New Theatre Quarterly provides an international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning.

New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. Articles in volume 74 include: Joan Littlewood's Key to Creativity: 'Go on Stage to Fail'; Grandfathers and Orphans: the Family Saga of European Theatre; Decoding Myths in the Nepalese Festival of Indra Jatra; Theatre in Education in Britain: Current Practice and Future Potential; From Object to Subject: the Israeli Theatre of the Battered Women; 'The Spirits Wouldn't Let Me Be Anything Else': Shamanic Dimensions in Theatre Practice Today; The Contaminated Audience: Researching Amateur Theatre in Wales before 1939.

One of a series discussing topics of interest in theatre studies from theoretical, methodological, philosophical and historical perspectives.

Provides an international forum where theatrical scholarship and practice can meet.

New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. It shows that theatre history has a contemporary relevance.

Provides an international forum where theatrical scholarship and practice can meet.

Provides an international forum where theatrical scholarship and practice can meet.