New Mexico's harsh terrain, countless wars and epidemics were a challenging and fascinating environment for the many cultures and peoples who settled there. When tragedy struck, their faith and religious rituals allowed them to mourn, celebrate and commemorate their dead. From Pueblo Indians and Spanish colonists to Jewish immigrants and American veterans, many old traditions have endured and blended into modern society. The area is also home to many unique death sites, including the graves of Smokey Bear and Billy the Kid, and the largest contemporary collection of human bones in the world. Author Ana Pacheco guides you through the history of Christmas death rituals, roadside descansos, communal smallpox graves, Civil War memorials and more.

This thoroughly researched study uses death to explore the intersection of religious culture and politics in colonial New Mexico.

A look at the Land of Enchantment’s burial customs, from the Pueblo Indians and Spanish colonists to Jewish immigrants and American veterans. New Mexico’s harsh terrain, countless wars and epidemics were a challenging and fascinating environment for the many cultures and peoples who settled there. When tragedy struck, their faith and religious rituals allowed them to mourn, celebrate and commemorate their dead. From Pueblo Indians and Spanish colonists to Jewish immigrants and American veterans, many old traditions have endured and blended into modern society. The area is also home to many unique death sites, including the graves of Smokey Bear and Billy the Kid, and the largest contemporary collection of human bones in the world. Author Ana Pacheco guides you through the history of Christmas death rituals, roadside descansos, communal smallpox graves, Civil War memorials and more./

Essay from the year 2018 in the subject Sociology - Work, Profession, Education, Organisation, grade: A, Kenyatta University, course: sociology, language: English, abstract: On top of understanding the rituals and beliefs of death, burials, mourning and memorialization of the dead and afterlife beliefs among the Mexican Catholics, this paper will also be providing further insights concerning how these people perceive the presence of the dead and how they evade or accept the realities of death. Beliefs and rituals of death, burial and their significances, and the after death happenings, plus, the living and non-living connection remain to be focal, among all major cultural and even religious traditions. In this sense, the rituals and beliefs behind grieving and death vary from one culture to another, and they are often highly influenced by religion. Evidently, the Mexican culture has been observed to have a unique fascination with this aspect; a relationship that has generated myriad meanings, practices and attitudes concerning death across history, not to mention that it has also contributed to the building of the Mexican state and its respective culture; becoming a constituent of the national symbol. The distinct Mexican holidays’ expressions are normally reflected in the yearly religious and civic, alongside historical calendars. The primary demonstration of the relationships between death culture, holidays and the Mexican identity is the Day of the Dead, which is celebrated every year on 2nd November. While the population’s majority is considered to be catholic, it has been noted that religious syncretism, which dates back to the Spanish invasion and colonization, is mirrored during these holidays.

In his masterful photo series Harvey Stein explores a country of incredible contrasts and contradictions.

The history of Mexico's fearless intimacy with death--the elevation of death to the center of national identity. Death and the Idea of Mexico is the first social, cultural, and political history of death in a nation that has made death its tutelary sign. Examining the history of death and of the death sign from sixteenth-century holocaust to contemporary Mexican-American identity politics, anthropologist Claudio Lomnitz's innovative study marks a turning point in understanding Mexico's rich and unique use of death imagery. Unlike contemporary Europeans and Americans, whose denial of death permeates their cultures, the Mexican people display and cultivate a jovial familiarity with death. This intimacy with death has become the cornerstone of Mexico's national identity. Death and Idea of Mexico focuses on the dialectical relationship between dying, killing, and the administration of death, and the very formation of the colonial state, of a rich and variegated popular culture, and of the Mexican nation itself. The elevation of Mexican intimacy with death to the center of national identity is but a moment within that history--within a history in which the key institutions of society are built around the claims of the fallen. Based on a stunning range of sources--from missionary testimonies to newspaper cartoons, from masterpieces of artistic vanguards to accounts of public executions and political assassinations--Death and the Idea of Mexico moves beyond the limited methodology of traditional historiographies of death to probe the depths of a people and a country whose fearless acquaintance with death shapes the very terms of its social compact.