Outsider. Workingclass. Neuroatypical. Nonbinary. No Poster Boy. Elliott DeLine is an award-winning author of Refuse, I Know Very Well How I Got My Name, and Show Trans. His dynamic fiction and memoir writing has been informed by his experiences as a young transgender man contending with discrimination, poverty, mental illness, trauma and sexual identity. No Poster Boy is a collection of his most accessible, intimate, and daring essays on the subject of an underrepresented population: transgender men who are attracted to men. His humorous and sobering writing is eye-opening to outsiders and validating to those who share his experiences. Speaking from a place outside academia, outside metropolitan queer life, and challenging to mainstream puff-trans-politics, "Elliott DeLine is of the most searingly honest voices in this exciting generation of young trans writers." (Roger Hallas, former director of LGBT Studies at Syracuse University)

When you’re sneaking around the city at night you feel like a kid again. The seriousness of the world is unmasked as a series of facades, dead objects just waiting to be painted. I was immediately hooked. Out on the street I could say anything I wanted. So what did I want to say? Peter Drew’s posters are a familiar sight across Australia – his ‘Real Australians Say Welcome’ and ‘Aussie’ campaigns took on lives of their own, attaining cult status and starting conversations all over the country. But who made them, and why? In this irresistible and unexpected memoir, Peter Drew searches for the answers to these questions. He traces the links between his creative and personal lives, and discovers surprising parallels between Australia’s dark, unacknowledged past and the unspoken conflict at the core of his own family. Packed full of Peter Drew’s memorable images, Poster Boy is an intelligent, funny and brutally honest dive into the stew of individual, family and national identity. It’s about politics and art, and why we need them both. And it’s about making a mark. ‘Peter Drew’s work changes how we see our streets and country, as well as activism and art. Be warned: This galvanising book might propel you to start a movement yourself.’ —Benjamin Law 'An unflinching look at modern Australia, Poster Boy is a tale literally told from the streets. It is a stark story where the villains blend in with those devoted to pushing for change. This book floored me.' —Osher Günsberg ‘To read Poster Boy is to experience the life-enriching idea that one person can make real change. Then wait for the minute, the day, the week, when the afterglow of his story works its magic on your own simple deeds. From little things, big things truly grow.’ —Megan Morton ‘An insightful look into the life and mind of one of Australia's most progressive and forthright artists of our generation.’ —Nick Mitzevich, director of the National Gallery of Australia

Emily Rapp was born with a congenital defect that required, at the age of four, that her left foot be amputated. By the time she was eight she'd had dozens of operations, had lost most of her leg, from just above the knee, and had become the smiling, indefatigable "poster child" for the March of Dimes. For years she made appearances at church suppers and rodeos, giving pep talks about how normal and happy she was. All the while she was learning to live with what she later described as "my grievous, irrevocable flaw," and the paradox that being extraordinary was the only way to be ordinary. Praise for Poster Child: "Rapp's precise and forthright descriptions of her exhausting physical ordeals and complex psychic wounds are simultaneously harrowing and fascinating, and they foster a strong bond between writer and reader...Rapp approaches the memoir as a supple, revelatory, involving and generous genre....She offers a fresh perspective on our obsession with physical perfection, especially the crushing expectations for women, and she writes delicately about the fears that disability engenders regarding intimacy and sex. Rapp's insider's view of the history of prostheses deepens our empathy and admiration for those who depend on artificial limbs, a growing population, once again, in yet another time of war and horrific injuries. Memoir, the conduit from the personal to the universal, is the surest way into the kind of significant psychological, sociological and spiritual truth Rapp is engaged in articulating. And there isn't one false note here. Not one inauthentic moment. No cheap manipulation. No self-importance...Her cauterizing specificity is compelling, her candor incandescent and her intelligence, courage and spiritual diligence stupendous."-Donna Seaman, Los Angeles Times "You can't put down this excellent memoir ...Poster Child beautifully illustrates every human being's sometimes overt, sometimes co

From the untimely deaths of young athletes to chronic disease among retired players, roiling debates over tackle football have profound implications for more than one million American boys—some as young as five years old—who play the sport every year. In this book, Kathleen Bachynski offers the first history of youth tackle football and debates over its safety. In the postwar United States, high school football was celebrated as a "moral" sport for young boys, one that promised and celebrated the creation of the honorable male citizen. Even so, Bachynski shows that throughout the twentieth century, coaches, sports equipment manufacturers, and even doctors were more concerned with "saving the game" than young boys' safety—even though injuries ranged from concussions and broken bones to paralysis and death. By exploring sport, masculinity, and citizenship, Bachynski uncovers the cultural priorities other than child health that made a collision sport the most popular high school game for American boys. These deep-rooted beliefs continue to shape the safety debate and the possible future of youth tackle football.

Sixteen-year-old Gray Fallon's easy life as a popular teen with cool parents changes when his younger sister Maggie is diagnosed with a rare form of cancer and his investigations prove that chemicals were the cause of it.

"A resistance novel for our time." - The New York Times "A hopeful story about recovery, empathy, and the bravery of young people." - Booklist "This well-crafted and suspenseful novel touches on the topics of refugees and immigrant integration, terrorism, Islam, Islamophobia, and the Syrian war with sensitivity and grace." - Kirkus, Starred Review Fourteen-year-old Ahmed is stuck in a city that wants nothing to do with him. Newly arrived in Brussels, Belgium, Ahmed fled a life of uncertainty and suffering in Aleppo, Syria, only to lose his father on the perilous journey to the shores of Europe. Now Ahmed’s struggling to get by on his own, but with no one left to trust and nowhere to go, he’s starting to lose hope. Then he meets Max, a thirteen-year-old American boy from Washington, D.C. Lonely and homesick, Max is struggling at his new school and just can’t seem to do anything right. But with one startling discovery, Max and Ahmed’s lives collide and a friendship begins to grow. Together, Max and Ahmed will defy the odds, learning from each other what it means to be brave and how hope can change your destiny. Set against the backdrop of the Syrian refugee crisis, award-winning author of Jepp, Who Defied the Stars Katherine Marsh delivers a gripping, heartwarming story of resilience, friendship and everyday heroes. Barbara O'Connor, author of Wish and Wonderland, says "Move Nowhere Boy to the top of your to-be-read pile immediately."

Priscilla Rose Motgellin is the daughter of the President of The Earth's Northern Hemisphere Alliance. She learns that her parents are planning an arranged marriage for her. It has been centuries since the practice of arranged marriages for political or personal gain had been outlawed. She sees her only way out of this archaic arrangement is to....... leave home.... *- Anan Bersell is very handsome, and very much the playboy. Due to his exceptional looks, some from Earth assume he is a 'Poster Boy'. One who is medically enhanced for advertising purposes. Females flock to him like flies to honey. His parents are in politics, which he detests. To escape his parents' career he chose a career as a Courier / Transporter pilot on intergalactic trade routes. On his way home to Earth for his infrequent visits with his family, he stops at the planet Borsha, to visit with friends. While there his life, as he knows it, suddenly changes.