Richard Nixon and the film industry arrived in Southern California in the same year, 1913. In Nixon and the Silver Screen, Mark Feeney offers a new and often revelatory way of thinking about one of our most controversial presidents: by looking not just at Nixon's career—but Hollywood's. Nixon viewed more movies while in office than any other president, and Feeney argues that Nixon’s story, both in politics and in his personal life, is nothing if not quintessentially American. Bearing in mind the events that shaped his presidency from 1969 to 1974, Feeney sees aspects of Nixon’s character—and the nation’s—refracted and reimagined in the more than 500 films Nixon watched during his tenure in the White House. The verdict? Nixon’s legacy, for better or worse, is forever representative of the “Silver Age” in Hollywood, shaping and being shaped by that flickering silver screen.

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“An extraordinary work of reportage on the epic political story of our time” (Newsweek)—from Bob Woodward and Carl Bernstein, Pulitzer Prize-winning coauthors of All the President’s Men. The Final Days is the #1 New York Times bestselling, classic, behind-the-scenes account of Richard Nixon’s dramatic last months as president. Moment by moment, Bernstein and Woodward portray the taut, post-Watergate White House as Nixon, his family, his staff, and many members of Congress strained desperately to prevent his inevitable resignation. This brilliant book reveals the ordeal of Nixon’s fall from office—one of the gravest crises in presidential history.

Fantasy and politics are familiar dancing partners that rarely separate, even in the face of post–Election Day realities. But Hollywood has a tradition of punching holes in the fairy tales of electoral promises with films that meditate on what could have been and should have been. With Hollywood Goes to Washington,Michael Coyne investigates how the American political film unravels the labyrinthine entanglements of politics and the psyche of the American electorate in order to reveal brutal truths about the state of our democracy. From conspiracy dramas such as The Manchurian Candidate to satires like Wag the Dog, Hollywood Goes to Washington argues that political films in American cinema have long reflected the issues and tensions roiling within American society. Coyne elucidates the mythology, iconography, and ideology embedded in both classic and lesser-known films—including Gabriel Over the White House, Silver City, Advise and Consent, and The Siege—and examines the cinematic portrayals of presidents in the White House, the everyman American citizen, and the nebulous enemies who threaten American democracy. The author provocatively contends that whether addressing the threat of domestic fascism in Citizen Kane or the disillusionment of Vietnam and paranoia of the post-Watergate era in Executive Action, the American political film stands as an important cultural bellwether and democratic force—one that is more vital than ever in the face of decreasing civil liberties in the present-day United States. Compelling and wholly original, Hollywood Goes to Washington exposes the political power of the silver screen and its ramifications for contemporary American culture.

Named a Best Book of the Year by Financial Times "Singular, stylish and slightly intoxicating in its scope." —Rolling Stone Acclaimed media critic J. Hoberman's masterful and majestic exploration of the Reagan years as seen through the unforgettable movies of the era The third book in a brilliant and ambitious trilogy, celebrated cultural and film critic J. Hoberman's Make My Day is a major new work of film and pop culture history. In it he chronicles the Reagan years, from the waning days of the Watergate scandal when disaster films like Earthquake ruled the box office to the nostalgia of feel-good movies like Rocky and Star Wars, and the delirium of the 1984 presidential campaign and beyond. Bookended by the Bicentennial celebrations and the Iran-Contra affair, the period of Reagan's ascendance brought such movie events as Jaws, Apocalypse Now, Blade Runner, Ghostbusters, Blue Velvet, and Back to the Future, as well as the birth of MTV, the Strategic Defense Initiative, and the Second Cold War. An exploration of the synergy between American politics and popular culture, Make My Day is the concluding volume of Hoberman's Found Illusions trilogy; the first volume, The Dream Life, was described by Slate's David Edelstein as "one of the most vital cultural histories I've ever read"; Film Comment called the second, An Army of Phantoms, "utterly compulsive reading." Reagan, a supporting player in Hoberman's previous volumes, here takes center stage as the peer of Indiana Jones and John Rambo, the embodiment of a Hollywood that, even then, no longer existed.

From a prize-winning biographer comes the defining portrait of a man who led America in a time of turmoil and left us a darker age. We live today, John A. Farrell shows, in a world Richard Nixon made. At the end of WWII, navy lieutenant “Nick” Nixon returned from the Pacific and set his cap at Congress, an idealistic dreamer seeking to build a better world. Yet amid the turns of that now-legendary 1946 campaign, Nixon’s finer attributes gave way to unapologetic ruthlessness. The story of that transformation is the stunning overture to John A. Farrell’s magisterial biography of the president who came to embody postwar American resentment and division. Within four years of his first victory, Nixon was a U.S. senator; in six, the vice president of the United States of America. “Few came so far, so fast, and so alone,” Farrell writes. Nixon’s sins as a candidate were legion; and in one unlawful secret plot, as Farrell reveals here, Nixon acted to prolong the Vietnam War for his own political purposes. Finally elected president in 1969, Nixon packed his staff with bright young men who devised forward-thinking reforms addressing health care, welfare, civil rights, and protection of the environment. It was a fine legacy, but Nixon cared little for it. He aspired to make his mark on the world stage instead, and his 1972 opening to China was the first great crack in the Cold War. Nixon had another legacy, too: an America divided and polarized. He was elected to end the war in Vietnam, but his bombing of Cambodia and Laos enraged the antiwar movement. It was Nixon who launched the McCarthy era, who played white against black with a “southern strategy,” and spurred the Silent Majority to despise and distrust the country’s elites. Ever insecure and increasingly paranoid, he persuaded Americans to gnaw, as he did, on grievances—and to look at one another as enemies. Finally, in August 1974, after two years of the mesmerizing intrigue and scandal of Watergate, Nixon became the only president to resign in disgrace. Richard Nixon is a gripping and unsparing portrayal of our darkest president. Meticulously researched, brilliantly crafted, and offering fresh revelations, it will be hailed as a master work.

How is the look of a film achieved? In Art Direction and Production Design, six outstanding scholars survey the careers of notable art directors, the influence of specific design styles, the key roles played by particular studios and films in shaping the field, the effect of technological changes on production design, and the shifts in industrial modes of organization. The craft’s purpose is to produce an overall pictorial “vision” for films, and in 1924 a group of designers formed the Cinemagundi Club—their skills encompassed set design, painting, decoration, construction, and budgeting. A few years later, in recognition of their contributions to filmmaking, the first Academy Awards for art direction were given, a clear indication of just how essential the oversight of production design had become to the so-called majors. The original essays presented in Art Direction and Production Design trace the trajectory from Thomas Edison’s primitive studio, the Black Maria, to the growth of the Hollywood “studio system,” to the influence of sound, to a discussion of the “auteur theory,” and to contemporary Hollywood in which computer-generated imagery has become common. By 2000, the Society of Motion Picture Art Directors became the Art Directors Guild, emphasizing the significance of the contributions of art direction and production design to filmmaking. Art Direction and Production Design is a volume in the Behind the Silver Screen series—other titles in the series include Acting, Animation, Cinematography, Directing, Editing and Special/Visual Effects, Producers, Screenwriting, and Sound.