Series creator Joss Whedon brought Buffy the Vampire Slayer back to life with this comics-only follow-up to Season 7 of the television show. Aptly named Season 8, these comics are the official sequel to Buffy and continue where the live-action series left off with the Slayer, her friends, and their ongoing challenge to fight the forces of darkness. This oversized omnibus edition is one of two volumes that will contain the entirety of Season 8. It includes the first four arcs of the series along with one-shots and short stories.

The establishment of South Africa's Truth and Reconciliation Commission was a pioneering international event. Never had any country sought to move forward from despotism to democracy both by exposing the atrocities committed in the past and achieving reconciliation with its former oppressors. At the center of this unprecedented attempt at healing a nation has been Archbishop Desmond Tutu, whom President Nelson Mandela named as Chairman of the Truth and Reconciliation Commission. With the final report of the Commission just published, Archbishop Tutu offers his reflections on the profound wisdom he has gained by helping usher South Africa through this painful experience. In No Future Without Forgiveness, Tutu argues that true reconciliation cannot be achieved by denying the past. But nor is it easy to reconcile when a nation "looks the beast in the eye." Rather than repeat platitudes about forgiveness, he presents a bold spirituality that recognizes the horrors people can inflict upon one another, and yet retains a sense of idealism about reconciliation. With a clarity of pitch born out of decades of experience, Tutu shows readers how to move forward with honesty and compassion to build a newer and more humane world.

When a rogue debutant Slayer begins to use her power for evil, Giles is forced to recruit the rebellious Faith, who isn't exactly known for her good deeds. Giles offers Faith a clean slate if she can stop this snooty Slayer from wreaking total havoc—that is, if Buffy doesn't beat her to it. Georges Jeanty (The American Way) remains at the top of his game as series artist, and Whedon continues as Executive Producer in this direct follow-up to Season Seven of the smash-hit TV series. * Eisner award-winning writer Brian K. Vaughan (Y:The Last Man, Ex Machina) tackles Joss Whedon's Buffy the Vampire Slayer Season Eight. * Collecting issue #6-10 of the Buffy the Vampire Slayer Season Eight series. * "The dialogue is Whedonesque and I can hear how the actors would read there lines. It's fun and witty and we're treated to more fantastical stories than the WB/UPN could ever pony up the money to do." -Comic Book Resources Executive produced by Buffy creator Joss Whedon.

Creator Joss Whedon's official sequel to Season 7 of the television series continues in this second of two volumes that contain the entirety of the Chosen One's eighth season of fighting demons and dark forces to save the world and mankind. This oversized omnibus edition includes the last four arcs of the Season 8 series along with one-shots and short stories written by Joss Whedon (The Avengers), Scott Allie (Abe Sapien), Steven S. DeKnight (Pacific Rim: Uprising), Jane Espenson (Once Upon a Time), Drew Goddard (The Martian), Drew Z. Greenberg (Marvel's Agents of S.H.I.E.L.D.), Jim Krueger (X-Men), Jeph Loeb (Lost), Brad Meltzer (The House of Secrets), and Doug Petrie (American Horror Story), with art by the acclaimed Georges Jeanty (Serenity), as well as Karl Moline (Fray), Cliff Richards, Camilla d'Errico, and more. Also included in this volume is a cover gallery showcasing all of the variant covers that were produced for the comics and collections. Buffy experiences Big Bad Twilight's overwhelming reach through the strange and sudden mass popularity of vampires (they even have a spokesperson with a reality TV show, Harmony Kendall!) that leads Buffy and her Slayer army to come under public scrutiny. As the world's distaste for Slayers grows, Buffy takes her troops to a refuge in the Tibetan mountains, where she hopes to receive some help from longtime friend--and werewolf--Oz. Following a losing battle against Twilight's insurmountable army when their location is discovered, Buffy finds herself imbued with mysterious new superpowers. As she tries to pick up the pieces in the aftermath, she discovers allies gone missing and unexplained massacres of Slayer squads around the globe. This leads Buffy straight to Twilight for a confrontation that rocks the earth's foundation . . . Then in their Season 8 debut, Angel and Spike come to Buffy, each with vital information that guides her back home to Sunnydale. While the remaining Slayer squads fight an onslaught of demons raining down across the earth, Buffy faces the ultimate betrayal and suffers through sacrifice as she scrambles to finally put an end to Twilight and save the world from complete destruction. The losses are great, and when the dust settles, everyone and everything will be different . . .

An innovative history of British youth culture during the 1970s and 1980s, charting the full spectrum of punk's cultural development.

In this searing polemic, Lee Edelman outlines a radically uncompromising new ethics of queer theory. His main target is the all-pervasive figure of the child, which he reads as the linchpin of our universal politics of “reproductive futurism.” Edelman argues that the child, understood as innocence in need of protection, represents the possibility of the future against which the queer is positioned as the embodiment of a relentlessly narcissistic, antisocial, and future-negating drive. He boldly insists that the efficacy of queerness lies in its very willingness to embrace this refusal of the social and political order. In No Future, Edelman urges queers to abandon the stance of accommodation and accede to their status as figures for the force of a negativity that he links with irony, jouissance, and, ultimately, the death drive itself. Closely engaging with literary texts, Edelman makes a compelling case for imagining Scrooge without Tiny Tim and Silas Marner without little Eppie. Looking to Alfred Hitchcock’s films, he embraces two of the director’s most notorious creations: the sadistic Leonard of North by Northwest, who steps on the hand that holds the couple precariously above the abyss, and the terrifying title figures of The Birds, with their predilection for children. Edelman enlarges the reach of contemporary psychoanalytic theory as he brings it to bear not only on works of literature and film but also on such current political flashpoints as gay marriage and gay parenting. Throwing down the theoretical gauntlet, No Future reimagines queerness with a passion certain to spark an equally impassioned debate among its readers.

"Everyone has the right freely to participate in the cultural life of the community, to enjoy the arts and to share in scientific advancement and its benefits," proclaims the Universal Declaration of Human Rights. Simon Brault takes these words to heart and goes one step further. In No Culture, No Future, he establishes that arts are not just a right but a necessity. A longtime advocate of the arts in Montreal, Brault has taken action to re-establish that city as one of the most culturally accomplished communities in Canada. No Culture, No Future is part of his campaign to convince the people and governments of cities across Canada that investment in the arts benefits all citizens.