"The open road is calling, and you must go -- but first, grab your RV travel logbook! This family-friendly journal has space to plan and record the best parts of your road trip, whether you're taking a weekend excursion to your favorite state park or embarking on a cross-country journey..." -- cover

Refusing the Favor tells the little-known story of the Spanish-Mexican women who saw their homeland become part of New Mexico. A corrective to traditional narratives of the period, it carefully and lucidly documents the effects of colonization, looking closely at how the women lived both before and after the United States took control of the region. Focusing on Santa Fe, which was long one of the largest cities west of the Mississippi, Deena González demonstrates that women's responses to the conquest were remarkably diverse and that their efforts to preserve their culture were complex and long-lasting. Drawing on a range of sources, from newspapers to wills, deeds, and court records, González shows that the change to U.S. territorial status did little to enrich or empower the Spanish-Mexican inhabitants. The vast majority, in fact, found themselves quickly impoverished, and this trend toward low-paid labor, particularly for women, continues even today. González both examines the long-term consequences of colonization and draws illuminating parallels with the experiences of other minorities. Refusing the Favor also describes how and why Spanish-Mexican women have remained invisible in the histories of the region for so long. It avoids casting the story as simply "bad" Euro-American migrants and "good" local people by emphasizing the concrete details of how women lived. It covers every aspect of their experience, from their roles as businesswomen to the effects of intermarriage, and it provides an essential key to the history of New Mexico. Anyone with an interest in Western history, gender studies, Chicano/a studies, or the history of borderlands and colonization will find the book an invaluable resource and guide.

Elegantly assembles the environmental, social, cultural, political, and economic history of the Great Plains in the 19th century.

I killed and buried my best friend today ... When authorities found Raffi Kodikian -- barely alive -- four days after he and his friend David Coughlin became lost in Rattlesnake Canyon, they made a grim and shocking discovery. Kodikian freely admitted that he had stabbed Coughlin twice in the heart. Had there been a darker motive than mercy? And how could anyone, under any circumstances, kill his best friend? Armed with the journal Kodikian and Coughlin carried into Rattle- snake Canyon, Jason Kersten re-creates in riveting detail those fateful days that led to the killing in an infamously unforgiving wilderness.

Exquisite blankets, sarapes and ponchos handwoven by southwestern peoples are admired throughout the world. Despite many popularized accounts, serious gaps have existed in our understanding of these textiles—gaps that one man devoted years of scholarly attention to address. During much of his career, anthropologist Joe Ben Wheat (1916-1997) earned a reputation as a preeminent authority on southwestern and plains prehistory. Beginning in 1972, he turned his scientific methods and considerable talents to historical questions as well. He visited dozens of museums to study thousands of nineteenth-century textiles, oversaw chemical tests of dyes from hundreds of yarns, and sought out obscure archives to research the material and documentary basis for textile development. His goal was to establish a key for southwestern textile identification based on the traits that distinguish the Pueblo, Navajo, and Spanish American blanket weaving traditions—and thereby provide a better way of identifying and dating pieces of unknown origin. Wheat's years of research resulted in a masterful classification scheme for southwestern textiles—and a book that establishes an essential baseline for understanding craft production. Nearly completed before Wheat's death, Blanket Weaving in the Southwest describes the evolution of southwestern textiles from the early historic period to the late nineteenth century, establishes a revised chronology for its development, and traces significant changes in materials, techniques, and designs. Wheat first relates what Spanish observers learned about the state of native weaving in the region—a historical review that reveals the impact of new technologies and economies on a traditional craft. Subsequent chapters deal with fibers, yarns, dyes, and fabric structures—including an unprecedented examination of the nature, variety, and origins of bayeta yarns—and with tools, weaves, and finishing techniques. A final chapter, constructed by editor Ann Hedlund from Wheat's notes, provides clues to his evolving ideas about the development of textile design. Hedlund—herself a respected textile scholar and a protégée of Wheat's—is uniquely qualified to interpret the many notes he left behind and brings her own understanding of weaving to every facet of the text. She has ensured that Wheat's research is applicable to the needs of scholars, collectors, and general readers alike. Throughout the text, Wheat discusses and evaluates the distinct traits of the three textile traditions. More than 200 photos demonstrate these features, including 191 color plates depicting a vast array of chief blankets, shoulder blankets, ponchos, sarapes, diyugi, mantas, and dresses from museum collections nationwide. In addition, dozens of line drawings demonstrate the fine points of technique concerning weaves, edge finishes, and corner tassels. Through his groundbreaking and painstaking research, Wheat created a new view of southwestern textile history that goes beyond any other book on the subject. Blanket Weaving in the Southwest addresses a host of unresolved issues in textile research and provides critical tools for resolving them. It is an essential resource for anyone who appreciates the intricacy of these outstanding creations.