A Sarah Burke Mystery - Tucson Police detective Sarah Burke is called in to investigate a horrific double murder in a high-dollar neighbourhood, and the tragic destiny of a rich and troubled family unfolds . . . Meanwhile, Sarahs household bulges at the seams, as her niece, her mother and her boyfriend all search for accommodation in her small spaces and crowded schedule, and her sister, as usual, does nothing to make things easier . . .

This story of the origins and evolution of the American blues tradition draws on oral history interviews and research into neglected primary sources. Book jacket.

From Jeffery Deaver, New York Times bestselling author of The Empty Chair and The Devil's Teardrop, comes his trademark "ticking-bomb suspense" (People) that explodes off the page in this heart-stopping thriller. Hard-living Hollywood location scout John Pellam found the perfect backwater Missouri town for shooting a retro gangster film. But when real bullets leave two people dead and one cop paralyzed, Pellam—an unwitting witness to the brutal hits—is suddenly the South’s most wanted man. The feds and local police want him to talk. Mob enforcers want him silenced. And a mysterious blonde just wants him. Trapped in a town full of sinister secrets and deadly deceptions, Pellam must focus on facing down a killer before his own story fades to black.

Through poems and poetic prose pieces, acclaimed children's author Arnold Adoff celebrates that uniquely American form of music called the blues. In his signature “shaped speech” style, he creates a narrative of moments and joyous music, from the drums of the ancestors, the red dirt of the plantations, the current of the mighty Mississippi, and the shackles, blood, and tears of slavery. Each chop of the ax is a beat, each lash of the whip fashions another line on the musical staff. But each sound also creates the chords and harmonies that preserve the ancestors and their stories, and sustain life, faith, and hope into our own times.

Bars, Blues, and Booze collects lively bar tales from the intersection of black and white musical cultures in the South. Many of these stories do not seem dignified, decent, or filled with uplifting euphoria, but they are real narratives of people who worked hard with their hands during the week to celebrate the weekend with music and mind-altering substances. These are stories of musicians who may not be famous celebrities but are men and women deeply occupied with their craft--professional musicians stuck with a day job. The collection also includes stories from fans and bar owners, people vital to shaping a local music scene. The stories explore the "crossroads," that intoxicated intersection of spirituality, race, and music that forms a rich, southern vernacular. In personal narratives, musicians and partygoers relate tales of narrow escape (almost getting busted by the law while transporting moonshine), of desperate poverty (rat-infested kitchens and repossessed cars), of magic (hiring a root doctor to make a charm), and loss (death or incarceration). Here are stories of defiant miscegenation, of forgetting race and going out to eat together after a jam, and then not being served. Assorted boasts of improbable hijinks give the "blue collar" musician a wild, gritty glamour and emphasize the riotous freedom of their fans, who sometimes risk the strong arm of southern liquor laws in order to chase the good times.

A collection of lyrics and autobiographical commentary by singer Mark Lanegan, with a preface by John Cale and a foreword by Moby With a voice that Pitchfork has called "as scratchy as a three-day beard yet as supple and pliable as moccasin leather," former Screaming Trees and Queens of the Stone Age vocalist Mark Lanegan draws frequent comparisons to masters like Nick Cave and Leonard Cohen. Lanegan's voice is one of the most distinct and recognizable in rock, but his talents aren't limited to his vocal skills. Lanegan's lyrics are on par with the best of them, exploring with Blake-like insight the stark and scorched emotional terrain that exists somewhere beyond sadness, addiction, trauma, and spiritual longing. With a body of work that now includes seven albums with the Screaming Trees, eleven acclaimed solo albums, three albums of duets with Belle and Sebastian's Isobel Campbell (including the Mercury Prize-shortlisted Ballad of the Broken Seas), and collaborative albums and singles with the likes of Queens of the Stone Age, Moby, Soulsavers, Twilight Singers, and countless others, Mark Lanegan occupies a singular space in rock music. Now, for the first time ever, the reclusive singer presents a comprehensive look at his lyrics, the stories behind them, and the making of his albums. I Am the Wolf is a rare and candid glimpse into the inner workings and creative process of a legend.

“This affectionate if somewhat irreverent homage would probably win a chuckle from Twain himself” as pals tumble into Tom Sawyer (School Library Journal). Sixth graders Devin and Frankie—short for Francine—are the greatest goof-offs in the history of their school. When their teacher tells them to read The Adventures of Tom Sawyer, they skip it. When there’s a surprise test on the novel, they hide. But when they accidentally drop the school’s prized Mark Twain autograph through the library’s magic metal detector, they find themselves transported to the world of Tom Sawyer and Huck Finn. Soon these modern middle schoolers learn that being a troublemaker is timeless, as they whitewash a fence, run away from home, solve a murder mystery, become pirates, and search for hidden treasure along with Tom and Huck, the original slackers. “Reminiscent of Mary Pope Osborne’s ‘Magic Tree House’ series, but for an older audience,” the second book in Tony Abbott’s Cracked Classics series is a perfect introduction to Mark Twain for reluctant readers (School Library Journal).