BOORI MONTY PRYOR: AUSTRALIA'S CHILDREN'S LAUREATE 2012-13 'I'm heading out on m'own, down the highway to the big city. Going south. I lost my taste for knowing the old ways. I'm wanting what's new. What's exciting, what's out there on the other side of town. That's what got me on this bus. I gotta get out, see. This is my chance. My chance to do something.' But in the city you can feel like you don't exist any more. You can't always see the sun when it comes up, or lie down safe when it sets. Your mind can go crazy, crammed with everyone else's thoughts, so you can't hear your voice on the inside. An outstandingly honest, original, eye-opening story about a young man daring to step out into a complex world. Njunjul the Sun will make you laugh, even as it grips your heart. Njunjul the Sun completes the trilogy, begun with My Girragundji and The Binna Binna Man, charting the journey of self-discovery of a young Aboriginal boy as he learns to draw strength from his traditional heritage and to find a way of living in contemporary Australia. The boy is now a young man of sixteen, and he leaves his community in Queensland to live in Sydney. Njunjul the Sun develops the innovative combination of text, photographs and illustrations that was established in My Girragundji.

Children’s books seek to assist children to understand themselves and their world. Unsettling Narratives: Postcolonial Readings of Children’s Literature demonstrates how settler-society texts position child readers as citizens of postcolonial nations, how they represent the colonial past to modern readers, what they propose about race relations, and how they conceptualize systems of power and government. Clare Bradford focuses on texts produced since 1980 in Canada, the United States, Australia, and New Zealand and includes picture books, novels, and films by Indigenous and non-Indigenous publishers and producers. From extensive readings, the author focuses on key works to produce a thorough analysis rather than a survey. Unsettling Narratives opens up an area of scholarship and discussion—the use of postcolonial theories—relatively new to the field of children’s literature and demonstrates that many texts recycle the colonial discourses naturalized within mainstream cultures.

The story of an Aboriginal boy whose house is invaded by a Hairyman - a spirit the old people call a Quinkin. When a little green tree frog lands on his windowsill, he knows she has been sent by the ancestors to help him face his fears.

The Binna Binna man can be good and heal you, but if you poke fun at him or go to touch him, then you can get into big trouble - like die. The young boy from My Girragundji learns that to stay strong you must listen to the old people and be connected to the place you came from.

Boori Monty Pryor's career path has taken him from the Aboriginal fringe camps of his birth to the runway, the catwalk, the basketball court, the DJ console, and now to performance and story-telling around the country. "You've got to try and play the whiteman's game and stay black while you're doing it," his brother used to tell him. With writer and photographer Meme McDonald, Boori leads you along the paths he has travelled, pausing to meet his family and friends, while sharing the story of his life, his pain and his hopes, with humour and compassion.

A unique picture book collaboration about having fun, sharing culture and the power of story and dance. A picture book to get the whole town dancing.

All through his growing-up years, John Danalis's family had an Aboriginal skull on the mantelpiece; yet only as an adult after enrolling in an Indigenous Writing course did he ask his family where it came from and whether it should be restored to its rightful owners. This is the compelling story of how the skull of an Aboriginal man, found on the banks of the Murray River more than 40 years ago, came to be returned to his Wamba Wamba descendants. It is a story of awakening, atonement, forgiveness, and friendship. ""It is as if a whole window into Indigenous culture has blown open, not jus.