided a home for their descendants: hundreds of generations of First Peoples. With contributions from the province's leading archaeologists, Before Ontario provides both an outline of Ontario's ancient past and an easy to understand explanation of how archaeology works. The authors show how archaeologists are able to study items as diverse as fish bones, flakes of stone, and stains in the soil to reconstruct the events and places of a distant past - fishing parties, long-distance trade, and houses built to withstand frigid winters. Presenting new insights into archaeology’s purpose and practice, Before Ontario bridges the gap between the modern world and a past that can seem distant and unfamiliar, but is not beyond our reach. Contributors include Christopher Ellis (University of Western Ontario), Neal Ferris (University of Western Ontario/Museum of Ontario Archaeology), William Fox (Canadian Museum of Civilization/Royal Ontario Museum), Scott Hamilton (Lakehead University), Susan Jamieson (Trent University Archaeological Research Centre - TUARC), Mima Kapches (Royal Ontario Museum), Anne Keenleyside (TUARC), Stephen Monckton (Bioarchaeological Research), Marit Munson (TUARC), Kris Nahrgang (Kawartha Nishnawbe First Nation), Suzanne Needs-Howarth (Perca Zooarchaeological Research), Cath Oberholtzer (TUARC), Michael Spence (University of Western Ontario), Andrew Stewart (Strata Consulting Inc.), Gary Warrick (Wilfrid Laurier University), and Ron Williamson (Archaeological Services Inc).

Every day brings new headlines about climate change as politicians debate how to respond, scientists offer new data, and skeptics critique the validity of the research. To step outside these scientific and political debates, Timothy Leduc engages with various Inuit understandings of northern climate change. What he learns is that today’s climate changes are not only affecting our environments, but also our cultures. By focusing on the changes currently occurring in the north, he highlights the challenges being posed to Western climate research, Canadian politics and traditional Inuit knowledge. Climate, Culture, Change sheds light on the cultural challenges posed by northern warming and proposes an intercultural response that is demonstrated by the blending of Inuit and Western perspectives.

Climate Change and Writing the Canadian Arctic explores the impact of climate change on Canadian literary culture. Analysis of the changing rhetoric surrounding the discovery of the lost ships of the Franklin expedition serves to highlight the political and economic interests that have historically motivated Canada’s approach to the Arctic and shaped literary representations. A recent shift in Canadian writing away from national sovereignty to circumpolar stewardship is revealed in detailed close readings of Kathleen Winter’s Boundless and Sheila Watt-Cloutier’s The Right to Be Cold.

This book explores the Canadian relationship with its portion of the Arctic region which revolves around the dramatic split between the appearance of absent-minded governance, bordering on indifference toward the region, and the raging nationalism during moments of actual and perceived challenge toward the sovereignty of the imagined “Canadian Arctic region.” Canada’s nationalistic relationship with the Arctic region is often discussed as a reactionary phenomenon to the Americanization of Canada and the product of government propaganda. As this book illustrates, however, the complexity and evolution of the Canadian relationship with the Arctic region and its implication for Canada’s approach toward international relations requires a more in-depth exploration Please be aware than an error has been noted for Table 1.1 on page 71. In this table the sub-category “Inuit” is mislabelled. It should read “Native Indians and Inuit” as the data presented represents this Canadian census sub-category which calculated all indigenous peoples and Inuit peoples together.