An anthology exploring the act of passing-as the "right" gender, race, class, sexuality, age, ability, body type, ethnicity, and beyond Nobody Passes is a collection of essays that confronts and challenges the very notion of belonging. By examining the perilous intersections of identity, categorization, and community, contributors challenge societal mores and countercultural norms. Nobody Passes explores and critiques the various systems of power seen (or not seen) in the act of "passing." In a pass/fail situation, standards for acceptance may vary, but somebody always gets trampled on. This anthology seeks to eliminate the pressure to pass and thereby unearth the delicious and devastating opportunities for transformation that might create.

How would any of us feel if we could meet our teenage selves, a ghost on the road? Everything Passes, Everything Remains is a confluence of journeys, made by Chris Dolan, his friends, and writers before him. It’s a bit about cycling, a bit about walking, and a bit about buses. It’s a kind of travelogue, over time, and through some lesser-known parts of Spain. It’s an obsession with Spain’s writers and its history, from the Inquisition to the Civil War to the questions it faces as a country today. What makes a nation, or a family for that matter, or a group of friends? In many ways it’s as much about Dolan’s native Scotland as Spain. But mostly, it’s about the highs and lows of growing up and growing older – how the past plays merry hell with the present. About friendship, loss, music, memory, and the demons that follow us as we try to make sense of our history and our place in the world.

Former World War I British Army Captain Matt Denant protects a poor prostitute from an over-persistent plainclothes police detective. In a scuffle Denant hits the detective who as a result falls, striking his head, and dies. Denant gets sentenced to Dartmoor Prison for manslaughter and escapes from a work detail. The plot is a series of episodes where Denant meets people who will either abet or obstruct his escape, thus becoming a study in class structure and ethos according to Galsworthy's interpretation of 1920s British society.