New Plains Review is published semiannually in the spring and fall by the University of Central Oklahoma and is staffed by faculty and students. We are committed to publishing high quality poetry, fiction and creative non-fiction by established and emerging writers.New Plains Review started in 1986 as a student publication of the Liberal Arts College of Central State University (now the University of Central Oklahoma). They solicited and published manuscripts from students of the humanities.The publishers of the first issue said, "With zeal and reason, we provide an evocative forum wherein issues of concern to all fields of humanities may be discussed."Over the years, New Plains Review has expanded its range to invite writers beyond the university community. We receive hundreds of submissions from all over the country, and the authors we publish range from the well-known to the soon-to-be-discovered.

Flynn Hawkins is a graduate assistant at a prestigious university, on his way to greatness and wisdom. But in the aftermath of 9/11, Flynn leaves his wife and children, resigns his teaching position and heads west, only to get lost in his guilt and in the mountains of Colorado. When he ends up stuck overnight in a snow drift during a blizzard on the Continental Divide, he realizes he needs to remake himself into the kind of man his children need him to be.With wit and insight, David Hicks turns a compassionate but unblinking eye on what it means to be human—to be lost while putting yourself back together again, to be cowardly while being brave, to fail and fail again on the way to something that might be success.

Using the structure of the liturgical calendar and the lives of the saints for inspiration, Kevin Brown explores not only faith, but subjects ranging from love to childhood and from grammar to grace. The saints' backgrounds serve as metaphors for our lives today, as we struggle with our mortality and our morality. In these poems, Brown is able to laugh at himself and his failings while reminding us of our own. He points out where our various approaches to faith make us better people and where we fail to follow what we tell others to do. In these poems, the miraculous becomes ordinary even as ordinary events and people are imbued with the sacred, granting readers hope for themselves and for the world.

National Bestseller Most travelers only fly over the Great Plains--but Ian Frazier, ever the intrepid and wide-eyed wanderer, is not your average traveler. A hilarious and fascinating look at the great middle of our nation. With his unique blend of intrepidity, tongue-in-cheek humor, and wide-eyed wonder, Ian Frazier takes us on a journey of more than 25,000 miles up and down and across the vast and myth-inspiring Great Plains. A travelogue, a work of scholarship, and a western adventure, Great Plains takes us from the site of Sitting Bull's cabin, to an abandoned house once terrorized by Bonnie and Clyde, to the scene of the murders chronicled in Truman Capote's In Cold Blood. It is an expedition that reveals the heart of the American West.

Prairie fires have always been a spectacular and dangerous part of the Great Plains. Nineteenth-century settlers sometimes lost their lives to uncontrolled blazes, and today ranchers such as those in the Flint Hills of Kansas manage the grasslands through controlled burning. Even small fires, overlooked by history, changed lives-destroyed someone's property, threatened someone's safety, or simply made someone's breath catch because of their astounding beauty. Julie Courtwright, who was born and raised in the tallgrass prairie of Butler County, Kansas, knows prairie fires well. In this first comprehensive environmental history of her subject, Courtwright vividly recounts how fire-setting it, fighting it, watching it, fearing it-has bound Plains people to each other and to the prairies themselves for centuries. She traces the history of both natural and intentional fires from Native American practices to the current use of controlled burns as an effective land management tool, along the way sharing the personal accounts of people whose lives have been touched by fire. The book ranges from Texas to the Dakotas and from the 1500s to modern times. It tells how Native Americans learned how to replicate the effects of natural lightning fires, thus maintaining the prairie ecosystem. Native peoples fired the prairie to aid in the hunt, and also as a weapon in war. White settlers learned from them that burns renewed the grasslands for grazing; but as more towns developed, settlers began to suppress fires-now viewed as a threat to their property and safety. Fire suppression had as dramatic an environmental impact as fire application. Suppression allowed the growth of water-wasting trees and caused a thick growth of old grass to build up over time, creating a dangerous environment for accidental fires. Courtwright calls on a wide range of sources: diary entries and oral histories from survivors, colorful newspaper accounts, military weather records, and artifacts of popular culture from Gene Autry stories to country song lyrics to Little House on the Prairie. Through this multiplicity of voices, she shows us how prairie fires have always been a significant part of the Great Plains experience-and how each fire that burned across the prairies over hundreds of years is part of someone's life story. By unfolding these personal narratives while looking at the bigger environmental picture, Courtwright blends poetic prose with careful scholarship to fashion a thoughtful paean to prairie fire. It will enlighten environmental and Western historians and renew a sense of wonder in the people of the Plains.

*Finalist for the Pulitzer Prize and the National Book Critics Circle Award* *A New York Times Notable Book* *Winner of the Texas Book Award and the Oklahoma Book Award* This New York Times bestseller and stunning historical account of the forty-year battle between Comanche Indians and white settlers for control of the American West “is nothing short of a revelation…will leave dust and blood on your jeans” (The New York Times Book Review). Empire of the Summer Moon spans two astonishing stories. The first traces the rise and fall of the Comanches, the most powerful Indian tribe in American history. The second entails one of the most remarkable narratives ever to come out of the Old West: the epic saga of the pioneer woman Cynthia Ann Parker and her mixed-blood son Quanah, who became the last and greatest chief of the Comanches. Although readers may be more familiar with the tribal names Apache and Sioux, it was in fact the legendary fighting ability of the Comanches that determined when the American West opened up. Comanche boys became adept bareback riders by age six; full Comanche braves were considered the best horsemen who ever rode. They were so masterful at war and so skillful with their arrows and lances that they stopped the northern drive of colonial Spain from Mexico and halted the French expansion westward from Louisiana. White settlers arriving in Texas from the eastern United States were surprised to find the frontier being rolled backward by Comanches incensed by the invasion of their tribal lands. The war with the Comanches lasted four decades, in effect holding up the development of the new American nation. Gwynne’s exhilarating account delivers a sweeping narrative that encompasses Spanish colonialism, the Civil War, the destruction of the buffalo herds, and the arrival of the railroads, and the amazing story of Cynthia Ann Parker and her son Quanah—a historical feast for anyone interested in how the United States came into being. Hailed by critics, S. C. Gwynne’s account of these events is meticulously researched, intellectually provocative, and, above all, thrillingly told. Empire of the Summer Moon announces him as a major new writer of American history.

When History Is Personal contains the stories of twenty-five moments in Mimi Schwartz’s life, each heightened by its connection to historical, political, and social issues. These essays look both inward and outward so that these individualized tales tell a larger story—of assimilation, the women’s movement, racism, anti-Semitism, end-of-life issues, ethics in writing, digital and corporate challenges, and courtroom justice. A shrewd and discerning storyteller, Schwartz captures history from her vantage as a child of German-Jewish immigrants, a wife of over fifty years, a breast cancer survivor, a working mother, a traveler, a tennis player, a daughter, and a widow. In adding her personal story to the larger narrative of history, culture, and politics, Schwartz invites readers to consider her personal take alongside “official” histories and offers readers fresh assessments of our collective past.