Crystal Clark arrives in Colorado's Yampa Valley amid the splendor of a high country June in 1892. After the death of her father, Crystal is relieved to be leaving the troubles of her Georgia life behind to visit her aunt Kate's cattle ranch. Despite being raised as a proper Southern belle, Crystal is determined to hold her own in this wild land--even if a certain handsome foreman doubts her abilities. Just when she thinks she's getting a handle on the constant male attention from the cowhands and the catty barbs from some of the local young women, tragedy strikes the ranch. Crystal will have to tap all of her resolve to save the ranch from a greedy neighboring landowner. Can she rise to the challenge? Or will she head back to Georgia defeated? Book one in the Heart of the West series, No Place for a Lady is full of adventure, romance, and the indomitable human spirit. Readers will fall in love with the Colorado setting and the spunky Southern belle who wants to claim it as her own.

Praise for Gill Paul: ‘A cleverly crafted novel and an enthralling story... A triumph.’ DINAH JEFFERIES ‘Gripping, romantic and evocative of its time.’ LULU TAYLOR

When Agnes Morley Cleaveland was born on a New Mexico cattle ranch in 1874, the term "Wild West" was a reality, not a cliché. In those days cowboys didn't know they were picturesque, horse rustlers were to be handled as seemed best on the occasion, and young ladies thought nothing of punching cows and hunting grizzlies in between school terms.

In 1869, more than twenty years after Elizabeth Cady Stanton and Susan B. Anthony made their declaration of the rights of woman at Seneca Falls, New York, the men of the Wyoming Territorial Legislature granted women over the age of 21 the right to vote in general elections. And on September 6, 1870, a grandmother named Louisa Ann Swain stepped up to a ballot box in Laramie, Wyoming, and became the first woman in the United States to exercise that right, ushering in the era of Western states’ early foray into suffrage equality. Wyoming Territory’s motives for extending the vote to women might have had more to do with publicity and attracting female settlers than with any desire to establish a more egalitarian society. However, individual men’s interests in the idea of women’s rights had their roots in diverse ideologies, and the women who agitated for those rights were equally diverse in their attitudes. No Place for a Woman explores the history of the fight for women’s rights in the West, examining the conditions that prevailed during the vast migration of pioneers looking for free land and opportunity on the frontier, the politics of the emerging Western territories at the end of the Civil War, and the changing social and economic conditions of the country recovering from war and on the brink of the Gilded Age. The stories of the women who helped settle the West and who ushered in voting rights decades ahead of the 19th Amendment and the stories of the country they were forging in the West will be of great interest to readers as the 100th anniversary of national woman suffrage approaches and is relevant in our current political climate. Through the individual stories of women like Esther Hobart Morris, Martha Cannon, and Jeannette Rankin, this book fills a hole in the story of the West, revealing the real story of how the hard work and individual lobbying of a few heroines, plus a little bit of publicity-seeking and opportunism by promoters of the Wyoming Territory, ushered in a new era for the expansion of women’s rights.

Adults don't talk about the business of doing our business. We work on one assumption: the world of public bathrooms is problem- and politics-free. No Place To Go: Answering the Call of Nature in the Urban Jungle reveals the opposite is true. No Place To Go is a toilet tour from London to San Francisco to Toronto and beyond. From pay potties to deserted alleyways, No Place To Go is a marriage of urbanism, social narrative, and pop culture that shows the ways — momentous and mockable — public bathrooms just don't work. Like, for the homeless, who, faced with no place to go sometimes literally take to the streets. (Ever heard of a municipal poop map?) For people with invisible disabilities, such as Crohn’s disease, who stay home rather than risk soiling themselves on public transit routes. For girls who quit sports teams because they don’t want to run to the edge of the pitch to pee. Celebrities like Lady Gaga and Bruce Springsteen have protested bathroom bills that will stomp on the rights of transpeople. And where was Hillary Clinton after she arrived back to the stage late after the first commercial break of the live-televised Democratic leadership debate in December 2015? Stuck in a queue for the women’s bathroom. Peel back the layers on public bathrooms and it’s clear many more people want for good access than have it. Public bathroom access is about cities, society, design, movement, and equity. The real question is: Why are public toilets so crappy?

When Dan and his family go from middle class to homeless, issues of injustice rise to the forefront in this relatable, timely novel from Todd Strasser that VOYA calls “poignant,” “darkly humorous,” and “exceptionally thought-provoking.” It seems like Dan has it all. He’s a baseball star who is part of the popular crowd and dates the hottest girl in school. Then his family loses their home. Forced to move into the town’s Tent City, Dan feels his world shifting. His friends try to pretend that everything’s cool, but they’re not the ones living among the homeless. As Dan struggles to adjust to his new life, he gets involved with the people who are fighting for better conditions and services for the residents of Tent City. But someone wants Tent City gone, and will stop at nothing until it’s destroyed...

The liberty of trade... Miss Bree Mallory has no time for the pampered aristocracy! She's too taken up with running the best coaching company on the roads. But an accidental meeting with an earl changes everything.... The luxury of the Ton... Soon, beautiful Bree has established herself in Society. She hopes no one will discover that she once drove the stage from London to Newbury...or that she returned unchaperoned with the rakishly attractive Max Dysart, Earl of Penrith. Is either any place for a lady? Bree's independence is hard-won: she has no interest in marriage. But Max's kisses are powerfully—passionately—persuasive!