“[Lovecraft's] dream fantasy works are as terrifying and haunting as his tales of horror and the macabre. A master craftsman, Lovecraft brings compelling visions of nightmarish fear, invisible worlds and the demons of the unconscious. If one author truly represents the very best in American literary horror, it is H. P. Lovecraft.”—John Carpenter, Director of At the Mouth of Madness, Halloween, and Christine With an introduction by Neil Gaiman This volume collects, for the first time, the entire Dream Cycle created by H. P. Lovecraft, the master of twentieth-century horror, including some of his most fantastic tales: The Doom That Came to Sarnath—Hate, genocide, and a deadly curse consume the land of Mnar. The Statment of Randolph Carter—“You fool, Warren is DEAD!” The Nameless City—Death lies beneath the shifting sands, in a story linking the Dream Cycle with the legendary Cthulhu Mythos. The Cats of Ulthar—In Ulthar, no man may kill a cat...and woe unto any who tries. The Dream Quest of Unknown Kadath—The epic nightmare adventure with tendrils stretching throughout the entire Dream Cycle. And twenty more tales of surreal terror!

Enter the most terrifying place of all...the mind of R.L. Stine! The Nightmare Hour...the time when the lights fade, the real world slips into shadow, and the cold, moonlit world of evil dreams takes over your mind. What horror awaits a boy who has to spend Halloween in a darkened hospital? How do you outwit a ghost who wants your skin? What makes Nightmare Inn the most frightening place to visit? In this spine-tingling collection of stories that inspired the hit TV show R.L. Stine’s The Haunting Hour, bestselling author R.L. Stine spins a web of terror that will trap you in the world of nightmares. And there’s more... In Nightmare Hour, the author shares the secrets behind his twisted tales. Where did the idea for each bone-chilling story come from?

This volume is the first edited collection of essays focusing on European horror cinema from 1945 to the present. It features new contributions by distinguished international scholars exploring British, French, Spanish, Italian, German and Northern European and Eastern European horror cinema. The essays employ a variety of current critical methods of analysis, ranging from psychoanalysis and Deleuzean film theory to reception theory and historical analysis. The complete volume offers a major resource on post-war European horror cinema, with in-depth studies of such classic films as Seytan (Turkey, 1974), Suspiria (Italy, 1977), Switchblade Romance (France, 2003), and Taxidermia (Hungary, 2006).

An original collection of 30 short horror stories.

David Hufford's work exploring the experiential basis for belief in the supernatural, focusing here on the so-called Old Hag experience, a psychologically disturbing event in which a victim claims to have encountered some form of malign entity while dreaming (or awake). Sufferers report feeling suffocated, held down by some "force," paralyzed, and extremely afraid. The experience is surprisingly common: the author estimates that approximately 15 percent of people undergo this event at some point in their lives. Various cultures have their own name for the phenomenon and have constructed their own mythology around it; the supernatural tenor of many Old Hag stories is unavoidable. Hufford, as a folklorist, is well-placed to investigate this puzzling occurrence.

Alerted to strange happenings in Clayton Falls, Colorado, Bobby sends the boys to check it out. A speeding car with no driver, a homeless man pursued by a massive Gila monster, a little boy chased by uprooted trees — it all sounds like the stuff of nightmares. The boys fight to survive a series of terrifying nighttimes, realizing that sometimes the nightmares don’t go away — even when you’re awake... A Supernatural novel that reveals a previously unseen adventure for the Winchester brothers, from the hit TV series!

From the Pulitzer Prize–winning journalist and bestselling author of Backlash—an unflinching dissection of the mind of America after 9/11. In this most original examination of America’s post-9/11 culture, Susan Faludi shines a light on the country’s psychological response to the attacks on that terrible day. Turning her acute observational powers on the media, popular culture, and political life, Faludi unearths a barely acknowledged but bedrock societal drama shot through with baffling contradictions. Why, she asks, did our culture respond to an assault against American global dominance with a frenzied summons to restore “traditional” manhood, marriage, and maternity? Why did we react as if the hijackers had targeted not a commercial and military edifice but the family home and nursery? Why did an attack fueled by hatred of Western emancipation lead us to a regressive fixation on Doris Day womanhood and John Wayne masculinity, with trembling “security moms,” swaggering presidential gunslingers, and the “rescue” of a female soldier cast as a “helpless little girl?” The answer, Faludi finds, lies in a historical anomaly unique to the American experience: the nation that in recent memory has been least vulnerable to domestic attack was forged in traumatizing assaults by nonwhite “barbarians” on town and village. That humiliation lies concealed under a myth of cowboy bluster and feminine frailty, which is reanimated whenever threat and shame looms. In The Terror Dream, “Faludi provides stunning and depressing evidence of a concerted effort to silence women and roll back women’s rights in the wake of 9/11 . . . She brings in a Mack truck’s worth of testimony and proof” (Amy Wilentz, Los Angeles Times).