Historically the dance club is both an anthropological and architectural phenomenon. The cultural and economical evolution of society progressively transformed the idea of entertainment, and consequently the spaces in which it is formed and shaped. Today discotheques are hardly designed by architects, but rather temporary occupations of spaces which are dedicated to other functions. Through the photographs of Giovanna Silva, a selection of interviews and critical texts, Nightswimming explores this fascinating world from the 1960s until today.

Stephen Barker has taken a camera into spaces whose existence hinges on their being unrecorded and anonymous. His photographs were taken in New York City's sex clubs. The indistinct figures merge and melt into the industrial architecture of darkened cinemas and hallways reserved for anonymous sex, but there are flashes of clarity even here -- tenderness or indifference, passion or release.

In the bestselling tradition of Good in Bed, and She's Come Undone, comes a charming romantic comedy about a woman who flees a life and a body she doesn't want, and finds love and her true self in the process.

Steph Bowe is back. Night Swimming is a love story with a twist, and a whole lot of heart. Imagine being the only two seventeen-year-olds in a small town. That’s life for Kirby Arrow—named after the most dissenting judge in Australia’s history—and her best friend Clancy Lee, would-be musical star. Clancy wants nothing more than to leave town and head for the big smoke, but Kirby is worried: her family has a history of leaving. She hasn’t heard from her father since he left when she was a baby. Shouldn’t she stay to help her mother with the goat’s-milk soap-making business, look after her grandfather who suffers from dementia, be an apprentice carpenter to old Mr Pool? And how could she leave her pet goat, Stanley, her dog Maude, and her cat Marianne? But two things happen that change everything for Kirby. She finds an article in the newspaper about her father, and Iris arrives in town. Iris is beautiful, wears crazy clothes, plays the mandolin, and seems perfect, really, thinks Kirby. Clancy has his heart set on winning over Iris. Trouble is Kirby is also falling in love with Iris...

The deeper you dive, the sweeter the reward When college offered an escape, Lily fled her hometown of Coral Beach and never looked back. Now a marine biologist, she must return there on a job to preserve the reefs that give the town its name. But going back means dealing with her past, her family, and worst of all, Sean McDermott. As teens, while Lily passed through an especially awkward phase, Sean—attractive and self-assured—was her constant tormentor. Lily doubts that things will have changed. But Lily’s awkward phase is long over . . . and though she finds that Sean still makes her blood boil, it’s for very different reasons. As mayor, Sean knows how important it is to maintain the town’s natural beauty—and if the return of Lily Banyon is the price he has to pay, so be it. He can overlook her cold shoulder and give back as good as he gets. What’s harder to disregard is the fact that Lily has grown into a smart and beautiful woman, as passionate about saving Coral Beach as she once was about leaving it. While working closely together, it becomes obvious to Sean that if he and Lily can put the past behind them, they could have a passionate future. . . .

This collection of break-out short stories by Pete Fromm is "another stellar collection that showcases Fromm's impressive dexterity".--"The Seattle Post-Intelligencer".

Dramaturgy in the Making maps contemporary dramaturgical practices in various settings of theatre-making and dance to reveal the different ways that dramaturgs work today. It provides a thorough survey of three major areas of practice - institutional dramaturgy, production dramaturgy and dance dramaturgy - with each illustrated through a range of case studies that illuminate methodology and which will assist practitioners in developing their own 'dramaturgical toolbox'. In tracing the development of the role of the dramaturg, the author explores the contribution of Lessing, Brecht and Tynan, foundational figures who shaped the practice. She excavates the historical and theoretical contexts for each strand of the work, uniquely offering a history of dance dramaturgy and its associated theories. Based on extensive research, the volume features material from the author's interviews with fifty eminent professionals from Europe and North America, including: Robert Blacker, Jack Bradley, DD Kugler, Ruth Little and Hildegard De Vuyst. Through these, a detailed and precise insight is provided into dramaturgical processes at organisations such as the Akram Khan Company, les ballets C de la B (Gent), the National Theatre and the Royal Court (London), the Schaubühne (Berlin) and The Sundance Institute Theatre Lab (Utah), among others. Dramaturgy in the Making will prove indispensable to anyone working in theatre or wanting to better understand the dramaturgical processes in performance-making today. The book features a foreword by Geoff Proehl, author of Toward a Dramaturgical Sensibility: Landscape and Journey.