New stories from a master of American fiction.

A New York Review Books Original The Soviet writer Andrey Platonov saw much of his work suppressed or censored in his lifetime. In recent decades, however, these lost works have reemerged, and the eerie poetry and poignant humanity of Platonov’s vision have become ever more clear. For Nadezhda Mandelstam and Joseph Brodsky, Platonov was the writer who most profoundly registered the spiritual shock of revolution. For a new generation of innovative post-Soviet Russian writers he figures as a daring explorer of word and world, the master of what has been called “alternative realism.” Depicting a devastated world that is both terrifying and sublime, Platonov is, without doubt, a universal writer who is as solitary and haunting as Kafka. This volume gathers eight works that show Platonov at his tenderest, warmest, and subtlest. Among them are “The Return,” about an officer’s difficult homecoming at the end of World War II, described by Penelope Fitzgerald as one of “three great works of Russian literature of the millennium”; “The River Potudan,” a moving account of a troubled marriage; and the title novella, the extraordinary tale of a young man unexpectedly transformed by his return to his Asian birthplace, where he finds his people deprived not only of food and dwelling, but of memory and speech. This prizewinning English translation is the first to be based on the newly available uncensored texts of Platonov’s short fiction.

Every human life is made up of the light and the dark, the happy and the sad, the vital and the deadening. How you think about this rhythm of moods makes all the difference. Our lives are filled with emotional tunnels: the loss of a loved one or end of a relationship, aging and illness, career disappointments or just an ongoing sense of dissatisfaction with life. Society tends to view these “dark nights” in clinical terms as obstacles to be overcome as quickly as possible. But Moore shows how honoring these periods of fragility as periods of incubation and positive opportunities to delve the soul’s deepest needs can provide healing and a new understanding of life’s meaning. Dark Nights of the Soul presents these metaphoric dark nights not as the enemy, but as times of transition, occasions to restore yourself, and transforming rites of passage, revealing an uplifting and inspiring new outlook on such topics as: • The healing power of melancholy • The sexual dark night and the mysteries of matrimony • Finding solace during illness and in aging • Anxiety, anger, and temporary Insanities • Linking creativity, spirituality, and emotional struggles • Finding meaning and beauty in the darkness

In his award-winning new collection, one of Hungary's top writers takes us to the edge--where fiction meets journalism

Alastair Reynolds has continued to publish short fiction throughout the thirty-odd years of his professional career. This fourth collection gathers material mostly written by the former space scientist in the last decade, even as a number of stories--such as the title piece, set in the universe of House of Suns--revisit earlier environments. The scope of settings is wide, ranging from the contemporaneous Earth to the near future and out to the furthest realms of the galaxy, and taking in such diverse topics as the perils of immortality, cybernetic encounters in the Wild West, uncanny skateboard parks and the flocking behaviour of birds. There is horror here, but also hope--and not a little black humour. The collection includes "Open and Shut," "Night Passage," and "Plague Music," a long, previously unpublished story, all three set in the Revelation Space universe.

DigiCat Publishing presents to you this special edition of "All Souls' Night" by Hugh Walpole. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

A medieval slave-turned-sultan, an alien who declines to visit Earth, a prophet who dares to ask “is God funny?” and a ghost who fears the living—these are among the terrifying, tragic, passionate, and comic characters who animate Michael Oren’s stories. Crisscrossing genres, they explore the outer bounds of imagination and artistic freedom, exposing the reader to a kaleidoscope of human emotions and experience. In The Night Archer, the acclaimed historian, political commentator, and statesman Michael Oren is revealed as a writer of bold versatility.