A mix of short stories and commentaries—some whimsical, some grim—this work of creative conjecture offers a perceptive and positive new slant on significant New Zealand events and personalities. With a modest degree of adjustment, this compilation examines “what if” scenarios ranging from the historical and literary to the athletic and offers alternative conclusions. Altering the lives of Katherine Mansfield, New Zealand’s most famous writer, and national hero Sir Edmund Hillary as well as revisiting New Zealand’s avoidable choice to fight alongside the Americans in Vietnam and the possible effects of a postwar visit by Winston Churchill, this second volume presents a variety of visions of a country that nearly was.

NEW YORK TIMES BESTSELLER Polly Evans was a woman with a mission. Before the traditional New Zealand male hung up his sheep shears for good, Polly wanted to see this vanishing species with her own eyes. Venturing into the land of giant kauri trees and smaller kiwi birds, she explores the country once inhabited by fierce Maori who carved their enemies’ bones into cutlery, bushwhacking pioneers, and gold miners who lit their pipes with banknotes—and comes face-to-face with their surprisingly tame descendants. So what had become of the mighty Kiwi warrior? As Polly tears through the countryside at seventy-five miles an hour, she attempts to solve this mystery while pub-crawling in Hokitika, scaling the Southern Alps, and enduring a hair-raising stay in a mining town where the earth has been known to swallow houses whole. And as she chronicles the thrills and travails of her extraordinary odyssey, Polly’s search for the elusive Kiwi comes full circle—teaching her some hilarious and surprising lessons about motorcycles, modern civilization, and men.

New Zealand was the last country in the world to be discovered and settled by humankind. It was also the first to introduce full democracy. Between those events, and in the century that followed the franchise, the movements and the conflicts of human history have been played out more intensively and more rapidly in New Zealand than anywhere else on Earth. The Penguin History of New Zealand, a new book for a new century, tells that story in all its colour and drama. The narrative that emerges in an inclusive one about men and women, Maori and Pakeha. It shows that British motives in colonising New Zealand were essentially humane; and that Maori, far from being passive victims of a 'fatal impact', coped heroically with colonisation and survived by selectively accepting and adapting what Western technology and culture had to offer. This book, a triumphant fruit of careful research, wide reading and judicious assessment, was an unprecedented best-seller from the time of its first publication in 2003.

A gripping, gritty and award-winning coming-of-age novel for young adult readers. When Te Arepa Santos is dragged into the river by a giant eel, something happens that will change the course of his whole life. The boy who struggles to the bank is not the same one who plunged in, moments earlier. He has brushed against the spirit world, and there is a price to be paid; an utu (revenge) to be exacted. Years later, far from the protection of whanau (family) and ancestral land, he finds new enemies. This time, with no one to save him, there is a decision to be made: he can wait on the bank, or leap forward into the river. At the 2013 NZ Post Childrens Book Awards Into the River was judged the Margaret Mahy Book of the Year. It also won the Young Adult Fiction category of the awards. An engaging coming-of-age novel, it follows its main protagonist from his childhood in small-town rural New Zealand to an elite Auckland boarding school, where he must forge his own way – including battling with his cultural identity. This prequel to Ted Dawe's award-winning novel Thunder Road is gritty, provocative, at times shocking, but always real and true. The awards' chief judge Bernard Beckett described a character "caught between two worlds ... the explicit content was presented as the danger of people being left adrift by society. And within that context, hard-hitting material is crucial; it is what makes the book authentic, real and important." The Deputy Chief Censor of Fim and Literature ruled that the book is not offensive: 'The book deals with some stronger content. There are sexual relationships between teenagers, encounters with possible child sexual exploitation, the use of illegal drugs and other criminal activities, violent assault, and a moderate level of highly offensive language. These are well contextualised within an exciting fast moving narrative that has as its protagonist, a young teenage Maori boy from a rural community who is finding his way through the strange uncomfortable environment of a boys’ boarding school and unfamiliar social mores. The story captures the raw and real extremes of adolescence in teenage boys along with their yearnings and obsessions. The book is notable for being one of the first in the New Zealand which specifically targets teenage boys and younger men — a genre that does not have great representation. The genre character is therefore significant. The content immerses the reader in action, wit, and intrigue, as well as a level of social realism, all likely to engage teen and young adult readers and with particular appeal for older boys and young men.'

"A multilayered, highly informative and insightful book that blends memoir, historical and travel narrative-vivid and meticulously researched."--San Francisco Chronicle

Vaggioli (an Italian monk, and one of the first Benedictine priests to be sent to New Zealand) published this history in 1896. Drawing on first-hand accounts, he describes the signing of the Treaty of Waitangi, the Taranaki wars, the war in Waitkato. He also recorded details of the lives and customs of the Maori people he was evangelising and presents criticisms of both Protestantism and British Colonisation. This is the book's first translation into English.