New Voices Playwrights Theatre annual anthology of short plays, 2018.

The 2018 anthology of holiday plays from the New Voices Playwrights Theatre.

In this daring anthology of cutting-edge short stories, new science fiction luminaries including Rebecca Roanhorse, Amal El-Mohtar, and Sam J. Miller, are showcased with the rising stars that are transforming their genre. Discover exciting writers who are already out of this world, in this space-age sequel to the 2018 World Fantasy Award-winning anthology, The New Voices of Fantasy. [STARRED REVIEW] “Superlative.” —Publishers Weekly Your future is bright! After all, your mother is a robot, your father has joined the alien hive-mind, and your dinner will be counterfeit 3D-printed steak. Even though your worker bots have staged a mutiny, and your tour guide speaks only in memes, you can always sell your native language if you need some extra cash. In The New Voices of Science Fiction, you’ll find the rising stars of the last five years: Rebecca Roanhorse, Amal El-Mohtar, Alice Sola Kim, E. Lily Yu, Rich Larson, Vina Jie-Min Prasad, Sarah Pinsker, Darcie Little Badger, Nino Cipri, S. Qiouyi Lu, Kelly Robson, and more. These extraordinary stories have been hand-selected by cutting-edge and award-winning author Hannu Rajaniemi (The Quantum Thief, Summerland) and genre expert, World Fantasy Award winner, Jacob Weisman (Invaders, The Sword & Sorcery Anthology). So go ahead, join the interstellar revolution. The new kids already hacked the AI. “These authors show us the new new things, from global cataclysms to personal transformations that get us lost in entirely unprecedented landscapes. They are here to wake us, by giving us new waking dreams. Read them, and be changed.” —Hannu Rajaniemi, editor

The New Voices Playwrights Theatre annual anthology of short plays, 2018.

Best New African Poets 2020 Anthology, which can be in part titled the Covid Diaries is the 6th volume of the yearly anthology of contemporary African poets, Best New African Poets (BNAP). In this anthology the poets tackle the covid pandemic, some with fear, some with pain, some with anger, some with forebodings of danger; you sense the feeling of insecurity in all of the entries around this issue. This is understandable. As a humanity we have had to go, and we are still going, through one of the most terrible times in our existence, as millions get swept away in this tidal danger. But we will vanquish this monster, we will come out stronger, in the meanwhile as we fight this monster we continue celebrating our humanity in love poems, in spiritual poetry, in politics and governance, in developmental agendas, in foods, in day to day connections, which will outstay this menace. Best New African Poets 2020 Anthology has over 352 pieces from 140 African poets from among other African countries: Nigeria, Angola, Mozambique, South Africa, Egypt, Tunisia, Cape Verde, Sao Tome and Principe, Comoros, Senegal, Ivory Coast, Cameroun, Namibia, Uganda, Kenya, Tanzania, Malawi, Zimbabwe, Zambia, Ghana etc, and those of African Diasporas in Portugal, Brazil, the UK, USA, China, etc

The Methuen Drama Book of New American Plays is an anthology of six outstanding plays from some of the most exciting playwrights currently receiving critical acclaim in the States. It showcases work produced at a number of the leading theatres during the last decade and charts something of the extraordinary range of current playwriting in America. It will be invaluable not only to readers and theatergoers in the U.S., but to those around the world seeking out new American plays and an insight into how U.S. playwrights are engaging with their current social and political environment. There is a rich collection of distinctive, diverse voices at work in the contemporary American theatre and this brings together six of the best, with work by David Adjmi, Marcus Gardley, Young Jean Lee, Katori Hall, Christopher Shinn and Dan LeFranc. The featured plays range from the intimate to the epic, the personal to the national and taken together explore a variety of cultural perspectives on life in America. The first play, David Adjmi's Stunning, is an excavation of ruptured identity set in modern day Midwood, Brooklyn, in the heart of the insular Syrian-Jewish community; Marcus Gardley's lyrical epic The Road Weeps, The Well Runs Dry deals with the migration of Black Seminoles, is set in mid-1800s Oklahoma and speaks directly to modern spirituality, relocation and cultural history; Young Jean Lee's Pullman, WA deals with self-hatred and the self-help culture in her formally inventive three-character play; Katori Hall's Hurt Village uses the real housing project of "Hurt Village" as a potent allegory for urban neglect set against the backdrop of the Iraq war; Christopher Shinn's Dying City melds the personal and political in a theatrical crucible that cracks open our response to 9/11 and Abu Graib, and finally Dan LeFranc's The Big Meal, an inter-generational play spanning eighty years, is set in the mid-west in a generic restaurant and considers family legacy and how some of the smallest events in life turn out to be the most significant.

23 short length plays for a cast of one, two, or three. 5 minutes acting time for each character. Performance times vary from 8-15 minutes.