The seven one-act plays in this collection were first performed in the New Plays Festival at Gardner-Webb University in 2004. The Festival is an initiative of the theater program at GWU dedicated to developing new plays and encouraging early-career playwrights. Different Dialects is a dance-inspired exploration of a married couple's journey into mid-life. Equal Opportunity Employer is an eccentric tale of mayhem and madness in the life of a talent agent. Good Help employs a film noir motif to spoof the end of the world. Around the Horn is a tale of second chances played out on the baseball diamond. Seaglass is an existential comedy about two bums on life's journey to find meaning. Doctors Like Boats is a riotous comedy of wit and dialogue set in a Doctor's office. The Translation explores the human aspects of privacy invasion in a new age of terror and electronic surveillance.

The six one-act plays in this collection were first performed in the New Plays Festival at Gardner-Webb University in 2005. The Festival is an initiative of the theater program at GWU dedicated to developing new plays and encouraging early-career playwrights. Belt Play is a serious exploration of the aftermath of child abuse. The dark comedy Chess Club is an eccentric tale of survival and cannibalism. Brainstorm spoofs the world of corporate business and its excessive investment in stupidity. Small, Medium, Large is a riotous comedy exposing the folly behind coffee shop cup sizes. Curiosity Kills is a ridiculous comedy about friendship and the untimely death of a cat. The Old Man and His Will explores the meaninglessness of a man's life devoted to the pursuit of money.

Max Forrestal is going to fail biology if he doesn't complete a 20-page paper on extinction by 2pm on Tuesday, but his mother, Lily, is dying of cancer, and school is the last thing on his mind. His father, Ellery, a biologist obsessed with saving a rare Bolivian insect, is incapable of dealing with his wife's impending death, or his son's distress. Max's biology teacher, Khim Phan, tries to figure out why Max is failing the class. Helping Max, however, pushes Khim into a magical journey of his own, from the Cambodian fields of his youth into the undiscovered country beyond.

Mrs. Harrison is about two women and one story. At their 10-year college reunion, Aisha and Holly meet by chance. Is this the first time or has it just been a long time? They can't agree. Aisha is a black, successful playwright; she's on the cover of the alumni magazine. Holly is a white, struggling stand-up comedian; she's here for the free drinks. Aisha's most successful play bears a striking resemblance to a tragic event in Holly's life. Is it a coincidence or is it theft? As a rainstorm interrupts the outdoor reunion, they find themselves trapped inside, together. They both have a story that they've been telling themselves about what happened all those years ago and they're both willing to fight for the truth in the present.

Without William Shakespeare, we wouldn’t have literary masterpieces like Romeo and Juliet. But without Henry Condell and John Heminges, we would have lost half of Shakespeare’s plays forever! After the death of their friend and mentor, the two actors are determined to compile the First Folio and preserve the words that shaped their lives. They’ll just have to borrow, beg, and band together to get it done. Amidst the noise and color of Elizabethan London, THE BOOK OF WILL finds an unforgettable true story of love, loss, and laughter, and sheds new light on a man you may think you know.

Abby, a precocious emo-goth teenager, orchestrates a surprise reunion for her mother Tanya and birth father Tom, with the help of her mom's fiance/healer John. Hoping to provoke long-lasting reconciliation between her parents before her high school graduation, Abby's plans completely derail when Tom arrives with his new girlfriend Alisha. Can this family confront their past traumas, "deal and heal?"

His films In the Company of Men and Your Friends and Neighbors both gained critical renown for their biting satire and caustic wit. Now, with The Distance from Here, he has written his most riveting play yet, an intense look at the dark side of American suburbia. With little to occupy their time other than finding a decent place to hang out—the zoo, the mall, the school parking lot—Darrell and Tim are two American teenagers who lack any direction or purpose in their lives. When Darrell’s suspicion about the faithlessness of his girlfriend is confirmed and Tim comes to her defense, there is nothing to brake their momentum as all three speed toward disaster.