Since the late nineteenth century, Niagara Falls has been heavily engineered to generate energy behind a flowing façade designed to appeal to tourists. Fixing Niagara Falls reveals the technological feats and cross-border politics that facilitated the transformation of one of the most important natural sites in North America. Daniel Macfarlane shows how this natural wonder is essentially a tap: huge tunnels around the reconfigured Falls channel the waters of the Niagara River, which ebb and flow according to the tourism calendar. This book offers a unique interdisciplinary and transborder perspective on how the Niagara landscape embodies the power of technology and nature.

NEW YORK TIMES NOTABLE BOOK • “Breathtaking . . . a remarkable blend of murder mystery, love story, political intrigue, and tragedy of manners.”—USA Today The year is 1901. Buffalo, New York, is poised for glory. With its booming industry and newly electrified streets, Buffalo is a model for the century just beginning. Louisa Barrett has made this dazzling city her home. Headmistress of Buffalo’s most prestigious school, Louisa is at ease in a world of men, protected by the titans of her city. But nothing prepares her for a startling discovery: evidence of a murder tied to the city’s cathedral-like power plant at nearby Niagara Falls. This shocking crime—followed by another mysterious death—will ignite an explosive chain of events. For in this city of seething intrigue and dazzling progress, a battle rages among politicians, power brokers, and industrialists for control of Niagara. And one extraordinary woman in their midst must protect a dark secret that implicates them all. . . .

Americans call Niagara Falls a natural wonder, but the Falls aren't very natural anymore. In fact, they are a study in artifice. Water diverted, riverbed reshaped, brink stabilized and landscape redesigned, the Falls are more a monument to man's meddling than to nature's strength. Held up as an example of something real, they are hemmed in with fakery -- waxworks, haunted houses, IMAX films and ersatz Indian tales. A symbol of American manifest destiny, they are shared politely with Canada. Emblem of nature's power, they are completely human-controlled. Archetype of natural beauty, they belie an ugly environmental legacy still bubbling up from below. On every level, Niagara Falls is a monument to how America falsifies nature, reshaping its contours and redirecting its force while claiming to submit to its will. Combining history, reportage and personal narrative, Inventing Niagara traces Niagara's journey from sublime icon to engineering marvel to camp spectacle. Along the way, Ginger Strand uncovers the hidden history of America's waterfall: the Mohawk chief who wrested the Falls from his adopted tribe, the revered town father who secretly assisted slave catchers, the wartime workers who unknowingly helped build the Bomb and the building contractor who bought and sold a pharaoh. With an uncanny ability to zero in on the buried truth, Strand introduces us to underwater dams, freaks of nature, mythical maidens and 280,000 radioactive mice buried at Niagara. From LaSalle to Lincoln to Los Alamos, Mohawks to Marilyn, Niagara's story is America's story, a tale of dreams founded on the mastery of nature. At a time of increasing environmental crisis, Inventing Niagara shows us how understanding the cultural history of nature might help us rethink our place in it today.

A sweeping history of this natural wonder, from its geological beginnings to the present. "The noble cataract reflects the concerns, failings, and fancies of the times. If we gaze deeply into its shimmering image we can perhaps discern our own." - page 22 “[Pierre Berton] makes a serious and convincing case for Niagara's pivotal role in North American history. ... His Niagara is a lodestar for North American culture and invention: site of the first railway suspension bridge, inspiration for Nikola Tesla's discovery of the principle of alternating current, and the subject of Frederic Church's most celebrated landscape; a natural wonder that has bewitched generations of scientists, authors, and utopians, and stimulated innovations and social movements still casting long shadows. ... surprising, rich and engrossing.” -- Thurston Clarke, New York Times Book Review “Canadian historian Berton tells dozens of absorbing tales about the region and those who passed through it ... He tells them all superbly, aided by essential maps and a few reproductions of posters advertising some of the more bizarre stunts.” -- Publishers Weekly “Entertaining. . . . Berton brings to life the adventurers and dreamers, visionaries and industrialists, who over centuries have been drawn to the Falls.” -- Maclean’s "Berton at his storytelling best; there is something here for everyone. ... a vintage, full-bodied read." -- The London Free Press "A book worth diving into." -- Calgary Herald "By turns ironic, amused, shocked, horrified and awestruck, Berton traces Niagara's history through the deeds of those who came in contact with it ... all the while walking the fine line between detachment and emotion with agility and grace." -- The Whig-Standard (Kingston) Pierre Berton was one of Canada’s most popular and prolific authors, and is widely credited with popularizing Canadian history. His previous books include The Wild Frontier, Prisoners of the North, Klondike, The Invasion of Canada, and The Great Depression.

During the past fifty years, Canadians have seen many of their white-water rivers dammed or diverted to generate electricity primarily for industry and export. The rush to build dams increased utility debts, produced adverse consequences for the environment and local communities, and ultimately resulted in the layoff of 25,000 employees. White Gold looks at what went wrong with hydro development, with the predicted industrial transformation, with the timing and magnitude of projects, and with national and regional initiatives to link these major projects to a trans-Canada power grid.