A Sunday Times Book of the Year Winner of the Polari Prize 'A book about love, identity, acceptance and the freedom to write, paint, compose and wear corduroy breeches with gaiters. To swear, kiss, publish and be damned. It is vastly entertaining and often moving... There isn't a page without an entertaining vignette' The Times. The extraordinary story of how a singular group of women in a pivotal time and place – Paris, Between the Wars – fostered the birth of the Modernist movement. Sylvia Beach, Bryher, Natalie Barney, and Gertrude Stein. A trailblazing publisher; a patron of artists; a society hostess; a groundbreaking writer. They were all women who loved women. They rejected the patriarchy and made lives of their own – forming a community around them in Paris. Each of these four central women interacted with a myriad of others, some of the most influential, most entertaining, most shocking and most brilliant figures of the age. Diana Souhami weaves their stories into those of the four central women to create a vivid moving tapestry of life among the Modernists in pre-War Paris. 'One of the best books I've read this year.' James Bridle

A Sunday Times Book of the Year 'A book about love, identity, acceptance and the freedom to write, paint, compose and wear corduroy breeches with gaiters. To swear, kiss, publish and be damned. It is vastly entertaining and often moving ... There isn't a page without an entertaining vignette' The Times. The extraordinary story of how a singular group of women in a pivotal time and place - Paris, Between the Wars - fostered the birth of the Modernist movement. Sylvia Beach, Bryher, Natalie Barney, and Gertrude Stein. A trailblazing publisher; a patron of artists; a society hostess; a groundbreaking writer. They were all women who loved women. They rejected the patriarchy and made lives of their own - forming a community around them in Paris. Each of these four central women interacted with a myriad of others, some of the most influential, most entertaining, most shocking and most brilliant figures of the age. Diana Souhami weaves their stories into those of the four central women to create a vivid moving tapestry of life among the Modernists in pre-War Paris.

Wild Girls is the critically acclaimed true story of two wealthy American heiresses---one an artist, the other a writer---whose stormy, passionate love affair captivated Paris’s salon set between the wars. Natalie Barney and Romaine Brooks were rich, American, eccentric, and grandly lesbian. They met in Paris in 1915, and their relationship lasted more than fifty years, despite infidelity, separation, and temperamental differences. Romaine Brooks, a painter, was the product of an unhappy childhood and trusted no one but Natalie. Natalie Barney was passionate about life, sex, and love. Her Friday afternoon salons, attended by Gertrude Stein, and Colette and Edith Sitwell, were a magnet for social introductions and cultural innovations. Drawing from letters, papers, and paintings, Diana Souhami, the award-winning author of Mrs. Keppel and Her Daughter, re-creates the lives and loves of this pair of dazzling and wild women. “Epic romance . . . smartly sex-positive and so good-naturedly shocking.” ---The New York Times Book Review “Real tenderness and pathos . . . not only entertaining but affecting reading.” ---The Washington Post “Their friends were the most bohemian, their parties the most risqué, their tortured love affair the most notorious in Europe. Diana Souhami tells a remarkable tale.” ---The Sunday Telegraph (UK)

This text analyzes the legal, social and literary impact of lesbian scandal on early twentieth-century British and Anglo-American culture.

This early work by Radclyffe Hall was originally published in 1928 and we are now republishing it with a brand new introductory biography. 'The Well of Loneliness' is a novel that follows an upper-class Englishwoman who falls in love with another woman while serving as an ambulance driver in World War I. Marguerite Radclyffe Hall was born on 12th August 1880, in Bournemouth, England. Hall's first novel The Unlit Lamp (1924) was a lengthy and grim tale that proved hard to sell. It was only published following the success of the much lighter social comedy The Forge (1924), which made the best-seller list of John O'London's Weekly. Hall is a key figure in lesbian literature for her novel The Well of Loneliness (1928). This is her only work with overt lesbian themes and tells the story of the life of a masculine lesbian named Stephen Gordon.

""Lesbianism, its flories and sorows, is the subject and quest of this marvelously erverse sentimental journey by Nightwood's author ... A striking lesbian mainfesto and a deft parody." Library Journal Blending fiction, myth, and revisionary parody and accompanied by the author's delightful illustrations, Ladies Almanac is also a brilliant modernist composition and arguably the most audacious lesbian text of its time. While the book pokes fun at the wealthy expatriates who were Barnes' literary contemporaries and remains controversial today, it seems to have delighted its cast of characters,

"A bold feat of imagination . . . . Intriguing and moving: a fictional recovery of the woman's interior experience . . . and a powerful meditation upon the nature of creativity. Both an arresting interpretation of George Eliot's work and a compelling fiction in its own right." —Rebecca Mead, author of My Life in Middlemarch In an astonishing unsent love letter, a 19th-century Englishwoman looks back at her formative years, when she fell in love with one man but married another—the richest bidder—to save her family Gwendolen Harleth, an exceptionally beautiful upper-class Englishwoman, is gambling boldly at a resort when she catches the eye of a handsome, pensive gentleman. His gaze unnerves her, and she loses her winnings. The next day, she learns that her widowed mother and younger sisters, for whom she is financially responsible, have lost their family's fortune. As a young woman in the 1860s with only her looks to serve her, Gwendolen's options are few, so when Henleigh Grandcourt, a wealthy aristocrat, proposes to her, she accepts, despite her discovery of an alarming secret about his past. During their marriage, Grandcourt is psychologically and physically brutal to her, shattering her confidence. Gwendolen begins to encounter the alluring gentleman from the resort—Daniel Deronda—in her social circles, but Grandcourt, cold and calculating, takes pains to isolate her from everything she loves. Gwendolen's desperation nearly overcomes her, until an unexpected turn of events suddenly liberates her from Grandcourt's tyranny and leaves her financially independent. Newly free, but riddled with insecurity and desire, Gwendolen must take painful steps to shape a life that has not gone according to plan. Gwendolen and her world, originally creations of George Eliot, are inhabited and brought to sympathetic and nuanced life in this irresistible debut novel by Diana Souhami, an award-winning British biographer.