"Everything and Other Poems" is a new collection of poetry by Charles North. North has published eleven books of poems, three books of critical prose, and collaborations with artists and other poets. With James Schuyler, he edited the poet/painter anthologies "Broadway" and "Broadway 2." His "New and Selected: What It Is Like" headed NPR's Best Poetry Books of 2011, and he has received a Foundation for Contemporary Arts Grant, two NEA grants, four Fund For Poetry Awards, and a Poets Foundation Award. He lives with his wife, the painter Paula North, in New York City. More info at charles-north.com"--

A mesmerizing collection from the US Poet Laureate whose work is “as intense and elliptical as [Emily] Dickinson, as buoyant and rueful as [Robert] Frost” (J. D. McClatchy, American Poet). In granting the prestigious Ruth Lilly Prize to Kay Ryan, Poetry magazine editor Christian Wiman wrote that “[she] can take any subject and make it her own. Her poems—which combine extreme concision and formal expertise with broad subjects and deep feeling—could never be mistaken for anyone else’s. Her work has the kind of singularity and sustained integrity that are very, very rare.” Winner of the Pulitzer Prize, Kay Ryan’s poems are “Fabergé eggs, tiny, ingenious devices that inevitably conceal some hidden wonder.” The Niagara River is full of such hidden gems. Bafflingly effective, the poems in this collection seem too brief and blithe to pack so much wallop. Their singular music makes it clear why her poetry has been featured everywhere from the Sunday funnies to New York subways to plaques at the zoo to the pages of The New Yorker and The Paris Review (Salon). “Empathic and wryly unforgiving of the human condition, the poems [in The Niagara River] are equal parts pith and punch. The effect is bracing.” —Publishers Weekly

"To tell what happened to you is not a poem," writes Governor General Award-winning poet Phil Hall in this, his latest collection, Niagara & Government. What a poem is: roaring calamity, wedding deceptions, sobriety, Charlottesville mobs, estranged sisters, folk art, poverty, puffery, work, names on cenotaphs, white space, white space, white space. These long sequential poems want to be spoken. They invite the reader to check her ego and sit with "the good stories that un-tongued us."

Robin Ekiss's meditations on memory and mortality are a canary in the coal mine of imagination. With disembodied dolls, dank Parisian catacombs, the gilded interior of a Fabergé egg, and the unfathomable edge of Niagara Falls as the dominion of these poems, reading Ekiss's work is like peering into the perfectly still world of a diorama or daguerreotype: an experience both uncanny and uncompromising.

"Nezhukumatathil’s poems contain elegant twists of a very sharp knife. She writes about the natural world and how we live in it, filling each poem, each page with a true sense of wonder." —Roxane Gay “Cultural strands are woven into the DNA of her strange, lush... poems. Aphorisms...from another dimension.” —The New York Times “With unparalleled ease, she’s able to weave each intriguing detail into a nuanced, thought-provoking poem that also reads like a startling modern-day fable.” —The Poetry Foundation “How wonderful to watch a writer who was already among the best young poets get even better!” —Terrance Hayes With inquisitive flair, Aimee Nezhukumatathil creates a thorough registry of the earth’s wonderful and terrible magic. In her fourth collection of poetry, she studies forms of love as diverse and abundant as the ocean itself. She brings to life a father penguin, a C-section scar, and the Niagara Falls with a powerful force of reverence for life and living things. With an encyclopedic range of subjects and unmatched sincerity, Oceanic speaks to each reader as a cooperative part of the earth, an extraordinary neighborhood to which we all belong. From “Starfish and Coffee”: And that’s how you feel after tumbling like sea stars on the ocean floor over each other. A night where it doesn’t matter which are arms or which are legs or what radiates and how— only your centers stuck together. Aimee Nezhukumatathil is the author of four collections of poetry. Recipient of a National Endowment for the Arts fellowship and the prestigious Eric Hoffer Grand Prize, Nezhukumatathil teaches creative writing and environmental literature in the MFA program at the University of Mississippi.