Nicolas Poussin(1594 - 1665) was undoubtedly a highly significant master of the historical genre. He shaped its aesthetics which, regrettably, subsequently became regarded as a set of hard-and-fast rules (a trap which the Russian followers of the founder of classicism also fell into). We know that Poussin attributed prime significance to the actual choice of matter for depiction, giving preference to subjects which provided food for profound thought. Creatively reworking the aesthetic legacy of the Ancients, he introduced into the realm of painting the concept of the “modus” (mood of depiction), which established the functional unity of three components: the idea, the structure of the depiction, and its perception by the viewer. Composition assumed a predominant significance in his artistic system. In a letter of 1665, Nicolas Poussin put forward three main theses: firstly, painting is simply imitation; secondly, it aims to bring delight; Thirdly, the artist is endowed with a natural talent that no one can give him or deprive him of.

The seventeenth century painter Nicolas Poussin founded the French Classical tradition, working the majority of his career in Rome. He specialised in history paintings, depicting scenes from the Bible, ancient history, and mythology, which are notable for their narrative clarity and dramatic force. Poussin was a man of contrasts; sensual, yet austere and intellectual, prizing reason, order and dispassion above all else. His art is a reconciliation and synthesis of these traits, setting an example of what would become the standard for a long tradition of academic art, continuing until the end of the nineteenth century. His influence was far-reaching, winning the approval of the Neoclassical masters, the Post-Impressionists and even modernists like Pablo Picasso. Delphi’s Masters of Art Series presents the world’s first digital e-Art books, allowing readers to explore the works of great artists in comprehensive detail. This volume presents Poussin’s complete paintings in beautiful detail, with concise introductions, hundreds of high quality images and the usual Delphi bonus material. (Version 1) * The complete paintings of Nicolas Poussin – over 300 images, fully indexed and arranged in chronological and alphabetical order * Includes reproductions of rare works * Features a special ‘Highlights’ section, with concise introductions to the masterpieces, giving valuable contextual information * Enlarged ‘Detail’ images, allowing you to explore Poussin’s celebrated works in detail, as featured in traditional art books * Hundreds of images in colour – highly recommended for viewing on tablets and smartphones or as a valuable reference tool on more conventional eReaders * Special chronological and alphabetical contents tables for the paintings * Easily locate the artworks you wish to view * Includes a selection of Poussin's drawings – explore the artist’s varied works * Features two bonus biographies – discover Poussin's artistic and personal life Please visit www.delphiclassics.com to browse through our range of exciting e-Art books CONTENTS: The Highlights The Death of Chione (1622) Bacchanals: The Andrians (1627) The Death of Germanicus (1627) The Martyrdom of Saint Erasmus (1629) Parnassus (1630) Plague of Ashdod (1630) The Adoration of the Golden Calf (1634) A Dance to the Music of Time (1636) The Israelites Gathering the Manna (1638) Et in Arcadia ego (1638) The Seven Sacraments (1640) Time Defending Truth against the Attacks of Envy and Discord (1641) Landscape with Polyphemus (1649) The Annunciation (1657) The Four Seasons (1660-1664) Apollo and Daphne (1664) The Paintings The Complete Paintings Alphabetical List of Paintings The Drawings List of Drawings The Biographies Poussin (1838) by Arthur Thomas Malkin Nicolas Poussin (1913) by Louis Gillet Please visit www.delphiclassics.com to browse through our range of exciting titles or to buy the whole Art series as a Super Set

"The work of the great French painter Nicolas Poussin (15941665) is most often associated with classically inspired settings and figures depicting solemn scenes from mythology or the Bible. Yet he also created some of the most influential landscapes in Western art, endowing them with a poetic quality that has been admired by artists as different as Constable, Turner, and Ce;zanne. As the British critic William Hazlitt noted in 1844, 'This great and learned man might be said to see nature through the glass of time'. This beautiful catalogue presents the first in-depth examination of Poussin's landscapes. Featured here are more than 40 paintings, ranging from the artist's early Venetian-inspired pastorals to his grandly structured and austere works, designed as metaphors or allegories for the processes of nature. Also included are approximately 60 drawings and essays by internationally renowned scholars who examine the painter's visual, literary, and philosophical influences as well as his relationships with his patrons and his place in the art-historical canon."--Publisher description.

Three of the author’s most highly regarded stories, newly translated: the title story, "An Episode During the Terror," and "Facino Cane."

Over 150 reproductions. The fifteen paintings and forty-one drawings by the great French artist Nicolas Poussin featured in this volume are from the collections of the State Hermitage Museum in St. Petersburg, Russia and the Pushkin Museum of Fine Arts in Moscow. All of the paintings arrived in Russia in the second half of the eighteenth century when Catherine the Great established the renowned Hermitage Picture Gallery, an art-filled salon dedicated to conversation and relaxation for the tsarina and her court. Each artwork is accompanied by descriptive text, critical analysis, and complete known provenance compiled by two of Russia's most-noted art historians. The paintings are reproduced in full-color, along with a number of details highlighting the most significant aspects of each composition.