This is a workbook that is perfect for the young learner to discover and explore several math concepts at the Kindergarten level.

Nola wants to be a nurse practitioner just like her mom. She has learned how to care for people of all ages and now visits her friends to heal their sick baby dolls. Along the way, she learns more about her culturally diverse world. Nola the Nurse was born from the desire of Dr. Scharmaine L. Baker, NP who had been searching for children's books that were both culturally sensitive and featured African-American nurses. She had found none, so she decided to create her own and Nola the Nurse was born. Nola the Nurse, She's On The Go, is the first in a series of beautifully illustrated bedtime stories, perfect for young children. Your child will delight in the colorful pictures and will also learn important cultural lessons.

100+skill-building pages that give young scholars practice with the alphabet, sight words, handwriting, counting, numbers, shapes and everything they'll need to succeed in school. Use with Grade PreK. The Nola The Nurse Workbooks are packed with plenty of fun activities that teach a variety of essential school skills. In this math workbook, calculations with subtraction and addition and clearly marked and easy to use. Other books in the Nola The Nurse(R) collection: Nola The Nurse(R) Activity Book For Preschool Vol 1 Nola The Nurse(R) Activity Book For Kindergarten Vol 2 Nola The Nurse(R) Math Worksheets For Kindergarten Vol 3 Nola The Nurse(R) English & Sight Words For Kindergarten Vol 4 Nola The Nurse(R) Math/English Worksheets For Preschool Vol 5 Nola The Nurse(R) Math Worksheets For First Grade Vol 6 Nola The Nurse(R) STEM Activity Work Book For Ages 5-8 Vol 7 She's On The Go series: Nola The Nurse(R) She's On The Go Vol 1 Nola The Nurse(R) & Friends Explore The Holi Fest Vol 2 w/ matching coloring book Nola The Nurse(R) Remembers Hurricane Katrina Special Edition w/matching coloring book

A searing anatomy of a New Orleans murder trial and a system of justice gone wrong. In a New Orleans supermarket parking lot in the fall of 1984 ,two disparate lives become inextricably bound for the next fourteen years. The first, the life of Delores Dye, a white housewife and grandmother. The second, a young black man with a gun in hand. Moments following their maybe not so chance encounter, Mrs. Dye lay dead on the sunbaked macadam, and the killer had made off with her purse, her groceries, and her car. Four days later, following a tip, authorities arrested a known drug dealer and father of five named Curtis Kyles. Kyles would then be tried for Mrs. Dye's murder an unprecedented five times, though he maintained his innocence throughout each trial. Convicted and sentenced to death in his second trial, he would spend fourteen years on death row. After a fifth jury was unable to reach a verdict, New Orleans Parish District Attorney Harry Connick, Sr., finally conceded defeat and dropped the murder charge. But the case slowly yielded a deeper drama: The crime turned out to have been the side effect of an intricately plotted act of revenge. That police and prosecutors may have been complicit in the vengeance that framed Kyles cuts to the heart of a system of justice for Southern blacks in the era since lynch mobs were shamed into obsolescence. A compellingly written legal drama that has at its heart passionate intrigue and justice gone awry. Desire Street is a 2006 Edgar Award Nominee for Best Fact Crime.

Not Even Then, the debut collection by Brian Blanchfield, introduces a poetry both compressed and musically fluid, beseechingly intimate and oddly authoritative. Blanchfield conducts readers through a unique, theatrical realm where concepts and personages are enlivened into action: Continuity, Coincidence, Symmetry, and Shame keep uneasy company there with Marcel Duchamp and Johnny Weissmuller, Lord Alfred Douglas and "Blue Boy" Master Lambton, Juliet’s Nurse and Althusser’s Moses. With its kinked and suspensive language, Not Even Then draws on the lyric tradition, even as it complicates that tradition’s dualism of self and other. Likeness is always under investigation in the book’s irreducible arrangements of alterity. From "Red Habits": "I imagine the interferences explained / in don’t-think-twice and reverse advice / and by habits for both head and breast / hers and hers as red as mine at chamber check. / We are each herself a further interference." No answer rests unquestioned in its turn; even the book title’s cynicism is challenged by a poetics alive to possibility, where Possibility is—impetuously, ecstatically—companionable. "The listener you are," writes Blanchfield, "the less alone."