Contemporary art is obsessed with the politics of identity. Visit any contemporary gallery, museum or theatre, and chances are the art on offer will be principally concerned with race, gender, sexuality, power and privilege. The quest for truth, freedom and the sacred has been thrust aside to make room for identity politics. Mystery, individuality and beauty are out; radical feminism, racial grievance and queer theory are in. The result is a drearily predictable culture and the narrowing of the space for creative self-expression and honest criticism. Sohrab Ahmari's book is a passionate cri de coeur against this state of affairs. The New Philistines takes readers deep inside a cultural scene where all manner of ugly, inept art is celebrated so long as it toes the ideological line, and where the artistic glories of the Western world are revised and disfigured to fit the rigid doctrines of identity politics. The degree of politicisation means that art no longer performs its historical function, as a mirror and repository of the human spirit - something that should alarm not just art lovers but anyone who cares about the future of liberal civilisation.

Nara is a young Philistine woman who has given up hope of ever finding a husband. No man will take a wife who towers head and shoulders above him. She lives in isolation with her father, until she is discovered by the Philistine priests. They betroth her to Goliath, to give him warrior sons. What happens when Nara’s fate collides with that of David, who is destined to face Goliath in combat, will forever transform how you experience this pivotal moment in the Bible... Boorstin reimagines David’s dangerous path from shepherd to charismatic leader, interweaving his life not only with Nara’s, but with key Biblical characters including King Saul, and Saul’s daughter Michal, who will later become David’s wife. While faithful to the spirit of the Bible, Boorstin reads between the lines of the ancient narrative to bring immediacy, relevance and even greater meaning to the life of the young Israelite who would become the most beloved character in the Old Testament. David and the Philistine Woman combines exciting storytelling and rich characters to fashion an unforgettable epic.

In this study, Assaf Yasur-Landau examines the early history of the biblical Philistines who were among the 'Sea Peoples' who migrated from the Aegean area to the Levant during the early twelfth century BC. Creating an archaeological narrative of the migration of the Philistines, he combines an innovative theoretical framework on the archaeology of migration with new data from excavations in Greece, Turkey, Cyprus, Syria, Lebanon, and Israel and thereby reconstructs the social history of the Aegean migration to the southern Levant. The author follows the story of the migrants from the conditions that caused the Philistines to leave their Aegean homes, to their movement eastward along the sea and land routes, to their formation of a migrant society in Philistia and their interaction with local populations in the Levant. Based on the most up-to-date evidence, this book offers a new and fresh understanding of the arrival of the Philistines in the Levant.

The search for the father, the discovery of love -- a story of belonging

Dave Beech and John Roberts develop what they call a 'counter-intuitive' notion of the philistine, with insights on cultural division and exclusion.