The orphan trains stopped running in 1929 and the foster care system began. Hollywood relieved Depression era problems on the subject with films starring Shirley Temple. "Room for One More" with Cary Grant depicted the need for foster families. "Blossoms In the Dust" starring Greer Garson dealt with the social stigma faced by both the parents and the children. Having immigrant parents in the mix added more problems. This was my family. We were a family torn apart as our parents fought to regain their children while the system held them hostage to the moral tenor of the times. Once the State took us a promise was made, a promise believed. Why, in the end, did we then feel twice abandoned, twice betrayed?

To the United Nations

Jill walked over and stood next to Sally. She played right before Sally in the recital. "I liked your pieces," Jill said. Sally said, "But I messed up on the second one. It sounded really bad." "Oh, I didn't notice," Jill said. She shrugged, "I made a couple of mistakes too. It's no big deal" Sally thought Jill was just trying to be nice. She couldn't remember Jill every making a mistake when she played. In fact, she made it look so easy all the time. After another sip of punch and a chocolate chip cookie, Sally was ready to leave. She wasn't in a very good mood and most of all she didn't want to face Mrs. Pratt. Sally felt like she had let her down. Sally Sanders is a perfectionist—if can’t she be the best, she feels like a failure. Sally procrastinates, shies away from new things, and constantly compares herself to others, convinced she’s not good enough. With the help of her teachers and mother, Sally learns how to relax and try new things without worrying so much about being the best. She can just be herself, and that is all she needs.

Nobody's Children is an intense look at child welfare policies on abuse and neglect, foster care, and adoption. Elizabeth Bartholet, one of the nation's leading experts on family law, challenges the accepted orthodoxy that treats children as belonging to their kinship and their racial groups and that locks them into inadequate biological and foster homes. She asks us to apply the lessons learned from the battered women's movement as we look at battered children, and to question why family preservation ideology still reigns supreme when children rather than adult women are involved. Bartholet asks us to take seriously the adoption option. She calls on the entire community to take responsibility for its children, to think of the children at risk of abuse and neglect as belonging to all of us, and to ensure that "Nobody's Children" become treasured members of somebody's family.

A young woman's search for her roots has dramatic consequences. Anne Baker writes an engrossing saga in Nobody's Child - a tale of family, love and finding a place to call home. Perfect for fans of Cathy Sharp and Lyn Andrews. When Dorothy Mortimer finds herself pregnant, she is sent away to family friends, the Benders, to have the child. Dorothy wants nothing to do with her daughter Lizzie, so the Benders arrange for the child to be brought up by the O'Malley's, a feckless family living on the estate. Lizzie is unaware of her parentage but her brother Joey is suspicious of the attention she receives from the Benders... Eventually he takes Lizzie to Merseyside to claim what is rightfully hers. But Joey's obsession to provide Lizzie with the riches she deserves leads to the destruction of their love, and Lizzie finds herself drawn to the family she has never known... What readers are saying about Nobody's Child: 'A rags-to-riches story, but with a good underlying tale of spite and greed. A little bit of everything and a gritty ending - I couldn't put it down' 'A really good read, a bit like a mini-series on TV. I especially liked the way it kept me guessing until the very end'

Born in Tijuana to a Mexican father and an Anglo mother, Urrea moved to San Diego at age three. In this memoir of his childhood, Urrea describes his experiences growing up in the barrio and his search for cultural identity.

A young woman is found on the streets of Mumbai, dazed and covered in wounds. Her mind is clearly addled by drugs. She tells a TV journalist that she is the famous singer Asavri Bhattacharya, the winner of the 2016 reality TV show Indian Koel.But as far as the world knows, Asavri died in a car accident soon after her win. Her body was cremated; her death mourned by the whole nation.As news spreads like wildfire, the press and public begin clamouring for answers. How can Asavri be alive? And if this is indeed the real Asavri, then who was cremated three years ago? And who is behind what happened to her?Is it Tanya, the first runner-up who wore the victor's crown after Asavri was declared dead, or Rudra, Asavri's ex-husband? Or is it Kamini Devi - the glamorous MP with a sinister plan? Or Avniel, the film journalist who shot to fame by writing Asavri's biography soon after her death?And why does Asavri keep muttering the name Monty? Who is he?Nobody's Child Is An Exhilarating And Chilling Story About The Dark Side Of Fame.