This book, written by a team of experts from many countries, provides a comprehensive account of the ways in which translation has brought the major literature of the world into English-speaking culture. Part I discusses theoretical issues and gives an overview of the history of translation into English. Part II, the bulk of the work, arranged by language of origin, offers critical discussions, with bibliographies, of the translation history of specific texts (e.g. the Koran, the Kalevala), authors (e.g. Lucretius, Dostoevsky), genres (e.g. Chinese poetry, twentieth-century Italian prose) and national literatures (e.g. Hungarian, Afrikaans).

The genius and the sunshine girl. As children, we fought bitterly and often, bickering every chance we got. But then we grew up. Then we came back. Delphine Dansey carries her heart on the outside of her body; she’s looking for love and chasing dreams. She’s spoiled and selfish, the kind of beautiful that’s made for money and fame. But somehow she’s ended up in my keeping: a pretty submissive I can’t seem to resist, a lover who obsesses and tempts me. I thought I’d locked my heart away a long time ago, along with all my other weaknesses. But some doors won't stay closed, no matter how hard I fight to keep them shut. She unravels me, just like our friends are unraveling, just like Thornchapel itself is unraveling. All year long, we’ve been sowing lust and jealousy and pain, heedless of the consequences. But a harvest is inevitable, and so now we must reap our sorrows. And our sighs. Harvest of Sighs is Book Three in the Thornchapel series. Content warnings can be found at thesierrasimone.com/contentnotes

The rock era is over, according to one pop music expert. Another laments that rock music is "metamorphosed into the musical wallpaper of ten thousand lifts, hotel foyers, shopping centers, airport lounges, and television advertisements that await us in the 1990s." Whatever its current role and significance in Anglo-American society, popular music has been and remains a tremendous social and cultural force in many parts of the world. This book explores the connections between popular music genres and politics in Southeast Asia, with particular emphasis on Indonesia, the Philippines, Thailand, Malaysia, and Singapore.