The art, archaeology, history, and lifeways of New Netherland come vividly to life in these essays by world experts on both sides of the Atlantic. The wide range of objects used and manufactured by Dutch settlers in the New World reveals much about their social life and times. Of particular interest in this volume are Fort Orange pipe bowls, ceramics, wooden cellars and other perishable structures, cupboards, the town house, farming techniques and equipment, plates, seals, rural architecture, canals, and the evidence of New Netherland life gleaned from paintings and the Knickerbocker works of Washington Irving. A companion to the widely praised Remembrance of Patria: Dutch Arts and Culture in Colonial America, 1609–1776, this volume offers in-depth descriptions and analyses of Dutch colonial life and material culture, as assessed by the leading scholars in the Netherlands and the United States. Roderic H. Blackburn is an ethnologist and architectural historian who has held positions as Director of Research at Historic Cherry Hill, Assistant Director of the Albany Institute of History and Art, and Senior Research Fellow at the New York State Museum. He is the author of Dutch Colonial Homes in America, Great Houses of New England, and (with Ruth Piwonka) Remembrance of Patria: Dutch Arts and Culture in Colonial America, 1609–1776. Nancy A. Kelly is an Associate Museum Exhibit Planner at the New York State Museum.

Innocence Abroad explores the encounter between the Netherlands and the New World in the sixteenth and seventeenth centuries.

The settlers of New Netherland were obligated to uphold religious toleration as a legal right by the Dutch Republic's founding document, the 1579 Union of Utrecht, which stated that "everyone shall remain free in religion and that no one may be persecuted or investigated because of religion." For early American historians this statement, unique in the world at its time, lies at the root of American pluralism. New Netherland and the Dutch Origins of American Religious Liberty offers a new reading of the way tolerance operated in colonial America. Using sources in several languages and looking at laws and ideas as well as their enforcement and resistance, Evan Haefeli shows that, although tolerance as a general principle was respected in the colony, there was a pronounced struggle against it in practice. Crucial to the fate of New Netherland were the changing religious and political dynamics within the English empire. In the end, Haefeli argues, the most crucial factor in laying the groundwork for religious tolerance in colonial America was less what the Dutch did than their loss of the region to the English at a moment when the English were unusually open to religious tolerance. This legacy, often overlooked, turns out to be critical to the history of American religious diversity. By setting Dutch America within its broader imperial context, New Netherland and the Dutch Origins of American Religious Liberty offers a comprehensive and nuanced history of a conflict integral to the histories of the Dutch republic, early America, and religious tolerance.

This volume covers the history of the Dutch colony New Netherland on the North American continent, dealing with themes such as the patterns of immigration, government and justice, the economy, religion, social structure, material culture, and mentality of the colonists.

This edited collection explores the ways in which our understanding of the past in Dutch history and culture can be rethought to consider not only how it forms part of the present but how it can relate also to the future. Divided into three parts – The Uses of Myth and History, The Past as Illumination of Cultural Context, and Historiography in Focus – this book seeks to demonstrate the importance of the past by investigating the transmission of culture and its transformations. It reflects on the history of historiography and looks critically at the products of the historiographic process, such as Dutch and Afrikaans literary history. The chapters cover a range of disciplines and approaches: some authors offer a broad view of a particular period, such as Jonathan Israel's contribution on myth and history in the ideological politics of the Dutch Golden Age, while others zoom in on specific genres, texts or historical moments, such as Benjamin Schmidt’s study of the doolhof, a word that today means ‘labyrinth’ but once described a 17th-century educational amusement park. This volume, enlightening and home to multiple paths of enquiry leading in different directions, is an excellent example of what a past-present doolhof might look like.

From its earliest days under English rule, New York City had an unusually diverse ethnic makeup, with substantial numbers of Dutch, English, Scottish, Irish, French, German, and Jewish immigrants, as well as a large African-American population. Joyce Goodfriend paints a vivid portrait of this society, exploring the meaning of ethnicity in early America and showing how colonial settlers of varying backgrounds worked out a basis for coexistence. She argues that, contrary to the prevalent notion of rapid Anglicization, ethnicity proved an enduring force in this small urban society well into the eighteenth century.

Selected articles originally presented at the Vernacular Architecture Forum conference in Duluth, Minnesota (2002) and Newport Rhode Island (2001).