"Meet the new guide on the lonesome highway. Poe Ballantine's wry voice, clear eye, hilarious accounts, and lyrical language brings us up short by reminding us that America has always been about flight, and for most of its citizens it has been about defeat. His wanderings, drifters, bad motels, cheap wine, dead-end jobs, and drugs, takes us home, the home Betty Crocker never lived in. We're on the road again, but this time we know better than to hope for a rumbling V-8 and any answers blowing in the wind. The bus has been a long time coming, but thank God it has arrived with Mr. Ballantine aboard." Charles Bowden, author of Blues for Cannibals and Blood Orchid.

Instant New York Times Bestseller One of Fall 2019's Best Books (People, EW, Lithub, Vox, Washington Post, and more) A young boy is haunted by a voice in his head in this acclaimed epic of literary horror from the author of The Perks of Being a Wallflower. Christopher is seven years old.Christopher is the new kid in town.Christopher has an imaginary friend. We can swallow our fear or let our fear swallow us. Single mother Kate Reese is on the run. Determined to improve life for her and her son, Christopher, she flees an abusive relationship in the middle of the night with her child. Together, they find themselves drawn to the tight-knit community of Mill Grove, Pennsylvania. It's as far off the beaten track as they can get. Just one highway in, one highway out. At first, it seems like the perfect place to finally settle down. Then Christopher vanishes. For six long days, no one can find him. Until Christopher emerges from the woods at the edge of town, unharmed but not unchanged. He returns with a voice in his head only he can hear, with a mission only he can complete: Build a treehouse in the woods by Christmas, or his mother and everyone in the town will never be the same again. Twenty years ago, Stephen Chbosky's The Perks of Being a Wallflower made readers everywhere feel infinite. Now, Chbosky has returned with an epic work of literary horror, years in the making, whose grand scale and rich emotion redefine the genre. Read it with the lights on.

An extraordinary collaboration between Irish Children's Laureate, Eoin Colfer, and picture book superstar, Oliver Jeffers! Sometimes, with a little electricity, or luck, or even magic, an imaginary friend might appear when you need one. An imaginary friend like Fred... Fred floated like a feather in the wind until a lonely little boy wished for him and found a friendship like no other. The perfect chemistry between Eoin Colfer's text and Oliver Jeffer's artwork make for a dazzlingly original colour gift book.

"Buoyant humor...richly complex friendships and romantic relationships...moments that stir real emotion." (Booklife) Setting off on a 3-year journey across America and Europe, free-spirited “good girl,” Fay Faron, shakes off her fundamentalist upbringing as she navigates her way through the changing world of the 1970s, as she faces assault, poverty, punishing jobs, betrayal, loss, and romance. Powering through a series of revenge plagues rained down from The Almighty—hey, she is breaking all the rules, after all—Fay must learn to recalibrate her conservative group-think or abandon her road-trip-as-a-lifestyle existence and retreat to the soul-crushing community from which she escaped. Part historical snapshot, part travelogue and part confessional, this laugh-out-loud memoir is the story of every woman who has pondered the road not taken or grappled with the guilt of not being able to live up to rules she didn't make.

The National Book Award–winning author compiles a “thought-provoking volume” of essays by Joyce Carol Oates, Oliver Sacks, Jaquira Diaz and others (Publishers Weekly). As Jonathan Franzen writes in his introduction, his main criterion for selecting The Best American Essays 2016 “was whether an author had taken a risk.” The resulting volume showcases authorial risk in a variety of forms, from championing an unpopular opinion to the possibility of ruining a professional career, or irrevocably alienating one’s family. What’s gained are essential insights into aspects of the human condition that would otherwise remain concealed—from questions of queer identity, to the experience of a sibling’s autism and relationships between students and college professors. The Best American Essays 2016 includes entries by Alexander Chee, Paul Crenshaw, Jaquira Diaz, Laura Kipnis, Amitava Kaumar, Sebastian Junger, Joyce Carol Oates, Oliver Sacks, George Steiner, Thomas Chatterton Williams, and others.

This edition of Herzog on Herzog presents a completely new set of interviews in which Werner Herzog discusses his career from its very beginnings to his most recent productions. Herzog was once hailed by Francois Truffaut as the most important director alive. Famous for his frequent collaborations with mercurial actor Klaus Kinski - including the epics, Aguirre, the Wrath of God and Fitzcarraldo, and the terrifying Nosferatu - and more recently with documentaries such as Grizzly Man, Cave of Forgotten Dreams and Into the Abyss, Herzog has built a body of work that is one of the most vital in post-war German cinema.

Many parents delight in their child's imaginary companion as evidence of a lively imagination and creative mind. At the same time, parents sometimes wonder if the imaginary companion might be a sign that something is wrong. Does having a pretend friend mean that the child is in emotional distress? That he or she has difficulty communicating with other children? In this fascinating book, Marjorie Taylor provides an informed look at current thinking about pretend friends, dispelling many myths about them. In the past a child with an imaginary companion might have been considered peculiar, shy, or even troubled, but according to Taylor the reality is much more positive--and interesting. Not only are imaginary companions surprisingly common, the children who have them tend to be less shy than other children. They also are better able to focus their attention and to see things from another person's perspective. In addition to describing imaginary companions and the reasons children create them, Taylor discusses other aspects of children's fantasy lives, such as their belief in Santa, their dreams, and their uncertainty about the reality of TV characters. Adults who remember their own childhood pretend friends will be interested in the chapter on the relationship between imaginary companions in childhood and adult forms of fantasy. Taylor also addresses practical concerns, providing many useful suggestions for parents. For example, she describes how children often express their own feelings by attributing them to their imaginary companion. If you have a child who creates imaginary creatures, or if you work with pre-schoolers, you will find this book very helpful in understanding the roles that imaginary companions play in children's emotional lives.