In the aftermath of disaster, literary and other cultural representations of the event can play a role in the renegotiation of political power. In Disaster Writing, Mark D. Anderson analyzes four natural disasters in Latin America that acquired national significance and symbolism through literary mediation: the 1930 cyclone in the Dominican Republic, volcanic eruptions in Central America, the 1985 earthquake in Mexico City, and recurring drought in northeastern Brazil. Taking a comparative and interdisciplinary approach to the disaster narratives, Anderson explores concepts such as the social construction of risk, landscape as political and cultural geography, vulnerability as the convergence of natural hazard and social marginalization, and the cultural mediation of trauma and loss. He shows how the political and historical contexts suggest a systematic link between natural disaster and cultural politics.

Read a free excerpt here! American engineers have done astounding things to bend the Mississippi River to their will: forcing one of its tributaries to flow uphill, transforming over a thousand miles of roiling currents into a placid staircase of water, and wresting the lower half of the river apart from its floodplain. American law has aided and abetted these feats. But despite our best efforts, so-called “natural disasters” continue to strike the Mississippi basin, as raging floodwaters decimate waterfront communities and abandoned towns literally crumble into the Gulf of Mexico. In some places, only the tombstones remain, leaning at odd angles as the underlying soil erodes away. Mississippi River Tragedies reveals that it is seductively deceptive—but horribly misleading—to call such catastrophes “natural.” Authors Christine A. Klein and Sandra B. Zellmer present a sympathetic account of the human dreams, pride, and foibles that got us to this point, weaving together engaging historical narratives and accessible law stories drawn from actual courtroom dramas. The authors deftly uncover the larger story of how the law reflects and even amplifies our ambivalent attitude toward nature—simultaneously revering wild rivers and places for what they are, while working feverishly to change them into something else. Despite their sobering revelations, the authors’ final message is one of hope. Although the acknowledgement of human responsibility for unnatural disasters can lead to blame, guilt, and liability, it can also prod us to confront the consequences of our actions, leading to a liberating sense of possibility and to the knowledge necessary to avoid future disasters.

The oil spill was the largest in U.S. history. In April 2010, the Deepwater Horizon drilling rig exploded and sank. Oil gushed into the Gulf of Mexico from a deep ocean well. For months, the energy company BP tried to control the leak. More than four million barrels of oil flowed into the Gulf before the well was stopped. Fishers, shrimpers, and many others along the Gulf coast lost their income as polluted water prevented fishing and stifled tourism. Meanwhile, countless workers tried to contain the spilled oil. Boat crews skimmed the oil slicks on the surface. Scientists poured chemicals into the water to break up the oil. Then bacteria could remove the smaller oil droplets from the water. Wildlife organizations rescued oil-slicked pelicans, turtles, and other animals. The government, together with BP and volunteers, rallied to help coastal areas recover. Oil Spill! explores the Gulf of Mexico disaster from the beginning. With vivid images and diagrams, it breaks down the murky mess to look at how it happened, how it affected the Gulf, how it compares to past spills, and how kids can help the area recover.

In the course of the hundreds of Rio Chama rafting trips that we've logged during the last 30 years, none of us has ever had a bad trip. Such is the magic of the Rio Chama. No matter the weather, the water level, the season, the crowded Big Eddy boat ramp on a blistering Sunday afternoon, or even the coffee forgotten at home, the Rio Chama remains "The People's River." Its stunning beauty, plus its exceptional camping, user-friendly whitewater, and mostly predictable flows, combine to create one of the Southwest's premiere, multi-day, river running experiences.The spectacular, towering canyon walls of the Wild & Scenic section through the remote Chama River Canyon Wilderness is New Mexico's own "Grand Canyon." The geology of the Rio Chama is so exceptional that this river is ideally suited for a river guide with a geological theme. And so, following the release of the Rio Grande geologic river guide in 2011, we turned our (part-time) attention to the Rio Chama. Although most Rio Chama recreation is focused on the El Vado to Big Eddy stretch, thedecision was easily made to include the entire boatable section, from the highlands in Colorado to the confluence with the Rio Grande, as each section of the river displays its own visual spectacles and assortment of adventures. Plus, the geology is magnificent and diverse along the entire length of the river.

The author of Men Explain Things to Me explores the moments of altruism and generosity that arise in the aftermath of disaster Why is it that in the aftermath of a disaster? whether manmade or natural?people suddenly become altruistic, resourceful, and brave? What makes the newfound communities and purpose many find in the ruins and crises after disaster so joyous? And what does this joy reveal about ordinarily unmet social desires and possibilities? In A Paradise Built in Hell, award-winning author Rebecca Solnit explores these phenomena, looking at major calamities from the 1906 earthquake in San Francisco through the 1917 explosion that tore up Halifax, Nova Scotia, the 1985 Mexico City earthquake, 9/11, and Hurricane Katrina in New Orleans. She examines how disaster throws people into a temporary utopia of changed states of mind and social possibilities, as well as looking at the cost of the widespread myths and rarer real cases of social deterioration during crisis. This is a timely and important book from an acclaimed author whose work consistently locates unseen patterns and meanings in broad cultural histories.