Gail Tsukiyama's The Street of a Thousand Blossoms is a powerfully moving masterpiece about tradition and change, loss and renewal, and love and family from a glorious storyteller at the height of her powers. It is Tokyo in 1939. On the Street of a Thousand Blossoms, two orphaned brothers dream of a future firmly rooted in tradition. The older boy, Hiroshi, shows early signs of promise at the national obsession of sumo wrestling, while Kenji is fascinated by the art of Noh theater masks. But as the ripples of war spread to their quiet neighborhood, the brothers must put their dreams on hold—and forge their own paths in a new Japan. Meanwhile, the two young daughters of a renowned sumo master find their lives increasingly intertwined with the fortunes of their father's star pupil, Hiroshi.

In these poems, the poet restlessly inhabits the night, finding it terrifying and beautiful, searching for meaning in the yard, the neighborhood, the heavens and every wise book he owns. These urban pastoral meditations employ ritual and repetition to create a kind of mantra, seeking surrender to that state of meditation leading to enlightenment—yet arguing with the idea of surrendering any attachments at all to this world we’ve been given to learn and love: a city garden cohabitated by ancient Romans and tattooed kids, automobiles and hollyhock, maurauding cats and the Buddha. “I should be satisfied with the household gods,” he mourns, but is satisfied with nothing, determined to fit the whole world into his poems lest the one essential thing slip by. From “The One God is Mysterious” The king and his queen are feasting. . They recline, sumptuously, on long divans. and are attended by naked servants. They. can have anything they want, this much is. clear, and I believe they have been having. sex with one another and with the servants. Why wouldn’t they? Who among the servants. . would not be honored to help? And it’s Babylon. after all, and doesn’t Babylon exist in your. memory? Isn’t Babylon the clear rumbling. of your heart at ease with its every craving—. not the way it is now, fenced off with spiked wire. and old pipes, with signs telling the pedestrians. to beware: the litter, the old cans rusting. No, . this is my own memory of excess and extravagance, . of abandonment to the weight of everything. that pulls me down to ruin, those same ticks. and voices that lift me up and fill me with breath. “Frank Gaspar’s poems are agile and forceful, their narratives clear and absorbing. In them, he is speaking to the reader—but also to himself, or perhaps to some hazy divinity or to the blue sky. I felt in his voice no attempt to persuade me of anything. I felt only the abiding imperative to get it right. Which is, of course, what real writing is all about.”—Mary Oliver

"It is Tokyo in 1939. On the Street of a Thousand Blossoms, two orphaned brothers are growing up with their loving grandparents, who inspire them to dream of a future firmly rooted in tradition. The older boy, Hiroshi, shows unusual skill at the national obsession of sumo wrestling, while Kenji is fascinated by the art of creating hand-carved masks for actors in the Noh theater." "Across town, a renowned sumo master, Sho Tanaka, lives with his wife and their two young daughters: the delicate, daydreaming Aki and her independent sister, Haru. Life seems full of promise as Kenji begins an informal apprenticeship with the most famous maskmaker in Japan and Hiroshi receives a coveted invitation to train with Tanaka. But then Pearl Harbor changes everything. As the ripples of war spread to both families' quiet neighborhoods, all of the generations must put their dreams on hold - and then find their way in a new Japan."--BOOK JACKET.

Bestselling author Gail Tsukiyama is known for her poignant, subtle insights into the most complicated of relationships. Dreaming Water is an exploration of two of the richest and most layered human connections that exist: mother and daughter and lifelong friends. Hana is suffering from Werner's syndrome, a disease that makes a person age at twice the rate of a healthy individual: at thirty-eight Hana has the appearance of an eighty-year-old. Cate, her mother, is caring for her while struggling with her grief at losing her husband, Max, and with the knowledge that Hana's disease is getting worse by the day. Hana and Cate's days are quiet and ordered. Cate escapes to her beloved garden and Hana reads and writes letters. Each find themselves drawn into their pasts, remembering the joyous and challenging events that have shaped them: spending the day at Max's favorite beach, overcoming their neighbors' prejudices that Max is Japanese-American and Cate is Italian-American, and coping with the heartbreak of discovering Hana's disease. One of the great joys of Hana's life has been her relationship with her beautiful, successful best friend Laura. Laura has moved to New York from their hometown in California and has two daughters, Josephine and Camille. She has not been home in years and begs Hana to let her bring her daughters to meet her, feeling that Josephine, in particular, needs to have Hana in her life. Despite Hana's latest refusal, Laura decides to come anyway. When Laura's loud, energetic, and troubled world collides with Hana and Cate's daily routine, the story really begins. Dreaming Water is about a mother's courage, a daughter's strength, and a friend's love. It is about the importance of human dignity and the importance of all the small moments that create a life worth living.

For many of us, the Ace Double Novels of the '50s and '60s have long been a source both of pleasure and nostalgia. This new double volume from Subterranean Press stands squarely in that distinguished tradition, offering a pair of colorful, fast-paced stories from the reigning master of the intergalactic space opera: Alastair Reynolds. Thousandth Night, the genesis for the epic novel House of Suns, is quintessential Reynolds. A visionary account of intrigue, ambition, and technological marvels set within a beautifully realized far-future milieu, it combines world-class storytelling with a provocative meditation on the mystery, grandeur, and inconceivable immensity of the universe. The masterful novella Minla's Flowers features Merlin, a familiar figure to Reynolds's readers. Diverted by technical difficulties to a planet known as Lecythus, Merlin finds himself forced to play a part in the moral and military dilemmas of a world on the verge of extinction.

In Women of the Silk Gail Tsukiyama takes her readers back to rural China in 1926, where a group of women forge a sisterhood amidst the reeling machines that reverberate and clamor in a vast silk factory from dawn to dusk. Leading the first strike the village has ever seen, the young women use the strength of their ambition, dreams, and friendship to achieve the freedom they could never have hoped for on their own. Tsukiyama's graceful prose weaves the details of "the silk work" and Chinese village life into a story of courage and strength.